Sentences with phrase «information on the screen without»

The calculator features horizontal and vertical split screen options allowing users to view the essential information on the screen without having to scroll around.

Important apps like Messages, S Planner (aka the calendar) and Contacts look great, are easy to use, and present enough information on each screen without being overwhelming.

Not exact matches

Indeed, it's «a constant game of risk management,» says founder Kamakshi Sivaramakrishnan, who also worked at Google but left in 2010 to launch Drawbridge, a company that builds technology to connect users» screens and devices without relying on their personal security information.

The matchmaking is smooth and smartly designed, with lots of information about the person available on - screen without even leaving the selection screen.

The main focal point in the cabin is the generously large seven - inch display screen (five inches without the optional multimedia package) that displays information for the 40 - gig hard drive, Mercedes - Benz COMAND system and the GPS navigation, and it is all easily operated using the central control knob that is mounted on the center console.

[43] Some RX 400h models without navigation screens displayed the information on a small monochrome display on the instrument panel.

A new Remote Touchpad uses smartphone - like touch gestures — including tap, flick and pinch — to operate audio, navigation or system information displayed on the center screen, without the user having to look down.

The new features surrounding the application area are multitasking, with better live tiles and an improvement on delivering real - time information onto the screen without the need to open the app, plus a more thorough integration under the hood with App Connect for music, video and pictures.

If you're watching a movie on a Kindle, you can tap on an on - screen actor and — without leaving the movie — review the actor's profile and information, provided by the IMDb entertainment database.

Sleek and elegant, the phone allows users to keep up with important information and notifications without unlocking their phone, via the always - on 4.7 - inch E Ink screen at the back of the device (image source: Yota).

By nixing the Super AMOLED screen, they could definitely achieve this, but without more information on the Samsung Galaxy Tab, I'm still looking elsewhere for now.

This version is loaded with new features including: - A completely updated visual design with beautiful backgrounds - By Request - «Contains» - reveal every word a tile makes up on the results screen - Guest Mode - let someone else play, without compromising your stats - Multiple Languages - Currently UI only, but watch our blog for information on updates - Now with sounds!

You may not use the Site to develop, generate, transmit or store information (including, without limitation, Content) that: (a) in the sole and absolute discretion of Undead Labs, is deemed to be offensive; (b) is deemed unlawful, harmful, harassing, fraudulent, threatening, abusive, libelous, defamatory, vulgar, obscene, hateful, sexually explicit, or racially, ethnically or otherwise objectionable, nor may you use a misspelling or an alternative spelling to circumvent these restrictions; (c) consists of advertisements, promotions, solicitations, chain letters, pyramid schemes, investment opportunities or other unsolicited commercial communication; (d) is derogatory or harmful to the reputation of the Site, Undead Labs, or our directors, officers and employees in any way; (e) encourages the violation of any local, state, national, or international laws or regulations; (f) solicits other users» passwords and / or credit card information; (g) is anti-social, disruptive, or destructive, including, without limitation, «flaming,» «spamming» and «trolling»; (h) carries out any action with a disruptive effect, such as causing forum screens to scroll faster than other users are able to read, or setting up macros with large amounts of text that, when used, can have a disruptive effect on the normal flow of forum postings; (i) contains any user's personal information, including, but not limited to, such user's real name, address, phone number or private e-mail address, except that a user may communicate his or her own personal information in a private message directed to a single user; (j) forges headers or otherwise manipulates identifiers in order to disguise the origin of any message (k) in any way obstructs or otherwise interferes with the normal performance of another person's use of the Site; (l) constitutes harassment or a violation of privacy or threatens other people or groups of people; (m) is harmful to children in any manner; or (n) constitutes phishing, pharming or impersonates any other person, or steals or assumes any person's identity (whether a real identity or online nickname or alias).

All the information displayed on the PSP or PlayStation Vita is still accessible in the game without the additional hardware, it just won't be displayed alongside the action on the screen.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

An exhibition that introduces work by seven artists, all strangers to Sharjah, into a space that was originally a family home March 16 Ziad Antar's exhibition and book launch Portrait of a Territory March 17 Screening of 1395 Days without Red an Artangel commission by Šejla Kamerić and Anri Sala in collaboration with Ari Benjamin Meyers March 18 Basma Alsharif's exhibition Farther Than the Eye Can See March 19 Revisiting Tarab an Evening of Music by Tarek Atoui For further information on Sharjah Art Foundation and the March programme please visit www.sharjahart.org

An exhibition that introduces work by seven artists, all strangers to Sharjah, into a space that was originally a family home March 16 Ziad Antarʼs exhibition and book launch Portrait of a Territory March 17 Screening of 1395 Days Without Red an Artangel commission by Šejla Kamerić and Anri Sala in collaboration with Ari Benjamin Meyers March 18 Basma Alsharifʼs exhibition Farther Than the Eye Can See March 19 Revisiting Tarab an Evening of Music by Tarek Atoui For further information on Sharjah Art Foundation and the March programme please visit www.sharjahart.org

Where an officer honestly and reasonably concludes on the basis of available information that he can form no opinion as to whether the driver consumed alcohol within the prior 15 to 20 minutes, the officer is entitled to rely on the accuracy of the statutorily approved screening device and administer the test without delay.

Without these basic markers, screen readers garble the information on pages and forms, making them impossible to use.

On the same day the OPC decision was released, the FTC announced that it was settling charges filed by the U.S. Department of Justice on behalf of the FTC against VTech USA for violating the Children's Online Privacy Protection Act by collecting personal information from children without providing direct notice to parents (including prominently displaying links to online notices of information practices with regard to children on the home page or screen of its website or online services and at each area of the website or online service where personal information is collected) or obtaining verifiable consent concerning its information collection practiceOn the same day the OPC decision was released, the FTC announced that it was settling charges filed by the U.S. Department of Justice on behalf of the FTC against VTech USA for violating the Children's Online Privacy Protection Act by collecting personal information from children without providing direct notice to parents (including prominently displaying links to online notices of information practices with regard to children on the home page or screen of its website or online services and at each area of the website or online service where personal information is collected) or obtaining verifiable consent concerning its information collection practiceon behalf of the FTC against VTech USA for violating the Children's Online Privacy Protection Act by collecting personal information from children without providing direct notice to parents (including prominently displaying links to online notices of information practices with regard to children on the home page or screen of its website or online services and at each area of the website or online service where personal information is collected) or obtaining verifiable consent concerning its information collection practiceon the home page or screen of its website or online services and at each area of the website or online service where personal information is collected) or obtaining verifiable consent concerning its information collection practices.

New features include one - click saving of documents without having to fill out a profile, full search functionality from directly within Microsoft Word and Excel, Active Profiling within Outlook to automatically assign client - matter information to emails, and a new interface to allow viewing up to three times more documents on the screen.

Unless your browser settings are configured to make your online activities and publicly available information about your online activities (such as traffic data described above) invisible to usage analytics tools, we do not presently have the capability to omit you from usage analytics to the extent your browser only sends us a «do not track» message and does not otherwise screen you from tracking without any action on our part.

As part of the new Clio experience, Clio's interface puts more of what matters most to Clio users closer to their fingertips — increasing information density, so that you can see more on any given screen, without making it overwhelming.

Though it conveys more information than Moto Display, it's neither as convenient nor as useful, since it's not possible to preview the notification without turning on the screen.

One can now place widgets on the lock screen itself, allowing the user to access any desired information without having to unlock the device.

This gives you information about what's going on without needing to turn the screen on.

And thanks to the larger screen, that means you'll be able to view more information on the tracker itself without having to pick up your phone to open the Garmin app.

The smaller display is a useful way to see information displayed without interrupting what you're doing on the main screen.

· Air View ™: Explore information and content on your Galaxy Mega without ever touching the screen.

This mode would allow users to see important information at a glance without having to ever touch their phone or wait for a notification to flash on screen.

Simply put, you can see all of the information you want at a glance on your home screen without having to fire up an app.

Glance Mode shows some phone information and the time on your screen in a low - power state when it's in sleep mode so that you can quickly see some important stuff without turning the whole phone on.

The whole point of having a small screen on your wrist all the time is arguably to be able to quickly and easily glance at all sorts of information and make sure that you take it in without having to dig out your phone all of the time.

The Gear Live also comes with an always - on screen feature, which keeps the display awake at all times but decreases the brightness to the lowest level when the device is not in use, this allows the user to glance over the latest information without pressing any buttons or touching the display itself.

There's one more thing you can do to customize the experience: If you want the notification on the lock screen without the actual information, you can enable the confusingly titled «When locked», right underneath the toggle above to hide the content until the phone is unlocked.

I haven't found any information about missing option in samsung nougat update for quick reply from locked screen — you can not reply to messages without unlocking your phone as on plain nougat.

These tiles can show information from websites, have different photos depending on the tile size, and open up without you having to see a splash screen.

It can also link up with your LG TV back home, to show calls, text messages and other information on the TV screen even without having the phone with you or while playing games, with the knock on feature.

You might think having apps on all the time on your watch face would be detrimental to the battery, and it would be if the display never altered the colors of the apps, but once you open up Runtastic and the card displays on screen, after a few seconds of no interaction it will dim to a black display with white font of all the apps details to help you conserve the battery this way you can still see the information without draining the battery life too quickly.

That could have the benefit of making Wear simpler to use too — you could in theory get all the information you need without ever leaving your watch face, since it's all accessible with just a tap on the home screen.

As opposed to static icons that are merely shortcuts to apps, home screen widgets offer a variety of additional functionality, namely access to zero - touch information that is updated automatically without any effort needed on the user's part.

The Glance Screen shows important information and notifications on the AMOLED display at a glance, without draining the battery.

Whilst internet connection is available almost anywhere, a graduate looking for a role may have limited internet availability or bandwidth and will also be working from a smaller screen, so recruiters need to ensure all of the necessary information is easily accessible and can be taken on board without delay.

Spokeo, Inc., a data broker that compiles and sells detailed information profiles on millions of consumers, will pay $ 800,000 to settle Federal Trade Commission charges that it marketed the profiles to companies in the human resources, background screening, and recruiting industries without taking steps to protect consumers required under the Fair Credit Reporting Act.

«No discussion on background checks these days is complete without an analysis of how the Internet is used for finding information about job candidates,» says Rosen, author of «The Safe Hiring Manual,» the first comprehensive guide to employment screening.

This toolkit for providers offered by Futures without Violence ® includes assessment tools for screening women for IPV in a clinical setting, and information on supported referral and counseling.

the most inexpensive way in the world to network information without advertising constantly popping up on the screen making you read it before seeing results