Sentences with phrase «ink painting is used»

CHINESE INK CHINESE ARTISTS ARTIST INTERVIEWS In a conversation with Chinese - based art blog RedBox Review the artist Liang Quan (b. 1948), living and working in Shenzhen, China, explains how ink painting is used in contemporary art and how this exploration... Continue reading →

Not exact matches

They use it in ink for printing back in the mid 90's or maybe late 90's there was a concern in orange county with these lunch bags that we're given out for free that had whatever logo on it and apparently, they had used some lead - based paint on them.

riginal hand painted homewares, which are digitally printed using eco-friendly water based inks.

Khoshnevis points out that the exterior trowel could be followed by a rolling die that prints a brick, shingle, or clapboard pattern in the wet concrete, while the interior could be painted using ink - jet technology in any color, or even in wallpaper patterns.

That goal is still lower than the conversion ratio achieved by modern cells made from silicon, but organic photovoltaics would be cheaper and could be used in fabrics, plastics and even inks and paints.

Plant - sourced oils like canola oil, once processed, can also be used industrially to formulate lubricants, oils, fuels, soaps, paints, plastics, cosmetics, and ink.

INK is a fast - paced platformer about using colorful paint to uncover your surroundings.

Visually, I was influenced by block prints from the Edo period, and I imitated the ink - wash painting style using bright, vibrant colors.

Price: # 7.99 / $ 9.99 / $ 9.99 Description: INK is a fast - paced platformer about using colorful paint to uncover your surroundings.

Then there are Rollers, which resemble giant paint rollers and brushes that cover ground in ink the quickest and are used as melee weapons against opponents.

Instead of bullets, your weapons are filled with coloured ink used to splat your enemies and cover the environment in paint.

Rather than having team death matches, the goal of every match is not to kill the other team but to use the ink from your weaponry to paint as much of the map as possible and expand your territory.

A new painting by Dutch wildlife artist Esther van Hulsen is an artistic and scientific wonder, using fossilized ink to paint an octopus.

Brazilwood dye has been used for textile and leather dyes, inks, paints, varnish tints, and wood stains.»

From large paintings on canvas to fine pencil drawings that Jessica is known for, the show will also feature a stop - animation film (with music composed by Nick Powell) and a piece using electric ink which brings its own unique aural element.

Perfecting his computer - based technique into what he calls «frictionless drawing», blue monochromatic works on display demonstrate how these abstract and vector - like gestures are meticulously transposed onto canvas using acrylic, tape, UV ink and spray paint.

Her paintings are built up through layers of acrylic paint on canvas, overlaid with mark - making using pencil, pen, ink and thick streams of paint.

The final chosen image is then photographed and projected onto a large primed canvas, where Short begins a meticulous rendering of the original using black oil paint or india ink.

The source for his practice is the millennial - old tradition of Chinese landscape painting, using scrolls as his format and ink and paper as his medium.

Although the monotypes made in the 1870s and 1880s used printer's ink, as was customary in the medium, when Degas returned to the process in 1890, he used oil paint.

The resulting image is printed using archival inks and paper, mounted onto a wood panel and becomes the base for an encaustic painting.

The ink will be used to make a painting on the wall of the gallery.

His winning gambit was to use black enamel and acrylic paints, unusual media that have the feel more of viscous printing ink than of paint.

This is a giclee print of the original painting reproduced on heavy Archival A3 size paper using pure pigment inks.

The result is printed using archival inks and paper, mounted onto a wood panel and becomes the base for an encaustic painting.

For her elegant exhibition «Time Being,» abstract artist Sky Pape created expressive works on paper using a combination of Sumi ink, water, gouache, and Flashe acrylic paint, applied with homemade brushes and palm fronds.

Thinning his oil paint, he taught himself how to use it with the same sense of fluidity that he'd known with watercolor and that he was learning to experience with ink.

He might use a photocopier or an inkjet printer, but he is not strictly a printmaker either, because many of his prints also bear the traces of inks and other paints or chemicals applied with a brush, or just poured on.

All of the works in the «Flag Painting» exhibition at Karma (39 Great Jones Street) were created using found flags as a blank canvas, onto which Schnabel applied ink, gesso and spray paint in gestural strokes over the existing flag design.

Collection of Carolyn Hsu and René Balcer The celebrated Chinese artist Yun - Fei Ji is known for his masterful use of traditional ink painting, on handmade rice paper with translucent ink or paint based on natural pigments.

Armand Fernandez, or just Arman, is a French artist who started out as a painter using traces of ink and paint left by different objects on his works, to later transfer his interest from painterly effects to the objects themselves.

Zhu Lan's very contemporary and abstract paintings are created using traditional methods, working with ink and watercolour on rice paper.

I am sure Tracey Emin is here because of her name, but there is a great group of watercolour and ink drawings by Lucia Nogueira — who understood how to use tentativeness as a positive quality, as well as full - on emphatic colour against the whiteness of the paper — and a group of Callum Innes works that are to do with veiling, and the way layering of colour affects the luminosity of watercolours, which all depend on how light passes through the paint and is reflected back at us.

Here, the lines are produced not with the use of pen and paper, ink or a plate, but on canvas and with paint and in a variety of its thickness and color.

Gu is known for using traditional ink painting,...

1/6 - 16/6/2018 FROM STONE TO MOUNTAINS: TAY BAK CHIANG From Stone to Mountains is a solo show by acclaimed Singaporean artist Tay Bak Chiang, painting works using Chinese ink & pigment on rice paper

«The technique I use is adapting to a subject matter — I like to work with charcoal, ink, coffee, spray paint, acrylic and gesso.

Each piece is 100 % unique and created on real discs using acrylic paint, stencils, gels, paint pens, ink, coloured pencil and more.

Cube Gallery is pleased to present From Stone to Mountains, a solo show by acclaimed Singaporean artist Tay Bak Chiang, painted using Chinese ink & pigments on rice paper.

The large paintings are rooted in Sillman's examination of the diagram as a visual and communicative device, while the iPhone works respond to the growing use of the telephone as a technology for everything and the ink drawings speak to the frequent failure of communication.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

His ink wash paintings are arresting in their monumentality and expressionist use of black ink.

When Julian Schnabel paints in Montauk, in the open, he only uses paint that is water - resistant, whereas in New York, in his studio situated in the penthouse of his palazzo Chupi (with Venetian - style façade, pink with 180 windows), he also uses ink.

Insofar as any idea has an origin --- albeit impossible to fully reconstruct --- all materials have uses prior to their value in the making of art, whether it be wood, metal, fabric, ceramic, paint, paper, or ink.

We'll learn how ink, gouache and watercolor have been used over the centuries to create preparatory studies and finished paintings on paper.

Working primarily through a technique of «wash drawing» in black India ink, he used deceptively simple gestures that were simultaneously controlled and spontaneous, in the manner of Chinese monochrome painting.

The other school was founded by the painter and poet Wang Wei, who painted in a more spontaneous technique called pomo, which translated into English means broken ink, and used a variety of shades of ink washing.

Exclusive to High Roller Society, these prints are entirely hand - made using a cut linoleum plate, then each individually painted with acrylic, ink and glitter.

One of the foremost scholars of that time was Mi Fu, who disregarded the use of lines, and painted his mountains with blobs of wet ink, transferred onto the paper with the flat part of the brush, reminding of the works of impressionists.

As his practice continued to evolve, his use of ink was relegated to a functional role in favor of paint in the tutelage of artists he mentored under or drew inspiration from.