Sentences with phrase «ink marker on»

Not exact matches

If they are frustrated because their favorite markers are running low on ink, grab them a new pack and surprise them.

To illustrate this process, we gave visitors to our booth the chance to do a quick, hands - on chromatography experiment themselves, separating the pigments in an ink marker using a coffee filter and few drops of water.

She uses their Pentel Maxi - Flo Whiteboard markers as an example by explaining: «Whilst not the cheapest on the market have a unique ink replenishment system that allows all the ink to be used in the pen.

To compose a draft, they can write on traditional lined paper, on raised lined paper, or on chart paper on the wall (for students who need to stand up); they can use a computer program with word prediction software; they can use several graphic organizers to get started; and they can write with pens, markers, or «20/20 pens» (special marking pens with dark ink and very wide tips that help students with visual impairments see their own writing).

E Ink supplies our custom - made CANVAS paper display, and industry leading WACOM is our partner on the high - precision Marker.»

Researchers at the University of Tokyo have dusted off some E Ink technology originally developed back in the 1970s to create a new kind of easily erasable whiteboard technology that can be written on using magnetic pens instead of dry - erase markers.

Still Life with Orange Stripes and Three BB Holes / 2015 / Oil, acrylic, gesso and mud with polymer medium, ink, marker, spray paint and smoke stain on canvas / 48» x 36» / $ 6,500

Ink and Markers on paper 60 x 80 inches.

February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film Frames of Neutrino Movements — shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to high - definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.

Her working materials have expanded from pen and ink into a rich visual palette to include marker pen, India and acrylic ink, watercolour, charcoal, pastel, lithography crayon, coloured pencil and wood stain on paper, board and wood panel.

Pen ink, marker, and varnish on paper.

Cut and pasted printed, colored and metallic papers, photostats, graphite, ink marker, gouache, watercolor, and ink on Masonite.

Cut and pasted printed, colored and metallic papers, photostats, graphite, ink marker, gouache, watercolor, and ink on Masonite panels.

Mary Beth Edelson, «Monday's Prayer: Dinner Party (Woman Rising series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE466

Mary Beth Edelson, «Hounds of Hell (Woman Rising series)», 1973, Oil, ink, and china marker on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 3/4 inches, 43.2 x 40 cm, MBE462

Mary Beth Edelson, «Sheela's Secret Weapon (Woman Rising series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE474

Mary Beth Edelson, «Giving Birth to Myself», 1975, Ink and china marker on silver gelatin print, Image Dimensions: 6 x 6 inches, 15.2 x 15.2 cm, Framed Dimensions: 12 1/2 x 12 1/2 x 3/4 inches, 31.8 x 31.8 x 1.9 cm, MBE019

Mary Beth Edelson, «Write By The Tail / Bite The Tail / I Bite / Belly Snakes (Woman Rising series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE460

Mary Beth Edelson, «Untitled», 1973 - Present, Ink, marker and paper mounted on canvas, Dimensions variable, MBE434

The Bell Crusaders RIP, 2011 Faber Kastell markers and archival ink pen on paper 6 x 8» Courtesy of the artist Value: $ 300 / Minimum bid: $ 120

Mary Beth Edelson, «Winter Saga: Viking with Time on Her Hands (Woman Rising series)», 1973, Oil, ink, china marker, paper collage, and glitter on silver gelatin print, 10 x 8 inches, 25.4 x 20.3 cm, MBE491

Mary Beth Edelson, «Red Kali (from the Woman Rising series),» 1973, Oil, china marker, ink on silver gelatin print 10 x 8 inches, 25.4 x 20.3 cm

Mary Beth Edelson, «Many Breasted Great Mother (Lucy Lippard)(Woman Rising Series)», 1973/2016, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE452

Mary Beth Edelson, «Double Shells (Woman Rising series)», 1973, Oil, ink, and china marker on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE451

Mary Beth Edelson, «Burning Bright (Woman Rising Series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 14 x 1 3/4 inches, 43.2 x 35.6 x 4.4 cm, MBE469

Layering black on black marks with ink, charcoal, pastel, and marker, Nigerian - born, New York — based artist Toyin Odutola (b. 1985) creates portraits that illuminate the notion of depth often neglected in perceptions of blackness.

Shomali predominately works on paper, combining bold charcoal, ballpoint pen, gouache, ink, marker and collage, which create the unique texture and appearance of his works.

Collage, ink, pastel, marker, acrylic, inkjet print on Rives BFK with wall vinyl.

She enjoys working primarily on paper with a mixture of mediums such as acrylic, ink, marker, coffee, graphite pencil, tissue paper bleed, and occasionally oil paint.

Instructions for Utopian Grey World Machine & Copper Inner Structure - 2007 - Ink, dye, pencil, marker, acrylic, and gouache on Fabriano Murillo Paper

Henry Ray Clark, The Eyes of the Universe, 2005, Ink and marker on manila envelope, 13 1⁄2 × 20 in.

Pencil, gouache, ink, acrylic mica mortar, China marker grease pencil, wax crayon, and correction fluid on paper

Andrew Schmidt Frequency Chamber, 2013 POSCA Paint Markers on Wall, Marker, Pen and Ink on Paper, Magnets, Nails

Pictured: Soil Erosion, 2015, marker, pencil and gel ink on paper, diptych

Pictured: (L) Quality Control, 2015, marker and pencil on paper, and (R) The Treatment 14, 2015, pen ink, gel ink and pencil on paper

«Squid In A Snap (Gramercy Tavern)» 2013 & «A Cake On The Bed (Dominique) 2013,» archival inkjet, ink, marker, and stickers on watercolor paper mounted on primed canvas with sac a jambon bag veil (recipe on versOn The Bed (Dominique) 2013,» archival inkjet, ink, marker, and stickers on watercolor paper mounted on primed canvas with sac a jambon bag veil (recipe on verson watercolor paper mounted on primed canvas with sac a jambon bag veil (recipe on verson primed canvas with sac a jambon bag veil (recipe on verson verso)

«Light On Heat (Casa Camara)» 2013 & «A Lovely Way To Salt A Dish (Mr. Chow) 2013,» archival inkjet, ink, marker, and stickers on watercolor paper mounted on primed canvas with sac a jambon bag veil (recipe on versOn Heat (Casa Camara)» 2013 & «A Lovely Way To Salt A Dish (Mr. Chow) 2013,» archival inkjet, ink, marker, and stickers on watercolor paper mounted on primed canvas with sac a jambon bag veil (recipe on verson watercolor paper mounted on primed canvas with sac a jambon bag veil (recipe on verson primed canvas with sac a jambon bag veil (recipe on verson verso)

«Salmon Richly Spiced (La Grenouille)» & «Out To Play (17Hundred90)» 2013, archival inkjet, ink, marker, and stickers on watercolor paper mounted on primed canvas with sac a jambon bag veil (recipe on verso).

Jannis Varelas Ohne Titel, 2016 Oil, oil stick, ink, permanent marker, pastel gesso on canvas 210h x 240w cm 82.68 h x 94.49 w in

Photocopy of ink drawing, and design marker on paper; 17 × 11 inches.

Ruby Neri, Untitled (from Such Thing Countless Wondrs series), 1995, Recycled house paint, acrylic paint, marker, collage, and ink on paper, 34 x 22 in.

A drawing by Toyin Odutola («New Growth (Maebel),» 2013, pen ink and bronze marker on board) is featured on the January 2014 cover of ART News, illustrating «Making Cutting - Edge Art with Ballpoint Pens,» an article in which she is featured.

Ink, marker and paper mounted on canvas, dimensions variable.

Batir des Murs 2011 — present Graphite, ink, watercolor, marker, pastel, charcoal, wax crayon on synthetic paper

POPE.L Failure Drawing # 636 Far Above the Ocean 2009 - 2010 Ink, acrylic, ballpoint pen, oil stick, marker and correction fluid on map 24.75 by 32 in.

POPE.L Failure Drawing # 252 Green Sky Red Mountain 2005 - 06 Ink and colored marker on hotel stationery 5 1/2 by 4 1/4 in.

POPE.L Failure Drawing # 33 Red Clouds 2004 - 06 Ink, black marker, ballpoint pen, acrylic, stains and newspaper collage on joined brown paper 4.75 by 9.875 in.

Above: Jean - Michel Basquiat, In Italian, 1983, acrylic and oil paintstick on canvas with wooden supports and five smaller canvases painted with ink marker.

Among the items acquired were the 1968 aluminum - and - rubber - hose - work Pipe by Bill Bollinger, and five untitled graphite - on - paper drawings by the same artist from the same year; a 2009 nine - minute 35 mm slide projection, free fotolab by Phil Collins; two 8 mm videos, Eastern Morning, 2008, and Three Screen Ray, 2006, by Bruce Conner; an untitled 1971 acrylic - on - wood sculpture by Carmen Herrera, plus three untitled 1966 ink - on - paper drawings by the same artist; a 1966 — 98 video installation, 16 Millimeter Earrings, by Meredith Monk; and a 2000 — 9 paint and marker on photo collage by William Pope L.

For a long time I used black ink on paper, then I discovered coloured markers and that opened up the process because then I could start drawing with colour as a means to create composition and think about how shapes and colours interact on the initial drawing surface.