Divola photographed
inside abandoned houses, mark making with cans of silver spray paint the discarded objects and desiccated interiors.
Not exact matches
► An
abandoned house is surrounded by workmen and a woman, all of whom have their shirts covering their nose and mouth because they say the smell of human feces is bad
inside; one man covers his mouth and nose, chokes and coughs, enters the
house and finds feces all over the bathroom walls, toilet and bathroom floors, as well as throughout a hallway to the front door and one wall contains the words «Kill Bankers»; he runs out, vomits (we see dark goo), he drinks water and spits some water out and then persuades a few men and the woman outside to begin to clean up the mess and the scene ends.
Once Lux Lisbon (Kirsten Dunst)
abandons curfew, the four living Lisbon girls (the fifth sister, Cecilia, killed herself one year earlier) are imprisoned
inside their
house by their mother (Turner, in post-therapy Serial Mom mode) and their pussy - whipped father (James Woods).
At that point, the only interest the movie has is debating which is more frustrating: that David Loucka's screenplay
abandons its already shaky psychological logic for a twist (twice if one counts the movie's pointless coda) or that it lowers the characters» intelligence to the point that they all line up on at a time to fall victim to the horrors
inside the titular
house.
There were children running and playing along the highway in their bare feet; locals bicycling through the village; thin and sad - looking dogs roaming around and laying in the middle of the road; lots of garbage and litter scattered along the side of the road;
abandoned buildings with jungle growth creeping
inside them and graffiti on the exterior; open - air handicraft markets selling typical Mexican souvenirs and blankets in a variety of vibrant colours; empty bus stops covered in graffiti; small, open - air and simple restaurants with red Coca Cola signs on the exterior, and matching tables and chairs serving authentic cuisine; locals cooking and serving fresh meat on a barbeque along the road; a small park and square; narrow gravel roads stemming off of the highway to the remainder of the village; and tiny one - room
houses with either thatched roofs and wooden panels on the sides or square white painted
houses with a flat roof, barred windows and always a satellite dish on top.
Philip Glass during his special performance organized
inside of Richard Serra's Equal (2015) to benefit the charity
House with Heart, an organization for women and
abandoned children in Nepal that needed funds to rebuild their facilities following the 2015 earthquake, 537 West 20th Street, New York, 2015
Inside the
abandoned - looking
house, hundreds of bowls, spoons, napkins, and dozens of crockpots containing porridge wait for the guests.
Together, the artist teams transformed discarded materials into an immersive memorial to love, loss, and community ties,
housed inside a formerly
abandoned warehouse across from the Village.