Sentences with phrase «influence on contemporary culture»

Not exact matches

New to this disc is the four - minute «In Walt's Words: Snow White and the Seven Dwarfs,» an audio - only interview with Walt Disney discussing the film set to an image track, the seven - minute featurette «Iconography» that explores the film's influences on popular culture, art, and fashion, «@DisneyAnimation: Designing Disney's First Princess» with four contemporary animators discussing the design of Snow White, and an «Alternate Sequence: The Prince Meets Snow White,» plus the breezy promo - style pieces «The Fairest Facts of Them All: 7 Facts You May Now Know About Snow White» with Disney Channel star Sofia Carson and the rap retelling «Snow White in Seventy Seconds.»

Students analyze the development of dramatic forms, production practices, and theatrical traditions across cultures and historical periods and explain influences on contemporary theatre, film, television, and electronic media productions

While many aspects of Incan culture remain a mystery, you can see the ancient culture's influence on contemporary culinary traditions.

Conceived for the Halle 12 in Spinnerai, «Imperium» was a major curatorial event in which the influence of Mexican culture on contemporary art was examined.

Mary Heilmann, Mojave Mirage, 2012 Oil on canvas, diptych 30 x 50 inches February 23 — April 5, 2012 Considered one of the preeminent contemporary Abstract painters, Heilmann's practice overlays the analytical geometries of Minimalism with the spontaneous ethos of the Beat Generation and the influences of American pop culture.

2015 Dec. 17 — Tom Loughman Appointed 11th Director and C.E.O. of the Wadsworth Atheneum Museum of Art Nov. 23 — Wadsworth Atheneum Museum of Art Welcomes Seven New Appointees to Board of Trustees Nov. 18 — Wadsworth Atheneum Museum of Art Appoints Henry R. Martin 30th President of the Board of Trustees Nov. 17 — Susan L. Talbott Appointed to Rank of Chevalier in the Order of Arts and Letters by French Minister of Culture UPDATED Oct. 16 — «Warhol & Mapplethorpe: Guise & Dolls» Opens Oct. 17 at Wadsworth Atheneum Sept. 21 — Wadsworth Atheneum Museum of Art's MATRIX 173 Features Artist Mark Dion Aug. 31 — Unveiling of Galleries Marks Completion of Major Renovation, Secures Future for Wadsworth Atheneum Aug. 26 — Commissioned Artwork by Jack Pierson Illuminates Hartford's Main Street at Wadsworth Atheneum Aug. 24 — Wadsworth Atheneum to Present First Exhibition to Pair the Work of Andy Warhol and Robert Mapplethorpe July 1 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork by Artist James Welling June 30 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork by Artist James Welling June 23 — Director's Choice Exhibition Examines Contemporary Portraiture in Photography at Wadsworth Atheneum June 23 — Exhibition Exploring Connecticut Artist's Influence on 20th Century Art Opens July 3 June 1 — Advance Exhibition Schedule 2015 — 2016 May 18 — «Mark Bradford / MATRIX 172» Opens June 4 at Wadsworth Atheneum Museum of Art April 16 — Student Artworks Take Center Stage at the 42nd Hartford Youth Art Renaissance UPDATED March 23 — 34th Annual Fine Art & Flowers Takes Place May 1 — 3 at Wadsworth Atheneum Jan. 21 — «Michael C. McMillen / MATRIX 171: SIDESHOW» Opens Jan. 31 at Wadsworth Atheneum Jan. 21 — New Galleries of Post-War and Contemporary Art to be Unveiled at Wadsworth Atheneum Jan. 13 — Wadsworth Atheneum's Board of Trustees Steps Up to Support Museum with $ 1.5 Million

THE FREEDOM PRINCIPLE: EXPERIMENTS IN ART AND MUSIC, 1965 TO NOW The influence on recent art and culture of jazz and experimental music, particularly from the South Side of Chicago, are explored in a show that originated at the Museum of Contemporary Art Chicago.

This provocative exhibition focuses on issues of racial, sexual, and historical identity in contemporary culture while exploring the powerful influence of artistic legacy and community across generations.

This large - scale group exhibition links the vibrant legacy of avant - garde jazz and experimental music of the late 1960s (particularly within the African American arts scene on the South Side of Chicago) and its continuing influence on contemporary art and culture today.

The talk unpicks themes within Kehinde Wiley's work, focusing on evolving notions of identity and cultural influence, globalisation and youth culture, as well as exploring his practice as a contemporary painter within portraiture and the wider international art scene.

Creating layers of social commentary, Bradford uses found stories from comics to question the influence of social media on contemporary culture.

Comprising programmes from the ICA Artists» Moving Image Network alongside several additional live events, the festival brings together a cross-section of work that engages with the language of contemporary visual culture to draw out critical and discursive reflections on its wider social influences.

With these multiple layers — contemporary black pop culture, historical African influences, and witty and knowing takes on art history — it's no wonder that Ofili was resistant to commenting on the furore.

In 2016, she launched The Gallery at Calabar in Harlem focused on contemporary African Artists and African Diaspora artists globally whose work is inspired and influenced by black and global African culture globally investigating dynamic ideas about art, culture and society.

, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont,Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington.

Born out of the influences of Feminism and Hip - Hop in Buckman's upbringing, her on - going series EVERY CURVE unites the apparent contradictions between «the masculine» and «the feminine» in contemporary culture.

If I had to choose one contemporary artist who is loved regardless of generation or gender, it would be Takashi Murakami, whose influence on art and popular culture transcends all boundaries.

Influenced by the conceptual movement and by Marcel Duchamp, Dona explores the impingement of technology and machinery on the body in contemporary culture.

In her recent paintings, she employs a wide vocabulary of marks which slyly reference the influence of Photoshop on contemporary visual culture.

About The Studio Museum in Harlem: Founded in 1968, The Studio Museum in Harlem is a contemporary art museum that focuses on the work of artists of African descent locally, nationally and globally, as well as work that has been inspired and influenced by African - American culture.

The show explores the influence of African visual culture on contemporary art, craft, and design, through the work of more than 100 contemporary artists, among them Nick Cave, Yinka Shonibare, Kehinde Wiley, and the Wu - Tang Clan.

The catalog features images of the paintings, including «CPRKR» (1982), «Zydeco» (1984), «King Zulu» (1986) and essays by Sirmans (who also heads the contemporary art department at the Los Angeles County Museum of Art), Robert Farris Thompson and Robert O'Meally examine the influence of Southern history and culture on Basquiat's vision.

The MCA is proud to present Picture Fiction: Kenneth Josephson and Contemporary Photography, an exhibition drawn largely from the MCA collection that explores the Chicago - based artist's influence on photography and visual culture at large.

Light was also shed on sociohistorical and historico - cultural subjects such as «Shopping — A Century of Art and Consumer Culture,» «Privacy,» the visual art of the Stalin period, or New Romanticism in contemporary art; other presentations revealed the influence of Charles Darwin's theories on art of the nineteenth and twentieth centuries, or the intriguing causalities between artists of the modern era and self - proclaimed «prophets» of this period.

His influence on contemporary art and culture will be permanent and definitive.

SINOPTICON focused on chinoiserie, reassessing perceptions of Chinese culture and its influence on contemporary art.

His influence on contemporary art and culture will be permanent and definitive and the he will be sorely missed from an ever diluting art world.

The exhibit gathers rare historical artifacts, never - before - seen photographs, first - person accounts from former Panthers, scholars and community members, as well as contemporary art that demonstrates the Party's continuing influence on culture and activism locally, nationally and internationally.

Be sure not to miss booths by Azart Gallery from New York, focusing on innovative and original work of artists influenced by abstract, figurative, illustration, pop culture and street art; En Foco Gallery from Chicago, a non-profit that supports contemporary primarily U.S. - based photographers of African, Asian, Latino, Native American and Pacific Islander heritage; Haven Gallery from New York, exhibiting emotionally, intellectually and imaginatively driven, representational artwork; Lilac Gallery from New York, focusing on emerging international artists that explore new media in their concept with cutting edge techniques; Mirus Gallery San Francisco, championing new movements in contemporary art; and Stephen Romano Gallery from New York, amongst others.

The highly stylized face evokes both the primitive scribbles of a child and the elaborate iconography of ancient African reliquary masks, both important influences on the young Basquiat who, like his hero Picasso, interrogated long - forgotten artistic traditions in his interpretations of contemporary visual culture.

Oltmann has researched and written extensively on the use of wire in African material culture in South Africa and is deeply interested in the influence of these traditions in contemporary South African art.

This open - hearted and stimulating interchange was organized around three themes: the conceptual process that led up to the new installation plan and its outcomes regarding questions of narrative, chronology and mediation; the plan itself and the choices that have been made regarding possible clusters of works and themes, as well as the actual works to be displayed; and, finally, the position of the Stedelijk Museum in the contemporary debates surrounding the canon, curatorial strategies, the relationship between fine art and visual culture, and the influence of non-museological display formats on museum practice.

From early examples of music in film to the work of music video masters such as David Bowie and Madonna and contemporary artists such as The White Stripes and Kanye West, the exhibition reveals the enormous influence music videos have had on contemporary culture over the past 35 years.

About The Studio Museum in Harlem Founded in 1968, The Studio Museum in Harlem is a contemporary art museum that focuses on the work of artists of African descent locally, nationally and globally, as well as work that has been inspired and influenced by African - Amer - ican culture.

The influence of African art on Modernism — Picasso in particular — is clear, and the continuing dialogue among the various cultures is seen in the works of the Harlem Renaissance of the 1930s through to contemporary art.

This conversation - starting and sometimes provocative exhibition focuses on issues of race, gender, and historical identity in contemporary culture, while exploring the powerful influence of artistic legacy and community across generations.

Douglas» two - channel video installation Hors - champs, 1992, is included in a group exhibition (14 September 2016 - 19 March 2017) that links the vibrant legacy of avant - garde jazz and experimental music of the late 1960s (particularly within the African American arts scene on the South Side of Chicago) and its continuing influence on contemporary art and culture today.