Jackson Pollock, Untitled, c. 1945, pen and black
ink on brown paper prepared with yellow gouache, Leonard R. Stachura Fund, 1985.62.4
Not exact matches
Girolamo Francesco Maria Mazzola, called Il Parmigianino (Parma 1503 — 1540 Casalmaggiore), Man Standing Beside a Plinth
on which He Rests a Book, and a Study of Saint Luke, ca. 1530, Pen and
brown ink,
brown wash,
on paper.
Pietro Fancelli, Study for Orpheus and Eurydice (recto); A Bacchanal Procession (verso), circa 1800 — 10, pen and
brown ink over graphite
on paper, 16 x 22 ⅛ in., Minneapolis Institute of Art
(Left to Right) Adele Patrick, Sketchbook of designs conceived during MA Design course (1984 - 1986); Margaret Oliver
Brown, illustrations for The Bulletin, Glasgow (1950s),
ink on paper.
Jean - Michel Cels Clouds Study, ca. 1838 — 42 oil
on brown paper, mounted
on card; inscribed in pen and
brown ink on verso at upper left, V (ernis); cop (al) etendu de terb (enthine): 10 5/16 x 14 3/8 in.
In a series of six large - scale acrylic
ink and charcoal
on paper drawings, Lemus adds his own origin story to the canon, that of how solidarity developed between black and
brown.
From Ken Kagami come 24 bleakly hilarious
ink -
on -
paper meditations
on the relationship between Charles M. Schulz's classic comic - strip characters Snoopy and Charlie
Brown.
Everything Will Be Fine / Okay is a white
on navy, cream,
brown, and light blue contemporary abstract
ink on handmade
paper that measures 34.5 x 26.5 and is priced at $ 2,800.
Marcel Duchamp, Boxing Match (Combat de Boxe), 1913, Graphite, colored pencils, and typing
ink on ten strips of buff - colored wove
paper adhered to
brown paper, 16.5 x 12.25 inches, © Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp.
van Rijn (1606 - 1669), Two Studies of Saskia Asleep, ca. 1635 - 37, Pen and
brown ink and wash
on paper.
Pen and
brown ink on onionskin
paper.
Girl with Doll, 1964
brown ink and wash
on paper mounted
on illustration board 18 3/4» x 20 7/8» sheet size / 15» x 16 1/2» sight size signed and dated
Joan
Brown, Woman in Reclining Chair, 1973, collage,
ink, acrylic, graphite
on paper, 36 1/4 x 24 inches (courtesy of Gallery Paule Anglim)
Image: Original dark
brown ink drawing attributed to Vincent van Gogh (1853 - 1890)
on heavy wove
paper, titled Garden View of the Church at Auvers ($ 12,000).
Image: Nicolas Poussin (1594 - 1665), The Holy Family
on the Steps, pen and
brown ink,
brown wash, with touches of gray wash, over black chalk,
on paper.
Pen,
ink and charocal
on heavy
brown wove
paper.
Josef's Homage to the Square makes two appearances, once in a black, grey and aqua oil -
on - masonite version from 1956, and once in the turquoise - centred Color Study for Mitered Square (Homage to the Square), while there are also two of Anni's intimate
ink works
on paper from c1980: Design (Black and Red) and Design (Black and
Brown).
Image Credit: The Vampire (Le Stryge), 1853, Charles Meryon (French, 1821 — 1868), etching in
brown ink on laid
paper, fourth of eight states.
On the other side of the hall, the delicate cut - paper ink and graphite drawings of Jasmin Sian filled Anthony Meier Fine Arts's booth (priced at $ 10,000 — 22,000 each); the tiny, intricate brown - and - black compositions were made on deli bag pape
On the other side of the hall, the delicate cut -
paper ink and graphite drawings of Jasmin Sian filled Anthony Meier Fine Arts's booth (priced at $ 10,000 — 22,000 each); the tiny, intricate
brown - and - black compositions were made
on deli bag pape
on deli bag
paper.
Charles Gaines, Motion: Trisha
Brown Dance, Set # 1, 1980 — 81, Color photographs and
ink on Strathmore
paper Eight parts: 4 small drawings, 11 × 191⁄2 in.
Charles Gaines, Motion: Trisha
Brown Dance, Set # 1 (detail), 1980 — 81, Color photographs and
ink on Strathmore
paper Eight parts: 4 small drawings, 11 × 191⁄2 in.
Heather
Brown, «Calendar,» 2009,
ink on paper, 18 x 20.5 ″ Installation view Heather
Brown's drawings remark — often obliquely —
on the devices of drawing by revealing or collapsing formal idioms in a sometimes awkward, humorous or brutal fashion.
Flora by Unidentified Artist Flora: cut
paper on paperboard, with pen and
brown ink, 1796.
Image: Leonardo da Vinci, Sheet of Studies [recto], probably 1470/1480, pen and
brown ink over black chalk
on laid
paper, The Armand Hammer Collection, 1991.217.2.
Dante Gabriel Rossetti, Jane Morris, 1870, pen and iron gall
ink with
brown wash
on laid
paper; laid down
on paperboard, Ailsa Mellon Bruce Fund, 1988.29.1
POPE.L Failure Drawing # 33 Red Clouds 2004 - 06
Ink, black marker, ballpoint pen, acrylic, stains and newspaper collage
on joined
brown paper 4.75 by 9.875 in.
Cecily
Brown, Untitled (Paradise), 2014, Watercolor,
ink, and ballpoint pen
on paper, 14.13 x 20.13 in., Courtesy the Artist, Photo: Genevieve Ganson
Vincent van Gogh (1853 — 1890), Letter to Paul Gauguin, 17 October 1888, with a sketch of Bedroom at Arles, pen and
brown ink on graph
paper, Thaw Collection, The Morgan Library & Museum, MA 6447.
Anthony van Dyck (1599 — 1641), Diana and Endymion, ca. 1625 — 27, pen and point of brush,
brown ink and
brown wash, heightened with white opaque watercolor,
on blue
paper, faded to green gray, The Morgan Library & Museum, I, 240.
Nicolas Poussin (1594 — 1665), The Holy Family
on the Steps, pen and
brown ink,
brown wash, with touches of gray wash, over black chalk,
on paper.
Anthony van Dyck (1599 — 1641), View of Rye from the Northeast, 27 August 1633, pen and
brown ink on paper, purchased by Pierpont Morgan (1837 — 1913) in 1909, The Morgan Library & Museum, III, 178.
Nicolas Poussin (1594 — 1665), The Holy Family
on the Steps, 1646 — 48, pen and
brown ink and
brown wash, with gray wash, over black chalk,
on paper.
We print
on Forest Stewardship Council (FSC) accredited
paper with soy
inks, ship overseas by sea and in recycled / reuseable
brown envelopes.
Anyone else obsessed with the simplicity of black
ink on brown kraft
paper?