Not exact matches
Whitehead entitled his explosively original «essay in
cosmology,» Process and Reality.1 The title led to a subsequent emphasis
on a way of thinking called «process thought,» or «process theology,» among those who came under his towering
influence.
On the contrary it is quite certain that his
cosmology, though strongly
influenced by «
On Mathematical Concepts of the Material World,» was still a «free creation of the human mind.»
I am sure also that the existential meanings I draw from Whitehead's
cosmology are deeply affected by the
influence of Wesley
on my life.
Quite apart from this problematic classification of Anglo - American realists and American pragmatists (cf. GMPT 136 - 80) such conventional associations tend to obscure, rather than elucidate the
influence of evolutionist theories
on Whitehead's philosophical development, and do nothing to clarify the actual
influence on, or to evaluate the compatibility of evolutionary
cosmologies with, Whitehead's philosophy.
The
influence of these older evolutionary
cosmologies on Whitehead's thought, moreover, is never carefully examined so much as it is presupposed.1 Against such presuppositions, I shall argue here that evolution and evolutionist theories play no significant role in Whitehead's metaphysics, and that there is no evidence in his major works of any significant
influence from earlier process - oriented «evolutionary
cosmologies.»
One might be tempted to argue at this point that we have discerned the transforming
influence of the
cosmology of «emergent evolution» at least
on Whitehead's thinking.
Gray's own attempt to call attention to the historical priority of evolutionary
cosmologies is motivated, however, by a quite different concern (with which I take strong exception), expressed in an unpublished paper: «the particular
influence of evolutionary theories
on Whitehead's work has been overlooked» (EEWP 1, 28).
«The first supernovae are especially interesting not only to people who study stars but also those doing
cosmology,» said Ken Chen, an astrophysicist at the East Asian Core Observatories Association (EACOA) and lead author
on a paper in The Astrophysical Journal that examines how the first supernovae
influenced star formation and, along with it, the evolution of the universe.
Cosmosis investigates how the cosmos and the scientific fields of physics and
cosmology continue to inspire artistic production, exerting great
influence on our understanding of the universe and our place therein.
Curated by Steven Bridges for the Hyde Park Art Center and Contemporary Arts Council, Cosmosis investigated how the cosmos and the field of
Cosmology continue to inspire artistic production and exert
influence on human understanding of the universe — and our place therein.
These works draw
on influences as diverse as
cosmology, science fiction and Sufism and re-imagine moments across time frames, cultures and histories.