Sentences with phrase «influenced by framing»

Not exact matches

The benefits provided by the modern media permit us to make our views known to our MPs and to anyone we think has influence in framing law and in forming, and informing, public opinion.

For a few years, the Azusa Street mission became the best - known hub of a movement framed by premillennialist views, influenced by a Wesleyan fervor for holiness and committed to the practice of the spiritual gifts enumerated in 1 Corinthians 12.

What you're getting yourself into: 3,300 words, 11 - 22 minute read time Key Points: 1) Drug - free muscular potential is influenced by the size of your frame.

It has an engineered border influenced by the island with delicate channel stitching framing a coordinating pattern in center.

Marble Oval Coffee Table: West Elm Canvas Dauville Gold Glazed Large Porcelain Bowl: Amazon Coffee Table Books: Glamorous Rooms + Influence Arrows: Shop HDB Moroccan Rug: Rugs USA Vintage Clock Shelves: IKEA (DIY with gold spray paint) Fashion: 150 Years of Couturiers, Designers, Labels Leopard Print Velvet Pillow Covers: c / o Arianna Belle White + Silver Throw Pillows: Shop HDB Gold Clip Lamps: Land of Nod Gold Sphere: West Elm Gold Pig Bookends: CB2 Gold Decorative Hex Nut: Target Candle Cloche: HomeGoods Aztec - Print Fabric Box: HomeGoods Gold Capiz Box: West Elm Je Vouse Aime Print: c / o By Luciana Crème de la Crème Print: c / o By Luciana The Little Things Gold Foil Print: c / o Charm & Gumption Wishbone Print: c / o Lindsay Letters Love Is The Only Gold Striped Print: c / o Lindsay Letters Lips Watercolor Print: c / o THE AESTATE White Frames: Blick

We never change or influence these ratings, except by delivering high - quality, affordable custom framing.

If you see a moody pattern emerging on the type of films they've worked on, you'd be on the money; the pair, influenced by folks like Krzysztof Penderecki, Terry Bozzio and even later - day dark and doomy Scott Walker, traffic largely in droney and disquieting soundscapes, specializing in that sweet spot where discordant sounds subtly burn in the back of the frame rather than overpowering the narrative.

It's this refusal to kowtow to the cliche of the director's unquestioned, domineering authorship — suggesting instead that auteurism (Miyazaki's one - man, one - sketch, one - shot style; the films deeply influenced by his own psychology and doubts) and below - the - line craftsmanship (the workers bringing color and life to those frames, at their own discretion, independent of Miyazaki) are intertwined, co-dependent forces — that propels Kingdom far beyond the ranks of the DVD bonus features it superficially resembles.

The Horace Mann League and the National Superintendents» Roundtable have rendered a service to the country by educating us on the factors that influence student test scores and that help to frame the long - term results of the American educational system.

The headlamps frame a unique front grille design, whose visual appearance is closely influenced by the Peugeot SR1 concept car.

A small list of improvements we've made to the game include enhanced motion controls, full 1080p resolution running at 60 frames per second, and more than 300,000 blades of more realistic grass on screen (3X the PS3's limit), all individually influenced by the wind and the petals you guide.

As framers, our framing design habits tend to be influenced by various trends that crop up in the world of art and decor.

Influenced by Western modernism, the artists address Eastern culture, philosophy and tradition on subjects like ch» i (energy flow), ink calligraphy, huxi (breathing, or to breathe), and traditional window frames.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

These rainbow - candy shaded frames are influenced by fantasy film, animation, manga and African mythology; and intersect realism with the absurd, surreal and pop culture flair.

However, he is also influenced by Matisse, the framing in some of his works could be interpreted as a riff on those celebrated windows.

Nisbet opens the paper by introducing a broad framework for understanding the influence and career trajectory of journalists as public intellectuals; focusing on their training, style, celebrity, branding, and ability to frame complex problems.

The authors highlight an important problem: how climate scientists have been influenced in their work by the public debate, to the extent of even inadvertently adopting a rhetorical framing created by contrarian voices from outside science.

These terms may influence beliefs by drawing attention to certain aspects of the issue at the expense of others and by inviting differential associations (see Druckman 2001 for discussion of emphasis framing).

By misrepresenting this, Jeff and others are attempting to frame the argument in such a way as to claim that skeptics are denying any influence of CO2 whatever.

Legal Realism Unpublished Decisions, Non-Citation Rules, and Federal Rule of Appellate Procedure 32.1 Existing Legal Scholarship and Empirical Data A DETAILED COMPARISON OF PRINT AND ELECTRONIC RESEARCH PROCESSES — IDENTIFYING SALIENT DIFFERENCES Electronic Researchers Are Not Guided by Key System Information to the Same Extent as Print Researchers with Respect to Identifying Relevant Theories, Principles, and Cases Electronic Researchers Do Not Encounter and Interpret Individual Cases Through the Lens of Key System Information to the Same Extent as Print Researchers Electronic Researchers Are Exposed to More — and Different — Case Texts than Print Researchers COGNITIVE PSYCHOLOGY - DERIVED PREDICTIONS ABOUT THE CONSEQUENCES OF A CHANGED RESEARCH PROCESS: DIVERSITY IN FRAMING AND TILTING AT WINDMILLS Principles and Theories of Cognitive Psychology Influence of Labeling Influence of Categories Confirmatory Bias and Selective Information Processing Application of Cognitive Psychology Principles to Legal Research Diversity in FFRAMING AND TILTING AT WINDMILLS Principles and Theories of Cognitive Psychology Influence of Labeling Influence of Categories Confirmatory Bias and Selective Information Processing Application of Cognitive Psychology Principles to Legal Research Diversity in FramingFraming.

Yet another innovative ICO model is used which extends the ICO period for almost a year; among pros, it allows contributors to track the project's development and the token's price and take their decision in a responsible way; as to possible cons, as the price is not fixed, the price development over such a long time frame is unpredictable; it will be influenced by market price as tokens are likely to become traded on exchanges quickly after the first 5 days of ICO

When framed by the conceptual model offered by Wallander et al. (1989), paternal involvement could function as a coping resource that influences both mothers» and children's appraisals of their adaptive capacity, access to emotional and affiliative forms of social support, range of problem solving alternatives, and tangible or instrumental forms of support.