Sentences with phrase «influenced by musicians»

Macon has been influenced by musicians with noteworthy ones such as the Alman Brothers and Little Richard.
Influenced by musicians, comedians, and filmmakers, Kamo constantly looks for ways to develop his craft.

Not exact matches

His memorial service at West Angeles Church of God in Christ on January 20th was attended by musicians in Gospel and pop music from Stevie Wonder to Kirk Franklin, which offers a snapshot of the extent of his influence.
But by then, the precocious teenager had decided to become a musician, thanks largely to the influence of composer Igor Stravinsky (an improbable neighbor of the Zevons).
Ms. Pirtle has co-authored a book with Sally Fallon and Dr. John D. Turner called Performance without Pain, which was published in 2006 by New Trends that focuses on the modern dietary influences in common inflammatory and degenerative conditions in musicians, athletes, dancers and the general public, and the solutions found in a diet of nutrient - dense foods.
The womenswear collection features a mix of patterns and textures influenced by British artists, musician and history.
Years later the footage was found, compiled together, and commentary by contemporary individuals mostly artists, musicians, and filmmakers) influenced by the era was added in.
This documentary on the legendary singer - songwriter features performances by those musicians he has influenced.
Housed on a region - free disc in a regular plastic Amaray case, «Raw Power Live» includes liner notes by none other than Mike Watt, who writes eloquently of the 63 - year - old Pop's huge influence, on both him a generation of other musicians.
His starring role in 2015 short film Feeder — as a musician being influenced by insidious forces — won him a Moa Award for Best Actor in a Short Film.
The film focuses on a handful of the city's musicians, including Micha Biton, whose music is heavily influenced by Moroccan sounds; singer Hagit Yaso, whose parents emigrated from Ethiopia and who sings in Hebrew, English and Arabic, among other languages; Teapacs, a band whose members have Tunisian, Moroccan, Romanian, Syrian, Polish, Russian and Yemenite heritage and whose album sales exceed 300,000; and Avi Vaknin, a singer, composer and music producer who for many years managed Sderock, a music club and educational center for teenagers.
She was influenced not only by her contemporary painters, but also by writers and musicians — poet Frank O'Hara was a close friend, she was infatuated with jazz, and she frequented a bar where Miles Davis and Tennessee Williams were regulars.
Summoning a diverse group of artists and musicians who have been both directly and indirectly influenced by Tovey, the series will take place from March 1st through to April 8th, 2012 featuring a group exhibition, live music performances, and a film screening.
Key figures within «No Wave», a short - lived avant - garde scene in the late 70's in New York led by a collective of musicians, filmmakers and artists, Dick and Goldin met during this time and became life - long friends whose work richly influenced each other.
Artists and musicians as diverse as Diane Arbus, Bruce Conner, Jay DeFeo, Robert Frank, Allen Ginsberg, Stanley William Hayter, Jimi Hendrix, Agnes Martin, Ad Reinhardt, Maurice Sendak, The Doors and The Fugs are featured, united by the influence of Blake on their work.
«The colorful, fantastical world of visual artist, musician, composer, and performer Charlemagne Palestine (b. 1947, Brooklyn, New York) arrives at the Jewish Museum with an immersive installation influenced by childhood experience and by the artist's Brooklyn Jewish roots.
Artists and musicians as diverse as Diane Arbus, Bruce Conner, Jay DeFeo, Robert Frank, Allen Ginsberg, Stanley William Hayter, Jimi Hendrix, Agnes Martin, Ad Reinhardt, Maurice Sendak, The Doors and The Fugs will be featured, united by the influence of Blake on their work.
Instead it is an observation on compositional method by the underground jazz musician Joe McPhee, a longtime influence on the painter.
I was a product of my environment, heavily influenced and inspired by my friends — mostly artists and musicians — like Patrick Abbey, a painter; Thomas Lauderdale, a musician and lead of Pink Martini; and Chris Stark, a photographer.
Painters like Karen Kilimnik made work stemming from the influence of popular culture, creating cursory celebrity portraits, while Elizabeth Peyton took the practice a step further by painting portraits of celebs, musicians, and European monarchs alongside her significant others and members of her social circle, entrenching mass culture's idolization of celebrity in the realm of fine art while at the same time elevating her friends to celebrity status.
While these influences are clearly seen in his use of light boxes and highly controlled set - pieces — both techniques used by other Vancouver artists — this openness is a major part of Graham's practice as it relates to his collaboration with other artists, writers and musicians.
Other strong influences on Mizrahi's paintings and sculptures were made by poets, musicians and artists from more recent Hamptons creatives.
All Of Us Have A Sense Of Rhythm, curated by Christine Eyene, brings together artists and musicians, working from the late 20th century to today, who all deal in different ways with the influence of rhythm and music from Africa.
Contributions include a concise and incisive overview of Borremans» practice; a revealing, in - depth interview between the main author of the book, Jeffrey Grove, and the artist, addressing process, influence and philosophical and critical issues; as well as more than 50 individual entries and mini-essays on individual works in the artist's oeuvre by notable writers, curators, filmmakers and musicians.
Even if you've never heard of the electronic musician Bruce Haack, there's a good chance the songs you listen to have been influenced by him — he did pioneering work in the»60s and»70s on vocoding, autotuning, loops and synthesizers.
Influenced by Asian calligraphy and Los Angeles «Cholo» style of graffiti, Usugrow continued working with musicians, and started collaborating with skateboard and fashion brands.
While these influences are clearly seen in his use of lightboxes and highly controlled set - pieces — both techniques used by other Vancouver artists — this openness is a major part of Graham's practice as it relates to his collaboration with other artists, writers and musicians.
Throughout her career she has collaborated with artists and musicians, notably Ericka Beckman and Laurie Anderson, and her work has been cited as a major influence by artists such as Mike Kelley.
Influenced by performance artists and musicians he saw in New York when he was a visiting student at the Cooper Union, he began performing and making music as an alternative to making art objects.
Since his childhood; hanging out with skateboarders, graffiti artists, musicians and artists, he was influenced by many subcultures.
The «mark of the drama»; the stir of the human spirit shaped in the world of Abstract Expressionism, Color Fields, and the paintings building psychic images of the «DADA» period («Art for Arts sake»), movement influenced by the art of music, musicians, poets — the longing to explore and invent time — abstractions.
Bandcamp Daily interviewed musician Dan Blacksberg (2012) and describes him as a «maestro who effortlessly hops between — and, ultimately, deconstructs — genres with abandon, influenced equally by traditional Jewish music and the heyday of downtown New York City avant - garde jazz.»
She studied sculpture and art history and was deeply influenced by the work of artists such as Richard Serra, Claes Oldenburg, Robert Rauschenberg, dancer, choreographer Trisha Brown, as well as the composer, musician John Cage and Philip Glass.
Contributions include a concise and incisive overview of Borremans's practice; a revealing, in - depth interview between the main author of the book, Jeffrey Grove, and the artist, addressing process, influence and philosophical and critical issues; as well as more than 50 individual entries and mini-essays on individual works in the artist's oeuvre by notable writers, curators, filmmakers, and musicians.
His book, «The Theatre of Spontaneity,» is a magnificent treatise on this «new order,» a primary source for the development of improvisational theatre, appreciation of the arts as manifestations of spontaneity and creativity, and the primary impact upon a long list of well known actors, artists, dancers, musicians who were influenced by these ideas.
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