The foul - mouthed dialogue is easily heard and complemented by both the Morricone score and
infrequent needle drop, all of it even - keeled, if modestly spread out.
Then, though the typically ethereal Hughesian score by Keith Forsey remains subtle, you'll experience the other extreme during
the infrequent needle drops, in which licensed music breathes life into the mix but in such loud fashion you'll probably lunge for the remote.