Yet
initially slow film and shutter speeds, from a half - second to several seconds, meant that a moving person or object appeared in pictures as a blur, if at all.
Not exact matches
It's certainly not a bad setup, and director Yuthlert Sippapak
initially imbues the
film with a sort of
slow - paced sense of dread - something he completely abandons at about the 30 - minute mark.