Sentences with phrase «ink on canvas works»

Her solo exhibitions earlier in the year, at Société in Berlin and Rachel Uffner in New York, showcased in even grander form the arresting nature of her monochromatic ink on canvas works.

Not exact matches

He now works in mixed media on canvas, combining acrylics, inks, watercolours, oils and spray paint.

Perfecting his computer - based technique into what he calls «frictionless drawing», blue monochromatic works on display demonstrate how these abstract and vector - like gestures are meticulously transposed onto canvas using acrylic, tape, UV ink and spray paint.

Though, he worked in a variety of media and styles, including ink, oil, acrylic, video, and collage, Davis is best known by far for his acrylic paintings (mostly on canvas) of colorful vertical stripes, which he began to paint in 1958.

In 2010 - 2011, Lee's oil and acrylic on canvas work and his ballpoint ink on paper work were exhibited at the Metropolitan Museum of Art.

In Lee's acrylic and oil works on canvas, the line work follows a similar trajectory of many of his well - known ballpoint ink works but the line is incised rather than applied.

It includes the following: a series of five etchings realised with master printer Gregory Burnet in New York (Untitled, 2013), an ensemble of 16 works on paper (Mind Breath Drawings, graphite, 2012) and finally a mixed group of 11 drawings and paintings on canvases (all untitled, in graphite, acrylic and, except for three, ink, 2012).

A special presentation of three large works on canvas along with a large - scale ink on paper scroll by Pouran Jinchi from the Tajvid series (2009), represented in the collection of the Herbert F. Johnson Museum of Art at Cornell University and the Museum of Fine Arts, Houston.

These ambitious works include Lee's largest ballpoint pen work to date, a twelve foot long blue ink on canvas tour de force.

The shift in scale from massive to manageable is counterbalanced with visual density: the washy grey ink on the larger works allows light to pass through to the primed canvas lending them an airiness in contrast to the smaller pieces, which are so thoroughly inked they absorb light.

Her large - scale canvases are created primarily with oils and acrylics and smaller works on paper created with ink, watercolors and other mediums.

The works depict realistic, detailed works in ink on canvas, and commencing this August, in conjunction with Jon Linkins Printroom Editions, various works of John Flitcroft will be available as limited edition print reproductions.

Two of Eddie Martinez's silkscreen ink, oil, enamel and spray paint works on canvas — including one that contained chewing gum — went for as much as $ 75,000 each.

El Hanani creates highly intricate works, like Circle and Line, through the painstaking repetition of minuscule marks repeated thousands of times using ink on paper or canvas.

In our Viewing Room: A special presentation of three large works on canvas along with a large - scale ink on paper scroll by Pouran Jinchi from the Tajvid series (2009), represented in the collection of the Herbert F. Johnson Museum of Art at Cornell University and the Museum of Fine Arts, Houston.

The lateral thin and thick bands of black ink of the present work and their placement in relation to the edges are mirrored in the canvases, with subsequent works on paper advancing this proposition by manipulating the number and width of the markings.

While the dates of this series and their related paintings overlap (the first paintings are dated 1958, while works on paper don't begin until 1960), it is widely acknowledged by Newman scholars that these ink on paper drawings play an important role in the development of the Stations canvases.

On view are jacquard tapestries, oil paintings on canvas, watercolor pigment prints, felt stamp works and ink and graphic drawingOn view are jacquard tapestries, oil paintings on canvas, watercolor pigment prints, felt stamp works and ink and graphic drawingon canvas, watercolor pigment prints, felt stamp works and ink and graphic drawings.

There are several works by Andy Warhol (1928 - 1987) in the auction, most notably Lot 13A, «Little Electric Chair (Orange),» an acrylic and silkscreen ink on canvas that measures 22 by 28 inches.

Working in oil on canvas, ink on paper, and mixed - media collage, Krasner produced works characterized by a sensuous painterly style, her large - scales collages often formed from the artist's own cut - up paintings and drawings.

Eric Lacombe works mostly with acrylics or ink on paper or canvas.

Her images recall Japanese ink drawings, but her ink - on - canvas compositions are fresh and unique, comprised of fluid forms and precise, delicate line work.

From his earliest days as an artist he has made two - dimensional works in ink, acrylic, gouache, oil, pigment and earth on both paper and canvas.

Andy Warhol (1928 - 1987) has numerous works coming up for auction this season and this auction has three of his large animal paintings of the early 1980's, the best of which is Lot 67, «Orangutan,» shown below, a 60 - inch - square synthetic polymer and silkscreen ink on canvas.

Lot 60, «Words,» a 24 1/2 - inch square ink on paper mounted on canvas by Agnes Martin (b. 1912), sold for $ 291,750, surpassing the artist's previous auction record of $ 156,500 for a work on paper.

Along with works created on huge raw pieces of canvas, the exhibit included abstract work by the artist, done with ink on mulberry and Japanese paper.

If in the early years of her career she experimented with different media, Dumas today works principally with oil on canvas and ink on paper.

During those years he created his first works with pencil on canvas and ink on photographic prints; in them, he mixed words and diagrams to explore the relationship between the body and its environment, and the processes by which man perceives and imagines.

She enjoys working with acrylic, inks and moulding paste on canvas.

Featuring works that range from pencil and ink drawings to oil on canvas, video and installations, Crossroads of the Dystopia is Matheu's first mid - career museum survey.

Eddy uses charcoal, caulking and ink densely patterned on canvas, and his titles include «On the Road Again,» «There is Still a Lot of Work to Do,» and «Going Places.&raquon canvas, and his titles include «On the Road Again,» «There is Still a Lot of Work to Do,» and «Going Places.&raquOn the Road Again,» «There is Still a Lot of Work to Do,» and «Going Places.»

Fieroza Doorsen uses a wide range of materials: charcoal, ink, pastel, oil, acrylic, gouache, collage to name a few, producing works on paper, oil on canvases and wall based sculptures.

Therefore, I hug this feeling, concluding both the «good and the bad ways of it», I move on... In your latest works, we see that blue enters increasingly in the white canvas, creating the sensation of blue ink on paper, it looks like a note, this is your goal?

Abandoning the oil on canvas, she chose gouache and ink on paper that allowed her to create more rapidly, making the «angry works, often scatological, manifestos against a senseless obscene war; a war my sons could have been called up for, though they were very young.

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

Her later works were large, colourful drawings and paintings on handmade paper or canvas that combine graphite, ink and lacquer with terra sigillata and wax.

His practice draws on the legacy of non-symbolic abstraction in making the series of works he terms «Black Dada,» which in the MOCA show included large paintings of silkscreen ink on canvas, such as «Black Dada / Column (A / A)» (2015).

Her practice includes large - scale canvases created primarily with oils and acrylics and smaller works on paper created with ink, watercolors and other mediums.

Working in various mediums including oil on canvas, gouache on paper, pen and ink drawings and collage, Ernst, along with Helmut Herzfelde (aka John Heartfield), created numerous satirical collages, using popular printed material, depicting the grotesque and the erotic, in a style which heralded Parisian Surrealism.

Diverging from his small graphite drawings that determined his practice for so many years, Matthews focuses on large ink and gouache works on paper attached to canvas and stretched over wood supports.

Her latest exhibition, her first with Kravets / Wehby Gallery in New York, presents a series of mixed - media works composed of cut paper collage, paint, and ink on canvas.

Mid-sized and small oil, pumice, and latex works on canvas hang seamlessly together with framed ink on photo emulsion paper drawings in the front room, while large paintings essentially fill up the back space.

The main gallery features Lee's recent ballpoint ink works on canvas and acrylic and oil paintings that display Lee's signature ability to create a massive single form through the overlay of thousands of lines.

Julie Mehretu, Berliner Plaetze, 2008 - 2009 Ink and acrylic on canvas, 304.8 x 426.7 cm Commissioned Work by the Deutsche Bank in consultation with the Solomon R. Guggenheim Foundation for the Deutsche Guggenheim, Berlin October 28, 2009 — January 6, 2010 Acclaimed American artist Julie Mehretu premieres a new suite of paintings that she has produced for the fifteenth project of Deutsche Guggenheim's commission program at the exhibition space Unter den Linden.

«Colony Room» presents some of Zak Prekop's new work (Pictured above: Black with Green / Blue, 2014, oil and ink on canvas, 27 x 35 inches) that utilizes a wider range of color than we saw in his 2012 series of white - on - white paintings.

His canvas works are primed with five layers of acrylic mat gel, which prevents the ink from invading the canvas and, instead, allows the ink to pool into a smooth wash on the surface, gradually obliterating some of the pen strokes.

Working with white wood glue and multi-coloured inks, where their flows on her canvases are directed by gravity and the nature of the materials as much as by the artist's own hand, she opens her process up not just for scrutiny but for deep engagement with the audience and with the political and social ecology of the world around her.

On view are works made of oil, oil stick, alkyd, acrylic, pastel, ink, and crayon on canvas, watercolor paper, and newsprinOn view are works made of oil, oil stick, alkyd, acrylic, pastel, ink, and crayon on canvas, watercolor paper, and newsprinon canvas, watercolor paper, and newsprint.

The selection of works in this exhibition range from painting on canvas to mixed media paintings that combine paper collage, paint, ink, chalk and graphite on canvas supports to unique acrylic paintings combined with ink on paper.

Above: Panorama, selection of 14 from a series of printed and painted works, 2015, acrylic, gouache, and ink on inkjet - printed canvas, painted wood base, 79 x 59 inches.