Sentences with phrase «influenced by pop culture»

He is deeply influenced by pop culture, everyday life observations and often comments on the human being within society.
Strongly influenced by pop culture, Stikki Peaches combines images of classic films, celebrities, and musical icons into hybrid characters.
BabyCenter.com does, and Editor - in - Chief Linda Murray spoke with us about some of them, and how parents are influenced by pop culture, celebrity, and even royalty when it comes to naming the newest members of their family.
And nowadays interracial dating seems like to be a trend, which influenced by pop cultures, and there are more and more successful black men prefer to date women outside their races especially for the relationship black men and white women.

Not exact matches

And then I went to a tiny Christian college and that's where I lost my faith, surrounded by Christians, with no influence of pop culture and not so much as one atheist in my circle of acquaintances.
Heavily influenced by the rise in casual sex culture, states and cities all across the US saw singles bars popping up all over, making it much easier to meet other people for casual sex and hookups.
Chock full of original art inspired by the film, timelines, quotables, deleted scene details, influences, pop culture references, behind - the - scenes photos, scene breakdowns and more, Pulp Fiction: The Complete Story of Quentin Tarantino's Masterpiece is available now.
It's still counted as a classic in animation, and its major influence on pop culture seems fitting given how well - regarded it is by critics.
Students are influenced more by pop culture than they are by formal education.
With a script by a famous Japanese writer and a game overflowing with Western pop - culture influences, EarthBound stands out as one of Nintendo's most fascinating localization projects ever.
And as a pop culture hound, he's always being influenced by what's new in the media, be it music, television, film, or otherwise.
Death By Game Show lovingly wears it's pop culture influences on its sleeve.
The participating artists in Embodying have been influenced by issues of identity and community, literature, pop culture, and encounters with nature.
According to the artist, this style of painting provides a way of navigating through the pop cultural wasteland that is so heavily influenced by gay culture and vice versa.
Infused by pop culture and political references, avaf is influenced by multiple sources and visual traits from art, culture, politics, sociology, fashion and music, creating stunning and visually explosive mash - ups of transformed and re-contextualized references.
Influenced equally by the history of painting as by the pulp imagery of pop - culture, Trenton Doyle Hancock transforms traditionally formal decisions — such as the use of color, language and pattern — into opportunities...
Curated by Francesco Bonami, Maria Luisa Frisa, and Stefano Tonchi, Uniform: Order and Disorder looks at how technical and formal military wear influences contemporary fashion and is metabolized in pop culture, and is critically used in art.
This loose movement of young artists, fired by pop culture and heavily influenced by punk, was catapulted on to the international scene by Charles Saatchi, the advertising guru and art collector who came to dominate the scene.
With the use of a heart motif in the works, these paintings feel like they are influenced largely by not only pop culture and art history but also automatic, frantic emotion.
Inspired by various sources that range from the 19th Century Hudson River School to Edouard Manet, Henri Matisse and Romare Bearden, she continues to explore notions of beauty from a contemporary perspective infused with the more recent influences of popular culture and pop art.
Nagle's diverse influences include pop culture, California design, 16th - and 17th - century Japanese tea ceramics, and paintings by Giorgio Morandi and Francis Bacon.
Inspired by various sources that range from the 19th century Hudson river school to Édouard Manet, Alice Neel, and Romare Bearden, she has created a true signature style and continues to explore notions of beauty from a contemporary perspective infused with the more recent influences of popular culture and pop art, redefining contemporary ideas of portraiture.
Through the influence of pop - culture, books, art history, but most importantly nature, Smith's abstract paintings are often created by minimalistic tools, such as loose brushstrokes in his Rain Paintings, or form camouflage - style patterns, resembling Andy Warhol's production, in his Tigres series.
Sartwell began his talk by John Dewey as an influence before going on to discuss how pop culture, craft, and fine art should be on the same level — «an aesthetic approach that enriches all experience.»
She was deeply influenced by the rich Japanese customs and the vibrant pop culture in which she was raised.
CHG represents a diverse collection of international artists, primarily influenced by today's pop culture and collectively encompassing style genres such as New Figurative Art, Pop Surrealism, Neo Pop, Graffiti and Street Art, and Post-Graffipop culture and collectively encompassing style genres such as New Figurative Art, Pop Surrealism, Neo Pop, Graffiti and Street Art, and Post-GraffiPop Surrealism, Neo Pop, Graffiti and Street Art, and Post-GraffiPop, Graffiti and Street Art, and Post-Graffiti.
Inspired by various sources that range from 19th century Hudson River School to Edouard Manet, Henri Matisse and Romare Bearden, she continues to explore notions of beauty from a contemporary perspective infused with more recent influences of popular culture and pop art.
His paintings have been influenced by Japanese pop culture's anime, Picabia's figurative work, as well as the metaphysical paintings of early DiChirico and Surrealism.
Influenced by Southern European figurative masters such as Caravaggio, Velasquez, and Manet, and Northern European still - life masters, such as Ambrosius Bosschaert, Jan Davidsz de Heem, and Rachel Ruysch, Dennis introduces us to an alternate reality rich with hype, narrative and humor where art, history, nature and pop culture intersect.
By absorbing various alternative influences, refereeing to an art history momentous phenomenon, and interfering with pop culture, Sterling Ruby has made quite an effort to position his art practice as the communication tool not just in the purely aesthetic sense, but in social and political as well.
Influenced by the soulful sounds of Billy Stewart, the kitschy aesthetic of John Waters, and the provocative artifice of drag culture, Gaignard uses low - brow pop sensibilities to craft dynamic visual narratives.
His work is influenced by an array of pop culture icons, comic book heroes, Japanese anime, and street art pioneers Jean - Michel Basquiat, KAWS and Keith Haring.
Though often associated with Japanese pop culture, anime and manga, his work is greatly influenced by the post-war Japan and growing up in the rural north of the country, reading illustrated children's books and listening to Western music from the radio of a nearby military base.
These rainbow - candy shaded frames are influenced by fantasy film, animation, manga and African mythology; and intersect realism with the absurd, surreal and pop culture flair.
Influenced by the soulful sounds of Billy Stewart, the kitschy aesthetic of John Waters, and the provocative artifice of drag culture, Gaignard employs lowbrow pop sensibilities to create dynamic visual narratives.
All Rock n Roll is Homosexual: An evening hosted by Alexis Petridis with Jon Savage and Nicky Wire Wednesday 29 February 2012, 7:30 pm Purcell Room, Queen Elizabeth Hall Ticket price: # 8 Music journalist Alexis Petridis hosts an evening exploring the extensive and sometimes unexpected influence of gay culture in rock and roll and pop music, with pop music writer and cultural historian Jon Savage and Manic Street Preachers lyricist and bassist Nicky Wire.
The self is presented in states of dreamlike transformation informed by both biological imperatives and, in a series of works with autobiographical dimensions, the social and cultural influence of Internet communities and pop culture.
Despite being less brash, less kitschy, more romantic and more nostalgic than its counterpart across the Atlantic, British Pop - art during the early and mid-1960s was strongly influenced by a US pop culture which it regarded as being more up - to - date and more exciting than the home - grown variePop - art during the early and mid-1960s was strongly influenced by a US pop culture which it regarded as being more up - to - date and more exciting than the home - grown variepop culture which it regarded as being more up - to - date and more exciting than the home - grown variety.
Be sure not to miss booths by Azart Gallery from New York, focusing on innovative and original work of artists influenced by abstract, figurative, illustration, pop culture and street art; En Foco Gallery from Chicago, a non-profit that supports contemporary primarily U.S. - based photographers of African, Asian, Latino, Native American and Pacific Islander heritage; Haven Gallery from New York, exhibiting emotionally, intellectually and imaginatively driven, representational artwork; Lilac Gallery from New York, focusing on emerging international artists that explore new media in their concept with cutting edge techniques; Mirus Gallery San Francisco, championing new movements in contemporary art; and Stephen Romano Gallery from New York, amongst others.
Looking to Brazilian folklore and Baroque religious imagery, as well as Alchemical and Pagan symbols, Stephan has created his own unique language and style which embraces his influences and lets them evolve naturally into his own autobiographical work by combining them with his roots in urban art and Pop culture.
Hoelscher's vibrant, abstract paintings are primarily sourced from the rules of perspective and modernist abstraction, but are also influenced by graphic novels, pop, and punk culture.
Often using paintings as the starting point for an elaborate photographic process, Von Morisse is influenced by everything from Manet and pop culture to retro futurism and sci - fi landscapes.
Inspired by sources ranging from the nineteenth century Hudson River School to Édouard Manet, Henri Matisse and Romare Bearden, Thomas explores notions of beauty from a contemporary perspective infused with influences of popular culture and Pop Art.
Pettibon's exciting career started in the Southern California in the late 1970s and 1980s, influenced by pop and punk culture.
Corey Helford Gallery represents a diverse collection of Contemporary artists influenced by today's pop culture, encompassing the genres of New Figurative, Pop Surreal, Graffiti and Street Apop culture, encompassing the genres of New Figurative, Pop Surreal, Graffiti and Street APop Surreal, Graffiti and Street Art.
CHG represents a diverse collection of Contemporary artists influenced by today's pop culture, encompassing the genres of New Figurative, Pop Surreal, Graffiti and Street Apop culture, encompassing the genres of New Figurative, Pop Surreal, Graffiti and Street APop Surreal, Graffiti and Street Art.
Interview with Georganne Deen, Summer 2011 Fee, Georgia, Artslant, Interview w / Georganne Deen, Apr 22, 2008 Bors, Chris, Artinfo, Georganne Deen in New York, Apr 3, 2008 Reverend Jen, Artnet, Diary of an Art Star, Mar 31, 2008 Tanner, Matt, Beware the Wild Children, Grand Street News, Mar 2008 Powers, Kevin, Interview with Georganne Deen, Artes & Leiloes (Portugal), Nov, 2007 Behrens, Katja, Verspielter Exorzismus, TAZ nrw, March 20, 2007 Wertheim, Christine, Georganne Deen: Underground Woman, X-TRA, Winter 2006 Harvey, Doug, I Art the 80's, L.A. Weekly, March, 2006 Fahl, David, Text Hook, Houston Press, June 17, 2004 Klaasmeyer, Kelly, Deen's List, Houston Press, Jan. 2, 2003 Lowry, Mark, Artist's Work Hits Close to Home, Fort Worth Star Telegram, Mar. 13, 2002 Mitchell, Charles Dee, Self Examination Turns Disturbing, The Dallas Morning News, Feb. 28, 2002 Deen, Georganne, The Girlfriend and The Devil, Grand Street # 70 Halstrup, Anjee, Georganne Deen: The Secret Storm and the Vogue Book of the Dead, ZERO magazine, July, 2001 Rodriguez, Juan, Georganne Deen at Babilonia 1808, Artweek, June, 2001 McEwam, Ann, 15 Psychic Orgasms, Waitako Times, Mar. 8, 2000 Mutch, Nicola, Ads Undermine American Dream, Otago Daily Times, Oct. 26, 1999 Munro, Bruce, Artist Explores Dream World, The Star, Oct. 27, 1999 Madoff, Steven Henry, Pop Surrealism ARTFORUM, Oct., 1998 Gopnick, Blake, Old Wounds Healed Through Older Art Form, The Globe & Mail, Jul 29, 1998 Hume, Christopher, Allegories of Her Hateful Family Tree The Toronto Star, Jul 11, 1998 Schoenkopf, Rebecca, The Glamour of Ugly, Orange County Weekly, Sept 19, 1997 Curtis, Cathy, Light Images, Dark Truth, Los Angeles Times, Sept 9, 1997 Dambrot, Shana Nys, Georganne Deen, JUXTAPOZ, Fall 1997 Kim, Soo Jin, Georganne Deen, Art Issues, Summer 1997 Kandel, Susan, Fierce: Georganne Deen, Los Angeles Times, Feb 28, 1997 McKenna, Kristine, Los Angeles, Art & Antiques, Summer 1996 Zellen, Jody, The Mother Load, World Art, Summer 1995 Lueck, Brock, Co-Mix Art: Fine Tooning Pop, The New Art Examiner, Mar, 1995 McKenna, Kristine, Coming to Terms With Mom, L.A. Times, Dec 18, 1994 Desmarais, Charles, Georganne Deen, Grand Street # 49, 1994 Dubin, Zan, Experiences of a Girl as Seen by a Woman, L.A. Times, Oct 23, 1993 Rose, Cynthia, Pacific Meltdown, British Vogue, Jul, 1991 Carlin, John, Bad Influences, The Paper, Jun, 1988 Smith, Alton, Reinventing the WheelI, Village Voice, Nov 29, 1988 Tanney, Kathy, Paper Tigers, Plastic Toys, Art Week, Aug 22, 1987 Knight, Christopher, Bad Influences Knocks Popular Culture Wisdom, L.A. Herald Examiner, Aug 4, 1987 Leston, Kimberely, Georganne Deen, the Face, Dec, 1986 Pincus, Robt, Voyage on Sculpture May Make Some Viewers Ill, San Diego Union, Jul 10, 1986 Wilson, William, Social Distortion Exhibition, L.A. Times, Jul 10, 1986 Rugoff, Ralph, Exterminating Angel, Los Angeles Weekly, Oct 11, 1985 Drohojowska, Hunter, The Art World's Biggest Pests, Los Angeles Herald Examiner, Oct 20, 1985
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