Not exact matches
People of a skeptical disposition commonly suppose that because
modern science has provided them with a reason to disbelieve the claims of religion, or because they think it has,
modern science must therefore be the generating force behind secularization itself ¯ that historical progression, evident in the West since the Renaissance, in which habits and institutions are less and less
influenced by religious doctrine.
This situation is witnessed to
by the fact that the only metaphysical issue where there is a virtual consensus among mainstream twentieth century Catholic thinkers, apart from the reality of human subjectivity mentioned above, is the claim that the discoveries of
modern science should not have a significant
influence upon metaphysics.
Influenced by the contribution of
modern science, there is a reluctance to advocate a literalist translation of the world.
Especially in his earlier writings (including the earlier sections of
Science and the
Modern World), Whitehead develops a theory of overlapping events characterized
by reiterated patterns, showing how sub-events may be organically
influenced by the patterns of the events within which they are included.
Hartshorne represents one path, largely
influenced by the (now virtually lost) traditions of pluralistic, personal idealism, of extending and developing Whitehead's own modest, philosophically formal, neo-Aristotelian discussions of theism in
Science and the
Modern World, Religion in the Making, and Process and Reality.
This is because I have been
influenced by modern holistic approaches,
by Hartshorne's version of process cosmology, and
by research in the life
sciences.
Theology must be formulated in the terms of the social mind of the time, which meant, for the Chicago thinkers, in democratic categories and thought forms shaped
by the
influence of
modern science.
Under the
influence of scientism, the Enlightenment's exaltation of reason,
modern philosophy and the suspicions cast
by social
science many intelligent people today suspect that religious symbols are no more than psychic or social «projections.»
This groundbreaking exhibition explores how
modern art was
influenced by advances in
science, from Einstein's Theory of Relativity to newly powerful microscopic and telescopic lenses.