Sentences with phrase «influence of a realist»

Not exact matches

Quite apart from this problematic classification of Anglo - American realists and American pragmatists (cf. GMPT 136 - 80) such conventional associations tend to obscure, rather than elucidate the influence of evolutionist theories on Whitehead's philosophical development, and do nothing to clarify the actual influence on, or to evaluate the compatibility of evolutionary cosmologies with, Whitehead's philosophy.

The first «master medievalist,» the Cambridge legal scholar William Maitland, influenced Americans, particularly legal realists of the 1930s and «40s, more than his fellow Britons.

The quasi-magical realist film «In Search of Fellini» has its heart in the right place but wears its studied quirks on its sleeve, leading with influences and references rather than a strong story.

Associating his influences with Social Realists «he fell in with» when he arrived in New York, Sims describes them as «a cohort of individuals who bridged the gap between abstraction and figuration... the use of energetic color and gesture, and a sensibility that would be described as gritty.»

The murals of the Mexican social - realists, the abstract geometric paintings of Piet Mondrian, and the cut outs of Matisse are some of the influences that shape his work.

Alston's work was influenced by the social realist art of the 1930s, the politically - charged work of the Mexican Muralists, and by jazz and nightclub culture.

Estes was greatly influenced by the realist paintings of Edgar Degas, Edward Hopper, and Thomas Eakins when he studied at the School of the Art Institute of Chicago.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

The oil - based pieces carry the faint elegant touches of Art Deco painter Tamara de Lempicka, mixed with a dash of Alex Katz's realist style, yet Hobbie's vibrant color prowess and delicate feminine gestures supersede those influences.

• Precisionism (fl. 1920s) Style of realist painting influenced by Futurism and Cubism.

Camille Corot tried to escape the conventional and idealized form of landscape painting influenced by classicism to be more realist and sensible to atmospheric variations at the same time.

Depicting themes and settings as varied as bar scenes, motherhood and the plight of the artist, New York — based artist Nicole Eisenman (born 1965) fuses contemporary subject matter with art - historical influences ranging from Renaissance chiaroscuro to twentieth - century social realist painting.

Citing his greatest influences to be Edward Hopper and Andrew Wyeth and the emerging American realists of the time, the development of Francis's work over the past 20 years has resulted in him being among the first movement of British artists to develop the «realist» technique.

Fusing centuries - old art - making conventions and a multitude of art historic influences — including impressionism, German expressionism, and twentieth - century social realist painting — with contemporary subject matter, she depicts settings and themes as varied as bar scenes, motherhood, and the plight of the artist.

Under the influence of Ashcan School artists, Ribak's early social realist work veered towards the documentary as he depicted boxers, miners, and even international communities being afflicted by Fascist regimes.

And I would offer a similar criticism of that as well, as IMO, you neither ground that form of analogizing in a scientific manner; as I have told you, I think that your inclusion and exclusion criteria selection process is quite arbitrary, and I don't think that it is coincidence that it confirms your distinction of a group you belong to («skeptics») from a group you criticize («realists») in ways that (1) reaffirm a superiority in the group you belong to and, (2) I consider to be superficial and not meaningful as compared to the vastly more important underlying similarities (e.g., the tendency toward identity protective behavior, motivated reasoning, cultural cognition, confirmation bias, emotively - influenced reasoning, etc.)...

Nothing to do with us climate realists here struggling manfully against the overwhelming power, money and influence of the multinational hydra that is the AGW Establishment.

It would seem to me that if you want to argue that «skeptics» are, as a group, less influenced by identity and emotion in their reasoning about climate change than «realists,» you should be able to design some kind of mechanistic hypothesis for why that is the case, come up with some experiment methodology for collecting and analyzing data that would support your theory, and then collect the data and write it up.