Sentences with phrase «influence of action painting»

Not exact matches

We already mentioned that surrealism influenced the emergence of Action Painting.

In fact, the dominance of the term «abstract expressionism» over «action painting,» which seemed more applicable to Pollock and Willem de Kooning than any other members of the New York School, is emblematic of the influence of formalist discourse.

Rosenberg's critique shifted the emphasis from the object to the struggle itself, with the finished painting being only the physical — the process and the action is the act of art, artworks are not in the focus; this is something that would influence the emergence of a number of art movements in the coming years.

Jackson Pollock claimed to be the influence of «action painting,» despite Rosenberg's rumored lack of respect for the artist because Pollock wasn't particularly well - read.

Profoundly influenced by Chinese painting traditions and techniques — especially the marks of the eighth - and ninth - century Yi - pin «ink - splashing» (or «flung ink») painters — mentorships from John Cage and Agnes Martin, and the harmony between man and nature espoused by Taoist philosophy, Steir considers elemental forces active participants in her work, intentionally removing herself from the action and allowing gravity, time, and the environment to determine the work's result.

Back in New York, immersed in the circle of artists known as the New York School and with Cage and Cunningham's avant - garde influence as a foil, Rauschenberg explored many of the central ideas of Abstract Expressionism, both acknowledging and transgressing the movement's emphasis on gesture, individualism, action, and direct expression through paint.

Influenced by Jackson Pollock's method of action painting, Kaprow gravitated toward the act of making a painting more than the painting itself, and in his 1958 essay «The Legacy of Jackson Pollock,» he called for the overthrow of objects by actions.

Having just returned from abroad and immersed himself in the New York art scene, he found himself in a cauldron of ideas about action, process, concept, and nothingness, navigating an artistic landscape that was being redefined through influences such as Cage's intellectual Zen advances, Rosenberg's painting as an action, the Janis Gallery Dada show, and the Stable Gallery exhibition of his very own White Paintings.

Profoundly influenced by Chinese painting traditions and techniques — especially the marks of the eighth - and ninth - century Yi - pin «ink - splashing» painters — mentorships from John Cage and Agnes Martin, and the harmony between man and nature espoused by Taoist philosophy, Steir considers elemental forces active participants in her work, intentionally removing herself from the action and allowing gravity, time, and the environment to determine the work's result.

In addition, by lecturing at Yale and other universities and creative forums, and by staging Surrealist exhibitions with their ideas of automatism and intuitive creativity, Breton influenced several members of the New York School of Abstract Expressionism - notably the gesturalist Jackson Pollock whose early works and styles (like action - painting) contained several important Surrealist features.

Through their influence, Kline narrowed his focus, exploring the nature of brush strokes in large - scale action paintings that consisted of a simplified, black and white palette.

In Germany, Performance was known as Actionism, influenced in part by the 1950 photographs taken by Hans Namuth of the Abstract Expressionist artist Jackson Pollock (1915 - 56) at work in his studio performing his «action painting», although strictly speaking the term Actionism relates to the Vienna based group Wiener Aktionismus founded in 1962.

The legacy of Action Painting continues to influence contemporary artists, who continue using the methodologies of instinct and physicality in order to express their individuality as it relates to the common humanity of our times.

In particular, Masson's use of automatism seems to have influenced Pollock's unique trance - like style of action painting.

Mathieu's gestural style was influenced by several people, including the Tachiste Hans Hartung (1904 - 89), the American Jackson Pollock (1912 - 56), inventor of action painting, and the members of the Gutai Art Association, (1954 — 72) in Japan.

Pollock was regularly spotted at jazz venues such as the Five Spot Club in New York and his love of jazz largely influenced his work and the development of his action painting technique.

• Pollock the Existential Painter • Influences • Breakthrough • Pollock's Move towards Gesturalism • Drip Painting Technique • Characteristics of Action Painting • Pollock in the 1950s • Pollock's Legacy

The origins of Twombly's style grew from his education at Black Mountain College under Franz Kline and Robert Motherwell, and an influence from abstract expressionism in New York where Jackson Pollock was experimenting with action painting and Mark Rothko was inspiring the colour - field style.

In the United States Roberto Matta paints his Psychological Morphology series and, together with Picasso and Orozco, influences Jackson Pollock, who in 1944 paints Gothic, at the threshold of Action Painting.

This volume presents the oeuvre of Gutai artist Kazuo Shiraga (1924 — 2008), discussing the influences of both Western action painting and ancient Japanese Buddhist ritual.

Rhode's street acts, in which he chalks or paints stationary objects on walls, and then engages with said objects, are energetic narratives, aggregates of Rhode's scholarly references to early performance, action and street - influenced art — Vito Acconci, Jean - Michel Basquiat, the Japanese movement gutai — and to his own specific upbringing in post-apartheid South Africa.