Sentences with phrase «influenced by abstraction»

Although I do believe that he was somewhat influenced by abstraction later on.

Minimalism positioned itself as a reaction to this kind of art, influenced by the abstractions of Bauhaus artists such as Kazimir Malevich and Piet Mondrian, and the use of industrial materials instead of traditional artistic techniques by the early 20th - century Constructivist movement.

Not exact matches

«55 Lowe claims Bergson has nothing like the method of extensive abstraction, which I have suggested earlier is not only false, but chances are Whitehead even took the idea for extensive abstraction from Bergson, apparently both having been «influenced» (in my sense of the term) by one of William James» insights.

For example, the hydrogen bonding interaction between the phenolic — OH and the o - methoxy groups in curcumin influences the O - H bond energy and H atom abstraction by free radicals, thus making it a better scavenger of free radicals compared to other curcuminoids such as BDMC.

When I look around I see much abstraction that has become overly cerebral, or else influenced by distracted experiences of the world.

Refining a technique, developed by Jackson Pollock, of pouring pigment directly onto canvas laid on the floor, Ms. Frankenthaler, heavily influencing the colorists Morris Louis and Kenneth Noland, developed a method of painting best known as Color Field — although Clement Greenberg, the critic most identified with it, called it Post-Painterly Abstraction.

One of the Regina Five, Art McKay was influenced in the 1960s by Barnett Newman at the Emma Lake Artists» Workshops and was included in Clement Greenberg's 1964 «Post-Painterly Abstraction» exhibition at the Los Angeles County Museum.

A master of postwar abstraction, Zao Wou - Ki (1920 — 2013) created a unique pictorial language shaped by diverse influences.

During the early 1950s, Richard Diebenkorn was known as an abstract expressionist, and his gestural abstractions were close to the New York School in sensibility but firmly based in the San Francisco abstract expressionist sensibility; a place where Clyfford Still has a considerable influence on younger artists by virtue of his teaching at the San Francisco Art Institute.

Developed by the Tate Modern in London and debuting in the US at Crystal Bridges, Soul of a Nation: Art in the Age of Black Power examines the influences, including the civil rights movement, Minimalism, and abstraction, on artists such as Romare Bearden, Noah Purifoy, Martin Puryear, Faith Ringgold, Betye Saar, Alma Thomas, Charles White, and William T. Williams.

Everywhere I turn I see work today that was influenced by Lyrical Abstraction and still they keep it covered up, ignore it, deny its contribution, deny its existence.

Minimalism, Conceptual Art, Post-Minimalism, Eccentric Abstraction, Neo-Expressionism and whatever came next were influenced directly by the German artist Joseph Beuys, Marcel Duchamp, Jean Dubuffet, Giorgio Morandi, and other European painters and sculptors.

-LSB-...] The Abstract Expressionists whose works are on display in this exhibition remain true to abstraction throughout their careers and were little influenced by innovations in the art scene around them.

Guston continued to paint murals until around 1942, but since 1940, his work was increasingly influenced by elements of abstraction, realism, and reference to myth, altogether creating a very unique and personal style.

As a young artist, I hadn't been all that persuaded by Nolan's brand of painting — probably because of the influence of Clement Greenberg and his cohorts and the preference for varieties of abstraction that had prevailed among the artists that I knew then.

Paintings, reliefs and collages such as the cubist - influenced Beach with Starfish (1993 - 34) chart his stylistic development from representational art through abstraction, while a display of selected works by contemporaries including Alexander Calder and Jean Hélion helps illuminate Piper's role as a champion of international abstract art in Britain.

I'm the kind of painter I am, and I'm influenced by what I'm influenced by, so I'm never going to make a solid black square and call it abstraction.

Influenced by representational artists such as Fairfield Porter and Alex Katz, during her studies Fish was not always encouraged in her realistic approach, considering the fact that prestigious university's art programs advocated the idea of inferiority of the figurative painting in relation to abstraction or conceptual work.

His work draws upon the history of painting and processes, particularly minimalism and abstraction, but is also influenced by design, poetry, writing and music.

After joining the French artists group Abstraction - Création, Calder began to perfect his trademark mobile sculptures, influenced by the abstract, non-traditional styles of fellow artists like Marcel Duchamp and Joan Miró.

But so is the first painting you see in the show, Pollock's She - Wolf (1943), a strong Picasso - influenced painting although Picasso would most likely have defined the animal with a strong black outline which in the Pollock is obscured by a turbulent painterliness which prefigures Pollock's last works, which are also seen as off - brand (tragically so, instead of, as in She - Wolf, developmentally), although it suggests a move towards materiality, mass, and perhaps even an atavistic need to return to some form of representation, in a way which Guston was able to pursue, when he became dissatisfied with abstraction.

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

Less an exhaustive survey of contemporary abstract painting than a bringing together of extraordinary works by exceptional artists, Inherent Structure encourages viewers to meditate on the underlying sources and influences of abstraction by providing varied and multiple manifestations of it.

The «swarm» pictorial economy, developed by Cézanne, who gave the Impressionist dab motility, has been enormously influential in abstraction, especially in the gestural branch of Abstract Expressionism whose lingering influence is legible in Diebenkorn's Berkeley series.

In Paris, Abboud was influenced by the works of Pierre Bonnard, Roger Bissière and Nicolas de Staël, and began to shift from a Lebanese tradition of figurative and landscape painting to colourful abstraction.

Panel II: Digital Abstraction This panel will hone in on abstract painting influenced by digital imaging techniques, digital technologies, and new / post media theory.

Cubism influenced Ippolito's early work, but eased by his progressively spontaneous brushstrokes, his early abstractions drew from natural landscapes with a profoundly atmospheric air of color which gradually became his trademark.

His conversion to abstraction (ca. 1950), strongly influenced by the American Constructivist theoretician Charles Biederman, put the cat among the pigeons in staid old England.

Both were influenced by Japanese art as demonstrated by their interest in abstraction, reduction and improvisation.

By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstractioBy 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstractioby the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction.

Influenced by the Abstract Expressionists, Scully aimed to bring poetry into abstraction, developing his own unique artistic language, illuminated by the spiritual.

Giehler is known for his geometric abstractions, influenced by futuristic universes, and finished with mathematical precision.

Note: The auction record for a painting is: 9700000 USD + Fees (in december 2013) The auction record for a lithograph is: 44000 USD + Fees (in may 2014) Zao's works, influenced by Paul Klee, are orientated to abstraction.

Ultimately, this exhibition highlights the diversity of artistic practice within abstraction, while revealing intergenerational influences and allowing viewers to explore and be challenged by the depth and limits of abstraction.

Works by the earlier generation of artists represented in the show can be loosely situated within geometric abstraction and abstract constructivism, influenced by artists such as Piet Mondrian (1872 — 1944) and groups such as De Stijl (founded 1917) and the ZERO movement of the 1950s and 60s, as well as the American Colour Field painters.

By 1951 Anderson had a developed sense of his influences and interests: Surrealism, mythopoetic abstraction, wordplay, weaponry, worship objects, psychiatry, and sex.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Many of the artists were influenced in some degree by the «allover» abstraction of the 1970s, particularly the paintings of the Americans Jules Olitski and Larry Poons.

Addressing concepts deeper than aesthetics — these four artists are influenced by the light they experience, the color they derive from their environment, and the focused study of nature through geometric abstraction.

Both Woelffer and McChesney were using intuitive means to make their abstractions, and both were deeply influenced by indigenous art, especially works from Africa and the Americas, as well as improv - based musical forms, especially jazz — both men were drummers.

Strongly influenced by twentieth - century icons Kazimir Malevich, Piet Mondrian, and Henri Matisse, Quaytman's work reveals a fascinating interplay between earlier strands of European Modernism and American postwar abstraction.

This fantasy of a direct projection of thought not only had a decisive impact on the birth of abstraction but also influenced surrealism and its obsession with the collective sharing of creation and, in the post war period, it gave rise to numerous visual and sound installations inspired by the revolution in information technology, leading to the declaration of «the dematerialisation of art» in conceptual practices...

His earliest paintings are figural, influenced by Cézanne and Surrealism, but by the early»50s he had moved into full abstraction, covering his canvases with dense patterns of mostly dark colors in short brushstrokes.

Mondrian's first exhibition at the Stedelijk Museum in Amsterdam, 1909, was followed by his moved to Paris in 1912, where we was heavily influenced by the free - wheeling abstraction of Cubism.

Influenced by the style of contemporary German Expressionism, these prints reveal an early abandonment of representation in favour of abstraction.

Yet, non-Western influences are cited only in discussions of the works by artists of color, while the overarching themes of industrialization and geometric abstraction as American art's primary interests in that period are preserved from earlier presentations of the collection.

Influenced by the emergence of abstract expressionism, the New York School, Color Field Painting and the Washington Color School, Gilliam's early style developed from brooding figural abstractions to large paintings of flatly applied color and paintings of diagonal stripes on square fields.

Sadie Benning Douglas Coupland Sarah Crowner Svenja Deininger Tony DeLap Thomas Demand Olafur Eliasson Liam Gillick Mark Grotjahn Andreas Gursky Jim Hodges Roni Horn Wyatt Kahn Ellsworth Kelly Agnes Martin Kaz Oshiro R. H. Quaytman Julia Rommel Sérgio Sister Blair Thurman Rebecca Ward Rachel Whiteread Inspired by Ellsworth Kelly's superimposed canvases Blue Relief over Green, 2004, and Dark Red Relief with White, 2005, Space Between investigates the legacy and influence of abstraction on Western art, presenting a selection of artists that enter into a conversation on history, process, and form.

Group exhibitions focus on German Expressionists (Galerie St. Etienne), Masterworks of Egg Tempera (ACA Galleries), Latin Americas Abroad in the Sixties (Adler & Conkright Fine Art), Hard - Edge Abstraction at Mid Century (Valerie Carberry Gallery), James Abbott McNeill Whistler and Artists Influenced by Him (Thomas Colville Fine Art) and more.

In the 1970s young British stained - glass artists such as Brian Clarke were influenced by the large scale and abstraction in German twentieth - century glass.