Sentences with word «informalism»

In Spain, the study of pop art is associated with the «new figurative», which arose from the roots of the crisis of informalism.

Some DIY Informalism, Stretcher bar painting: Acrylic and enamel on canvas, exposed stretcher bars, 47 x 50 inches, 2013

STREET GALLERY: Buster Graybill Informalism Exploring Modernist tendencies through a rural working class perspective, Graybill's work challenges perceived notions of value and hierarchies imposed on objects of «high» and «low» culture.

Yves Klein, John Cage and Pierre Restany were present in Milan at the time, weighing in on the debate on Informalism, a defining issue of 1950s modernism.

His evolution as an artist is also somewhat paradoxical, making the debate between abstraction and figuration meaningless: during the time he spent in Paris with his wife, the artist Nancy Spero, in the late fifties and early sixties, he adhered to the ideas of abstract informalism of Michel Tapié or Jean Dubuffet, later moving towards spaces in which his art could explore the most traumatic realism.

The tendency toward unpolished geometric abstraction — which Powhida refers to as «D.I.Y. Informalism» — is represented by three white, silver and pink canvases hammered together in bulky, asymmetrical shapes.

Informalism spread quickly in 1950s and 1960s, when it was considered a new approach to landscape painting.

Not unlike Merz, Lynda Benglis's feminist - inflected sculptural informalism antagonized the space of its presentation, as in her 1971 site - specific Walker commission titled Adhesive Products.

Of «DIY Informalism,» a clumsy mélange of bent - up stretcher bars and torn, paint - dripped canvas, Powhida writes: «Idea: To play around with some studio junk and stuff from the hardware store to make a few awkward objects without thinking intuitively with feeling!»

Tachisme emerged in France in the 1940s and 1950s, and it is closely related to Informalism or Art Informel.

My internal shorthand for the work became «informalism,» which was in no way at odds with the market's increasing fascination with Neo-modernism in general.

The three «informalisms» in Bill by Bill are in part an attempt to create what artist Christopher K. Ho has termed «modest Bushwick abstraction» and linked to a kind of Clintonian political neutrality of privilege that our generation experienced outside of New York in the mid - to late - nineties.

On the floor 2, the visitor can find an initial section devoted to historic avant - garde movements such as Cubist Space, Dadaism, Constructivisms, Surrealism, Informalism and Pop Art.

Tachisme is closely related to Informalism or Art Informel, which, in its 1950s French art - critical context, referred not so much to a sense of «informal art» as «a lack or absence of form itself» — non-formal or un-form-ulated — and not a simple reduction of formality or formalness.

Prachensky's work can be categorized as part of the Informalism movement, which developed in Paris during the 1950s as the European counterpart to American Action Painting.

This «Informalism» or «Expressionism» was a response to formal geometric abstraction, which was popular at the time.

The works on view embrace several artistic mediums and comprises a variety of styles, from early modernism and geometric abstraction to informalism and conceptual art.