Sentences with phrase «influenced new generations of artists»

The Fondazione thus further expands its strategy of reinterpretation of those moments in contemporary art history that, although not entirely acknowledged by critics, have nonetheless influenced new generations of artists, from graffiti to neo-digital artists.
In recent years Roth's critical reputation has grown, and his restlessness and inventiveness have influenced a new generation of artists.
In recent decades, the Bechers have profoundly influenced a new generation of artists including their students Andreas Gursky, Thomas Ruff, and Thomas Struth.

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A Character Artist at our BioWare Austin studio will influence a new generation of character fidelity by utilizing their exceptional skills and working with the latest engine and tools.
His groundbreaking images of black figures influenced a new generation, including artists Amy Sherald, Rashid Johnson, and Kehinde Wiley.
1951 was also a critical year for constructivism in Brazil, with the first São Paulo Biennale, which asserted its modern foundations in concrete art and concrete poetry, and with the figure of the Swiss artist, Max Bill, who was to exert great influence on this new generation of artists.
Sidibe influenced his contemporaries and inspired a new generation of artists including British painter Chris Ofili, who is based in Trinidad.
Then he moved to New York where he influenced the younger generation of artists that would have then given birth to the American Abstract Expressionism.
Painters such as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects such as the landscape, the figure or interiors with new expressive energy - stirred by Pop, and influences from an older generation of artists such as George Segal, Agnes Martin, Alice Neel and Alex Katz.
After the second world war, as the US became a superpower, a new generation of artists made New York the centre of modern art, with a strange yet authoritative form of abstraction that was free from the influence of the still - living European modern mastenew generation of artists made New York the centre of modern art, with a strange yet authoritative form of abstraction that was free from the influence of the still - living European modern masteNew York the centre of modern art, with a strange yet authoritative form of abstraction that was free from the influence of the still - living European modern masters.
The artwork and ideas of Nam June Paik were a major influence on late 20th - century art and continue to inspire a new generation of artists.
«A Colossal World» investigates the reciprocal channels of influence established between multiple generations of Japanese artists and the city of New York.
Drawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northern Italy.
Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in - depth portrait of the New York art scene of the 1930s,»40s, and»50s — the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, and Klein, which would influence artists for generations to come.
Since the late 1990s, when he first presented the seminal work Fiorucci Made Me Hardcore, Mark Leckey's dynamic and varied output has made a significant impact and continues to be an important influence on the work of a new generation of artists in the UK and internationally.
This two - parted exhibition will both trace the history of Sol LeWitt's relationship with NMSU, as well as show the extent of his influence on a new generation of artists who use the surface of the wall as their canvas.
The influence of the Pictures Generation, a loosely affiliated Reagan - era movement of New York artists, continues to resonate today.
«Mayaux's twenty - five years of painting have influenced a new generation of French artists.
As he elaborates on their similarities and differences in accordance with his rejection of residual European influences in favor of the new application of fabricated objects and industrial products, we realize that his argument is part of his greater advocacy for the works of the artists of his generation (similar to what Clement Greenberg wrote a decade earlier in 1956, in his equally significant essay, «American - Type Painting»), and further deriving from his own artistic output at the time.
Ochoa's work has also been included in a host of group exhibitions, most notably, Down These Mean Streets, Smithsonian American Art Museum, Washington D.C. (2017); 99 cents or Less, Museum of Contemporary Art, Detroit, MI (2017); Mi Tierra, Denver Art Museum, Denver, CO (2017); Routes of Influence, Perez Art Museum, Miami, FL (2016); Apparition: Frottages and Rubbings from 1860 to Now, Hammer Museum, Los Angeles, CA and Menil Collection, Houston, TX (2015); X-Change, Nasher Sculpture Center, Dallas, TX (2013); The Future Generation Art Prize Exhibition, Venice, Italy (2011); The Artist's Museum: Los Angeles Artists 1980 - 2010, Museum of Contemporary, Los Angeles, CA (2010); Phantom Sighting, LACMA, Los Angeles, CA (2008); and the 2008 Whitney Biennial, New York, NY amongst others.
This two - parted exhibition will both trace the history of Sol LeWitt's relationship with NMSU, as well as show the extent of his influence on a new generation of artists who use the surface of the... Continue reading «Off the Wall»»
Julian Schnabel: CVJ is a facsimile of the out - of - print Random House edition from 1987, offering a new opportunity to assess Schnabel's influence on younger generations of artists and on the current debates on painting.
As the survey «John Chamberlain: Choices,» curated by Susan Davidson and recently opened at the Solomon R. Guggenheim Museum in New York, demonstrates, Chamberlain deployed all of these materials with an exuberance, acuity, and openness to sculpture's social valences that was to influence generations of artists.
Jonas (b. 1936, New York) is regarded as a pre-eminent figure in contemporary performance who continues to influence a younger generation of artists.
An exhibition of work by four acclaimed contemporary artists who explore themes and ideas central to Andy Warhol's artistic practice, demonstrating how Warhol's legacy continues to influence and shape the content of the work of a new generation of artists.
Frankenthaler herself became associated with the second generation of the New York School and her unique method and experimental use of materials influenced her contemporaries and subsequent generations of artists.
Speech / Acts brings together new and recent works by a generation of artists influenced by black experimental poetry.
Created in the early 1970s, Campus» videos pushed the boundaries of this new medium and have influenced generations of artists since.
New Orleans» own Ida Kohlmeyer, who Sumrall posits as the bridge between the older generation of artists in the show and a newer one, is represented by early paintings that show the influence of Mark Rothko, with whom she studied.
Pop Art reached its peak in the mid-1960s, but would continue to influence artists in later decades, with artists like Warhol being a huge inspiration for generations of new artists.
Both the original shows are representative of the revolution from below that characterized the New York art world in the postmodernist era, particularly the influence of punk and street cultures on an emerging generation of artists involved less in conceptual than social and cultural issues.
As a pioneer of Video art, the artwork and ideas of Nam June Paik were a major influence on late 20th - century art and continue to inspire a new generation of artists.
Richter is one of the world's most significant artists of the 20th and 21st centuries: the exhibition will be a serious examination of the artist's work, bringing it to new audiences and demonstrating his immense ongoing influence and significance to subsequent generations of artists.
At NMSU Sage curated «Off the Wall», a two - parted exhibition tracing the history of Sol LeWitt's relationship with NMSU, as well as showing the extent of his influence on a new generation of artists who use the surface of the wall as their canvas.
Neo-Dada went on to influence a whole generation of 20th century artists, as well as contemporary art movements such as Fluxus (1960s), Pop Art (c.1955 - 70), Nouveau Realisme (1960s), and Minimalism, as well as new creative forms like installation and conceptual art.
A new long - form profile of Schneemann by writer Maggie Nelson accompanies this project and considers the artist's relationship to the history of her reception and Schneemann's significant influence on subsequent generations of feminists.
Nearly every phase of modern art was initially greeted by the public with ridicule, but as the shock wore off, the various movements settled into history, influencing and inspiring new generations of artists.
A major influence on a new generation of artists, including Sara VanDerBeek and Liz Deschenes, she taught at Princeton alongside James Welling.
As early as 1934 he became the official printer for the Arts Students League, New York, and taught there for 40 years, influencing a generation of artists including James Rosenquist, Knox Martin, Paul Jenkins and Cy Twombly.
A second - generation Abstract Expressionist painter, Helen Frankenthaler became active in the New York School of the 1950s, initially influenced by artists like Arshile Gorky, Willem de Kooning, and Jackson Pollock.
In the wake of «Soul of a Nation: Art in the Age of Black Power» being presented at the Tate, Himid also discussed the recent interest in black art in the UK with Apollo, attributing the attention to the influence of a new generation of influential curators and arts leaders «young enough not to be afraid of the work made by black artists
She's gone from California surfer - girl ceramicist in the 1970s to New York abstract painter — with nods to both Pop and Punk — a decade later, to eminence gris, School of Visual Arts professor and a potent influence on a younger generation of artists today.
Insights A Colour Explosion is a curated exhibition of museum - quality works for private sale that will trace the influence of pioneering artists of color photography such as William Eggleston (CAMERA WORK, Berlin) and Harry Callahan (Robert Mann Gallery, New York) on the next generation of contemporary artists including Jiang Pengyi (Blindspot Gallery, Hong Kong), Andrea Good (Galerie Stephan Witschi, Zurich), Shen Wei (Flowers Gallery, London and New York) and Robert Zhao (ShanghART Gallery, Shanghai, Beijing and Singapore).
A leading figure in modern art of the early 20th century, Ernst influenced an entire generation of contemporary Surrealists artists including Salvador Dali (1904 - 89) and Yves Tanguy (1900 - 55), as well as several members of the New York School of abstract expressionism.
She also influenced generations of artists in her role as a professor of photography at State University, New York.
His research influenced Minimalism, Color Field painters, Abstract Expressionism, Op Art, and continues to inspire a new generation of abstract artists.
These changes compelled a new generation of artists to address emotional disengagement, formal rigor, and anonymity of authorship in order to escape the art that had reached its height of influence in the form of Abstract Expressionism.
Even though German artist Isa Genzken has received solo surveys at institutions like Krefeld's Museum Haus Lange (in 1979) and Rotterdam's Boijmans (in 1989) and was selected to participate in Documentas 7 and 9, only of late has a new generation of curators discovered her current relevance, as evidenced by her influence on a host of contemporary artists Among the is Braunschweig director Karola Grässlin, who is installing this show of twenty - five sculptures and twenty photographs dating from 1973 to the present.
An iconic artist of the New York scene in the «80s, Jean - Michel Basquiat brought the street - art aesthetic into the gallery and influenced a generation of artists.
Which is sad, because there was a whole generation of artists who influenced me in the»50s and»60s, who are finally getting shows in New York, like John McCracken, Larry Bell, and Billy Al Bengston.
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