Sentences with phrase «influenced by famous artists»

Hofmann began his career surrounded and influenced by famous artists --- after arriving in Paris in 1904, he frequented the legendary Café du Dôme in the company of artists such as Pablo Picasso, George Braque, George Rouault, and Fernand Leger.

Not exact matches

Jeff Koons is a famous contemporary artist whose work is influenced by an eclectic array of sensibilities.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

His artistic talent was largely influenced by visits to the Wadsworth Antheneum Museum of Art in Hartford, CT, and by works by famous artists such as Pop artist Andy Warhol.

A famous group of abstract color theory artists were influenced by the Light and Space Movement, notably: Frederick Spratt, Phil Sims, Anne Appleby, and David Simpson.

Now his epic adventure, «The Story of the Vivian Girls, in What Is Known as the Realms of the Unreal, of the Glandeco - Angelinnian War Storm, Caused by the Child Slave Rebellion» is famous and a big influence on mainstream artists.

[7][8] A famous group of abstract color theory artists were influenced by the Light and Space Movement, notably: Frederick Spratt, [9] Phil Sims, Anne Appleby, and David Simpson.

Photographs of the artist in his famous home, as well as objects from his varied collections and works by artists who are influenced by him, round out the comprehensive show.

The founder of British Pop - art, Paolozzi trained at the Edinburgh College of Art (1943), St Martin's School of Art (1944), and at the Slade School of Art (1944 - 1947), before working in Paris, France (1947 - 1949) where he met and became influenced by a number of famous artists, including the Swiss sculptor Alberto Giacometti, the former Dadaist and Surrealist Jean Arp, the Romanian sculptor Constantin Brancusi, and the Cubists Georges Braque and Fernand Léger.

Artists such as Thomas Struth, Eve Sussman, José Manuel Ballester, Claudio Bravo and Manolo Valdés have created significant and highly original works in various media such as photography, video, sculpture and painting, influenced by famous paintings of Velázquez, Goya, Bosch and others.

Along with other contemporary, postmodern artists - Lara Schnitger, Shinique Smith and Sonia Gomes - they extend the use of fabric in a more assertive engagement with expansive space, and draw influences from the fashion of leather and lace (Schnitger); bold, psychedelic color (Smith, Barlow and Gomes); and pom - pom girl language (Barlow), with a touch of irony they inherit from Mike Kelley - who, of course, made fabric, traditionally used by women sculptors, famous.

The most famous artist of the moment, Ai Weiwei, imprisoned and then released by the Chinese authorities, is another YBA - influenced figure with his huge studios in China, where a team of assistants follow his instructions delivered in mobile phone calls and occasional visits, and where scores of old Chinese earthenware vases half - dipped in random primary colours are arranged in large grids as installations.

Jeff Koons is a famous contemporary artist whose work is influenced by an eclectic array of sensibilities.