Sentences with phrase «inkjet photograph»

Archival Inkjet photograph.

An original archival inkjet photograph by American contemporary artist William Graebner.

Images: Lauren Lohman, New Neighbor (2016), Archival Inkjet Photograph, 24x 36»; Tracey Ceniceros, @kinseyABC15 (2017), Oil and powdered rubber on birch panels, ink and crayon on paper, 11 x 21 x 1»; Trey Duvall, Passage (2016), Unfired Porcelain Clay, Steel, 3 x 3 x 7»; Rajab Sayed, Partition (2016), Oil on Canvas, 48 x 48»; Elise Weber, Short Leash (2015), Archival Pigment Print, 24 x 36»

On view in the Sies & Höke (Düsseldorf) booth are two inkjet photographs, one from her archive and one made in 2017.

Michelle Stuart, Yasmine: Maroc Notebook, 2015, Eleven archival inkjet photographs, 48» x 58 1/2».

The main gallery features a series of large - scale archival inkjet photographs and «paintings.»

Michelle Stuart, Sacred Solstice Alignment, 1981 - 2014, Archival inkjet photographs from analog black and white photographs taken in 1981, Approx. 36.25 x 69.75 inches.

Belén Uriel, Good Companion Rooms (old and new side by side), 2011, inkjet photographs printed on cotton paper, 45 x 40 cm each; Belén Uriel, Manual, 2012, nickel - plated tubular modular steel structure and okume drilled wood panels, 200 x 350 x 100 cm; Lubaina Himid, Venetian Palace, 1997 - 1998, acrylic on canvas, 110 x 146 cm; Karl Holmqvist, Give Posters a Try, 2013, A1 size wallpaper.

Anna Fasshauer, Serotonin, 2013 various found objects, cement, laquer, 135 x 90 x 38 cm; Belén Uriel, Manual, 2012, nickel - plated tubular modular steel structure and okume drilled wood panels, 200 x 350 x 100 cm; Belén Uriel, Good Companion Rooms (old and new side by side), 2011 inkjet photographs printed on cotton paper, 45 x 40 cm each.

Michelle Stuart My Still Life, 2015 Archival inkjet photographs 39 units: 12 x 18 inches Courtesy of the artist Photo credit: Christopher Alzapiedi

Not exact matches

This enabled the production of new functional photonic and optoelectronic devices by inkjet printing with excellent print quality and uniformity — just like the printing of intricate graphics or photographs on paper.

Because inkjet technology offers a more consistent, higher - quality ink than the traditional black - and - white toner printer, it's also recommended to help achieve dynamic results for titles featuring elements with significant shading, like black - and - white photographs, illustrations, or tables.

Graham MACINDOE (b. 1963) Untitled from the series Coming Clean, negative: 2004 - 2010; printed 2015 Photograph, inkjet prints, 9 x 12 in Collection: Scottish National Portrait Gallery, purchased 2015 © Graham MacIndoe

Photograph, inkjet prints, 9 x 12 in Collection: Scottish National Portrait Gallery, purchased 2015 © Graham MacIndoe

wood, sound board, inkjet print on Kitakata, paper, pins, magnifying glass, photographs, plastic, metal

Lutz Bacher Bien Hoa 2006 - 2007 9 black and white Inkjet prints mounted on aluminum, 24 x 36 inches each 9 black and white photographs, verso, with handwritten description, approximately 8 x 10 inches each Courtesy the artist and Taxter & Spengemann, New York

Also included are reproductions of Wolfson's new series of wall - mounted sculptures comprised of bumper stickers overlaid on inkjet prints, candid photographs of the artist taken by Gaea Woods, and a text by the artist providing context for the visual material.

The first is an installation, with a studio view of the work in progress, photographed from the proverbial dark upward toward the light, and the second is crocheted cotton, handmade paper, inkjet printing, copper wire, beads, and paper embroidery floss sleeves.

ELLIOTT HUNDLEY Pentheus 2010 Sound board, wood, inkjet print on kitakata, paper, photographs, pins, plastic, metal, glue, magnifying glasses 96 x 192 1/2 x 19 1/2 inches (243.8 x 489 x 49.5 cm) ARG # HE2010 - 004

American Photograph Cynthia Henebry (American, b. 1973) Mavis in the Backseat, 2013, archival inkjet print, 40» H × 50» W Aldine S. Hartman Endowment Fund.

Ranging from his earliest photographs of Los Angeles architecture begun in 1975 to his most recent inkjet prints incorporating dance and architecture, «Choreograph,» the exhibition presents for the first time Welling's two «glass house» projects together — buildings by Philip Johnson and Pierre Chareau and Bernard Bijvoet.

Riedel displayed installation photographs as inkjet prints across the very same gallery walls.

At 18th Street, Wood created a series of inkjet print, which combined digital photographs with text and her own painted images.

Rainer's mature work typically uses photographs or inkjet prints, which the artist defaces with crayon, paint, or ink.

Talia Smith, Seven Times over Seven Days (Time, Distance, Me and You), inkjet print on matte paper from a 120 mm photograph, bricks, plywood, 2016.

Photographs, inkjet print on paper, cardboard, wood, bees, live plants, pressed plants and audio recordings, dimensions variable.

Jan Mun, «ProfileUS: Invasive Species,» 2017; Photographs, inkjet print on paper, cardboard, wood, bees, live plants, pressed plants and audio recordings; Dimensions variable.

Marlene Dietrich by Milton Greene Archival inkjet 1952 (printed 2017) Photographed by Milton H. Greene, © 2017 Joshua Greene, www.archiveimages.com

The New Orleans photographer Dan Tague, whose inkjet prints are in the collection of the Whitney Museum of American Art, is here with limited edition photographs, including «Keep On Spending In the Free World,» capturing crumpled up dollar bills, in an edition of five for $ 6,000.

The Sun Goes Down 2013 Sound board, wood, inkjet print on kitakata, paper, string, plastic, photographs, pins, glass 96 x 240 x 12 inches (243.8 x 609.6 x 30.5 cm) ARG # HE2013 - 013

(detail), 2003, photocopied photograph on graph paper, sanded with sandpaper, overprinted with inkjet text, 21.6 x 27.9 cm.

Pentheus 2010 Sound board, wood, inkjet print on kitakata, paper, photographs, pins, plastic, metal, glue, magnifying glasses 96 x 192 1/2 x 19 1/2 inches (243.8 x 489 x 49.5 cm) ARG # HE2010 - 004

Handmade black and white gelatin silver photographs are juxtaposed with computer mediated digital inkjet prints, reinforcing the flux of change experienced in these images.

Welling's work ranges from Polaroid materials, photograms, abstract images, architectural photographs, video, chemigrams and multichannel, digital color inkjet prints.

Sophie Calle, French, born 1953, Autobiographies (Wait for Me), 2010, two inkjet prints, photograph: 170.18 × 99.06 cm (67 × 39 in.)

Detail from Sophie Calle, Autobiographies (Wait for Me), 2010, inkjet print, © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris, courtesy of Sophie Calle and Paula Cooper Gallery, photograph Steven Probert

Image credits: Agave, 2010, by Elliott Hundley; sound board, wood, inkjet print on kitakata, paper, photographs, pins, plastic, metal, glue, found paintings; 96 x 192 1/2 x 14 1/2 inches; © Elliott Hundley, courtesy of Andrea Rosen Gallery, photo by Jason Mandella.

4 Photographs, Inkjet on archival photographic paper.

the Lightning's Bride 2011 Wood, sound board, inkjet print on Kitakata, pins, paper, plastic, magnifying lenses, metal, photographs, wire, found paintings 99 x 289 1/4 x 19 inches (251.5 x 734.7 x 48.3 cm) 6 panels total

The Plastic Club also has a group show at National Penn Bank at 21st and Market Streets in Philadelphia.MacBeth, digital photograph, inkjet print, 20 ″ x 16 ″, The Plastic Club also has a group show at National Penn Bank at 21st and Market Streets in Philadelphia

it consists if photographs printed onto removable sticky back Photo Tex inkjet media, which were then cut out individually and arranged directly on the wall.

Photocopied photograph on graph paper, sanded with sandpaper, overprinted with inkjet text, 8.5» x 11» (21.6 x 27.9 cm).

However, he quickly expanded his focus, creating works with and without a camera, producing photographs printed as C - prints on photographic paper, as inkjet prints on paper, or as photocopies.

Diane Tepper («Untitled,» Digital archival photograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C - print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Phphotograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C - print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Phphotograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhPhotograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhPhotograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhPhotograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhPhotograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhotographPhotograph).

Wood, sound board, inkjet print on Kitakata, pins, paper, plastic, magnifying lenses, metal, photographs, wire, found paintings

DoN Brewer, Autumn, digital photograph, framed inkjet print, 16 × 20 ″ available @ Da Vinci Art Alliance's Under $ 200.00 show.

Wood, sound board, inkjet print on Kitakata, string, pins, paper, photographs, plastic, wire, found embroidery

Sound board, wood, inkjet print on Kitakata, paper, photographs, pins, plastic, metal, glue, string, found oil painting

Wood, sound board, inkjet print on Kitakata, paper, pins, photographs, string, plastic, paint, floral foam, fabric, glass, cork, wire, pins, glue, rubber, lobster

DoN Brewer, Red Zone, digital photograph, inkjet print This is one of DoN «s favorites, the framed print has a silver liner mat which works great with the chrome of the image.