Counterposed scenes of Cornelia fleeing a ghastly Wiggles - style mother - and - baby music session (all her contemporaries have kids, so this is a rare social interaction) and grinding her way through a mofo -
ing dance workout identify her as belonging in neither environment, Watts mining both comedy and pathos from her character's inability to move forward or backward; clowns to the left, jokers to the right, stuck in the middle with Josh.