Sentences with phrase «information on its screen even»

The display is able to offer information on its screen even when powered off.

Not exact matches

The matchmaking is smooth and smartly designed, with lots of information about the person available on - screen without even leaving the selection screen.

drama, a lot of profanity spouted by a jailed mobster (Peter Falk), and, above all else, pointless visual trickery: white flashes as scene transitions, on - screen blueprints, and captions that offer extraneous background information to even the most peripheral of characters.

These include buying school materials (clothes, supplies, and even homework) on eBay and the Internet; exchanging music on P2P sites; building games with modding (modifying) tools; setting up meetings and dates online; posting personal information and creations for others to check out; meeting people through cell phones; building libraries of music and movies; working together in self - formed teams in multiplayer online role - playing games; creating and using online reputation systems; peer rating of comments; online gaming; screen saver analysis; photoblogging; programming; exploring; and even transgressing and testing social norms.

If you can fit it on a smartphone screen, your learner can review information while checking their email, waiting for a plane or even kicking back before bed.

You might be tempted to simply drive away, but even if the Level 5 car is too badly damaged to chase you, there's an excellent chance it already photographed you and your car's plate, sent the information to Google and the NSA, and logged (a) your full name and address, (b) your place of employment and your annual salary, and (c) your screen name on AshleyMadison.com.

It was the first Mazda to use the new generation MZD Connect infotainment system, featuring a stylish colour display screen high up on the dashboard (it's a touchscreen interface, but one you don't have to use), an easy to work rotary control, extra information read - outs in the main instruments and even a head - up display feature.

Simplified new lineup brings more features, more value than ever A simplified Ford Fusion lineup now includes even more technology and style for 2019: The new Fusion models include: Fusion S: Upgraded entry model now includes standard Ford Co-Pilot360 Protect, which combines automatic emergency braking with pre-collision assist with pedestrian detection, blind spot information system with cross-traffic alert, automatic high - beams and rain - sensing wipers Fusion SE, Fusion Hybrid SE: Adding to the equipment on Fusion S, gasoline - powered Fusion SE comes standard with 1.5 - liter EcoBoost ®, SYNC 3 with 8 - inch LCD touch screen, SYNC Connect with Wi - Fi hotspot and dual - zone electronic automatic temperature control.

Another driver information screen set in the dash also allows 2016 Ford F - 150 drivers even more immediate information on vehicle health and performance.

While its large center dash - top touch screen pops up fully on demand, the top portion peeks out to display key information even when stored.

Even though the MID has plenty of room for this, you can't summon up all your trip information on a single screen: odometer, trip odometer, miles to empty, miles per gallon.

And that's before you even consider suggestions the human brain might actually retain and comprehend information rather better when reading and writing on paper vs screens.

The lack of clear information on number of sales probably means companies are even more reluctant than usual to invest heavily in new screen technology (which hardly ever succeeds).

The ability to have some information, or picture, always on display even when the phone's screen itself is off definitely useful.

The primary consumer protection problem areas that have given rise to the States» actions include: (1) unsubstantiated claims of consumer savings; (2) deceptive representations about the length of time necessary to complete a debt relief program; (3) misleading or failing to adequately inform consumers that they will be subject to continued collection efforts, including lawsuits, and that their account balances will increase due to extended nonpayment under the program; (4) deceptive disparagement of consumer credit counseling; (5) deceptive disparagement of bankruptcy as an alternative for debtors; (6) lack of screening and analysis to determine suitability of debt relief programs for individual debtors; (7) the collection of substantial up - front fees so the debt relief company gains even if it fails to perform; (8) lack of transparency and information for consumers as to payment of fees, status of accounts, and communications with creditors; (9) significant delays in active negotiation or engagement with creditors, coupled with prohibitions on direct consumer communications with creditors; and (10), in the case of debt settlement companies, basing savings claims (and settlement fees) not on the original account balance, but on the inflated amount due (including late fees and default rates of interest) at the time of settlement.

The on - screen information is essential at the start, even though it's not pretty.

Using a technique called supersampling, where additional visual information is downsized onto a lower resolution screen, players can expect to see improvements in picture quality, even on a 1080p television.

However, she applies these considerations to an overall composition that reflects the complexity of living in today's world; specifically, of encountering a remarkably varied array of color and shape in commercially available products, of the multiple layers of information that we navigate through on computer screens or other media outlets, and of technology giving life, and even personality, to what would otherwise be inanimate objects and tools.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

However, an operator of a general audience site or service that chooses to screen its users for age in a neutral fashion may rely on the age information its users enter, even if that age information is not accurate.

Comparing car insurance rates With all of the important information on your computer, handheld or laptop's screen, you can compare the rates for the different policies at your leisure and even request more details or different quotes if you want to find out more.

The fresh screen function «Always On», which offers the display of necessary information such as date and time even when the device is powered off, is simply the best.

Airline apps could display information about your next flight and even a boarding pass on this screen.

(You may not see the UEFI Settings option on a few Windows 8 PCs, even if they come with UEFI — consult your manufacturer's documentation for information on getting to its UEFI settings screen in this case.)

New features designed for iPad • An all new Dock provides quick access to your favorite and recently used apps and can even be shown on top of active apps • Dock resizes so you can add all of your favorite apps • Recently used and Continuity apps are available on the right • Enhanced Slide Over and Split View • Apps can be easily started in Slide Over and Split View from the Dock • Slide Over and background apps now run simultaneously • Apps in Slide Over and Split View can now be placed on the left side of the screen • Drag and drop • Move text, images, and files between apps on iPad • Multi-Touch to move multiple items at the same time • Spring - loading to move content between apps • Markup • Markup works across documents, PDFs, webpages, photos and more • Instant markup anything in iOS — just place Apple Pencil on what you want to mark • Create a PDF and markup anything that can be printed • Notes • Instantly create a new note by tapping on Lock Screen with Apple Pencil • Inline drawing available by simply placing Apple Pencil in body of a note • Search handwritten text • Document scanner autocorrects for skewing and uses image filters to remove shadows • Table support to organize and display information • Pin important notes to the top of the list • Files • All - new Files app to browse, search and organize files • Works with iCloud Drive and 3rd party cloud file providers • Recents view for quick access to recently used files across all apps and cloud services • Create folders and sort files by name, date, size anscreen • Drag and drop • Move text, images, and files between apps on iPad • Multi-Touch to move multiple items at the same time • Spring - loading to move content between apps • Markup • Markup works across documents, PDFs, webpages, photos and more • Instant markup anything in iOS — just place Apple Pencil on what you want to mark • Create a PDF and markup anything that can be printed • Notes • Instantly create a new note by tapping on Lock Screen with Apple Pencil • Inline drawing available by simply placing Apple Pencil in body of a note • Search handwritten text • Document scanner autocorrects for skewing and uses image filters to remove shadows • Table support to organize and display information • Pin important notes to the top of the list • Files • All - new Files app to browse, search and organize files • Works with iCloud Drive and 3rd party cloud file providers • Recents view for quick access to recently used files across all apps and cloud services • Create folders and sort files by name, date, size anScreen with Apple Pencil • Inline drawing available by simply placing Apple Pencil in body of a note • Search handwritten text • Document scanner autocorrects for skewing and uses image filters to remove shadows • Table support to organize and display information • Pin important notes to the top of the list • Files • All - new Files app to browse, search and organize files • Works with iCloud Drive and 3rd party cloud file providers • Recents view for quick access to recently used files across all apps and cloud services • Create folders and sort files by name, date, size and tags

The software is designed to work across all your devices, from smartphones to tablets to TVs, storing your information and allowing you to pick up wherever you left off on a previous screen — even if it was on a different gadget.

I did appreciate the inclusion of an always - on display mode that displays important information such as the time, battery and notifications even when the screen is «off».

The UI's been redesigned to support the iPhone X's edge - to - edge screen, and even uses the «horns» on either side of the camera and speaker notch to display information like exposure settings.

It even provides the option of moving between «Basic» and «Advanced» trading screens, so that more experienced traders can benefit from having more information (such as user funds) contained on a single page.

In a nutshell, this feature allows limited pieces of information to be displayed on the screen even while it's technically off.

It can also link up with your LG TV back home, to show calls, text messages and other information on the TV screen even without having the phone with you or while playing games, with the knock on feature.

Even worse is when the information just goes zip - zap - zoom on the reader's screen, before he can read and interpret.

If you want even more information on employment verifications, read our Industry Insight, Employment Verifications: 4 Best Practices You or Your Background Screening Company Should Follow.

But I'm most struck by the wise advice of Make a human connection — I take this to mean that even though we have such great information sources available to us (Social Networks, Online directories, even job ads), those who spend most of their job search depending on a computer screen will likely end up being very frustrated.

From Albania to Zambia, each country is represented by its own web page on the ESR Global Screening website which includes information — Language, Population, Currency, Time Zone, and even Calling Codes — to help U.S. employers conduct international background checks made increasingly necessary by recent government statistics:

Some states and cities have even more stringent processes and require more information from the organization when a hiring decision is made based on the findings of a background screening report.

They will prove to you they provided their information on your computer screen, at the exact time you took the course, if they chose they could even tell you where you were while taking the course, and prove to you that you passed their course.