After determining that I was not just another moralist who wanted to
influence film content, but someone who was genuinely interested in film, Shurlock relaxed and asked me a question that was very much on his mind: «We are trying to determine what to do about a picture in which director Sidney Lumet wants to include a shot of a woman's bare breasts.
Not exact matches
Through its
influence on the code office and through its own strong Legion of Decency, the Catholic Church continued to affect the
content of
films.
Mupload TV showcases unique
content depicting real life stories to initiate real life solutions using music videos, TV shows,
films, dramas, sports and entertainment to impact,
influence, and activate young people and teens worldwide.
The Center's programs encourage more women to pursue careers as storytellers, and its research agenda documents trends in women's employment, the impact of their employment on television and
film content, and factors
influencing the under - representation of women's voices in television and
film.
The documentary is mainly comprised of interviews, many with the director himself in his apartment, but the highlight for most will be the scene of Tarantino and De Palma talking about the similarities in their careers of having to deal with public attention regarding the violent
content in their
films (this comes after an extended sequence featuring Tarantino explaining his love for De Palma, which includes a personal scrapbook of printed interviews and a description of the
influence that Casualties of War had on certain elements in Reservoir Dogs).
The director himself sits in to provide an interview, explaining various facets of the movie's production including its relationship to his 1983 work The Fourth Man (which he sees as a quasi-prequel), the
influence of Vertigo on the
film, where inspiration for the infamous leg cross / flash scene came from, and his deciding with Michael Douglas to cast Sharon Stone, who at the time was not yet a star performer but one of the few actresses who would agree to Verhoeven's conditions regarding sexual
content and nudity.
This struggle and exile from his homeland has
influenced the
content of Miko's personal
films which explore themes of diaspora, colonialism and Americanization.
The earnest «reflexivity» of the narration, which constantly draws attention to its modes of discourse; the smug female voice - over artist, who bizarrely mispronounces the numerous French words; the use of another medium — in this case dance — to create a kind of abstract demonstration of the
film's
content — these things all hark weirdly back to the «materialist» theory that
influenced art school teaching in the Nineties, and further back to the frequently soul - destroying «deconstructed narrative» cinema of the late Seventies and early Eighties.