-- Chul Hyun Ahn, December 2016 Korean artist Chul Hyun Ahn investigates
infinite space through his use of light, color, and illusion.
Not exact matches
Our planet itself is a Noah's ark, navigating
through infinite space.
In hyperbolic
space, more than one parallel line runs
through that external point; in fact, an
infinite number of them do.
General relativity says it's impossible to send rockets
through space at the speed of light, because this would require
infinite energy.
Join Klats as he pilots a cruiser
through all the cargo crates that are floating in
infinite space.
Lost in
Space is a simple, stylish and addictive high score chasing bullet hell shooter in which you attempt dodge and blast your way
through an
infinite asteroid field for as long as possible before you run out of energy.
Viewers see a kaleidoscopic play of color and light, along with multiple views of their own reflections and those of the other viewers looking
through the portholes, all creating an illusion of
infinite space and an extraordinary shared experience.
Leaping from medium to medium, subverting the conventional uses of materials, and expanding the artwork to a wall - to - wall environment, Evans recasts the identity of a painting as an immersive installation that alters the architecture of a
space and engages the viewer
through the
infinite happenings of a work.
Nguyen sets a panorama of nebular expanse, slippery time, and
infinite spectral light that could be perceived only in the immeasurable depths of a dream void or
through interstellar outer
space.
For Flavin, neon, as a given form, is a way of articulating potentially
infinite series that enter into a critical relationship with the surrounding
space: it offers a structural comment, contradiction and poetic metamorphosis
through light.
The fluidity of her line within the
space of the canvas or paper sustains the rhythm of her creation
through an accumulation of marks capable of bringing us to a dimension that goes beyond time, into a perspective of
infinite growth.
Through recent installations that include filmed performances, where projections of the «ghosted» human body wash over sculptural elements, the artist attempts to create an alienating / disorienting illusory effect that reflects an increasing loss of the corporeal gesture in the every day, the
infinite attempt at calibrating the body to technology, as well as the entrapment of the human psyche within it; manipulating and playing with memory,
space and time.
«Kingdom Splurge is an
infinite project of endless becoming that entails liberation
through Funk, fantasy architecture and the experimental development of
space: gardens, lawns, vacant lots, churches, liquor stores, parking lots.
This transformation from an object - based system of communication to an increasingly virtual method of transmission is mirrored in abstract painting's move from an embodiment of frontal
space, manifested
through color, form and canvas shape, towards the illusion of
infinite space, rendered with digital - like precision.
The scenes appear disconnected from each other and the spectator is free to create
infinite narratives in each of the
spaces through which the film meanders.
According to Professor Morgan: «The use of empty
space moves
through the paintings of Sesshu in a way that echoes the natural living environment as a seemingly
infinite space.
On the walls of the finite
space lies an
infinite exploration
through American life via Masterworks of American Photography: Popular Culture.
And unlike before, you can scroll
through to have an
infinite amount of
space to write notes, rather than just what fits on your screen.