Sentences with phrase «inside museum exhibitions»
More interesting is the use of virtual reality inside museum exhibitions, whether as educational tools or as stand - alone artworks.
https://www.nytimes.com/ Not exact matches
About this Exhibition: The Secret World Inside You Rob DeSalle and Susan Perkins, curators American Museum of Natural History Through 14 08 2016,
The Ukrainian Museum and the Children of Chornobyl Relief and Development Fund are commemorating the 25th Anniversary of the Chornobyl disaster with the exhibition Inside Chornobyl.
Inside the network of small streets that make up the town's historic centre, are an abundance of beautiful churches, crumbling colonial architecture, fascinating stonework, lively markets, cozy cafes, museums, and colourful art exhibitions.
The exhibition also includes the debut of the Museum's new acquisition of Japanese artist Yayoi Kusama's Light of Life, a mirrored hexagonal box measuring more than seven feet square and seven feet tall, with three portholes at varying heights to allow the viewer to look inside of the enclosed «infinity room.»
Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).
From 1995 to 2006, Cameron was Senior Curator at the New Museum, where he developed numerous group exhibitions including East Village USA and Living Inside the Grid, as well as retrospectives of Carolee Schneemann, Eugenio Dittborn, William Kentridge, Martin Wong, Paul McCarthy, Cildo Meireles, Carroll Dunham, Faith Ringgold, Marcel Odenbach Jose Antonio Hernandez - Diez, and David Wojnarowicz amongst others.
Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv
The Cleveland Museum of Art's Curator of Photography, Barbara Tannenbaum, offers an inside look at the forthcoming exhibition, Forbidden Games: Surrealist and Modernist Photography, opening Sunday, October 19.
Select group exhibitions and biennials featuring her work include Virtual Views: Digital Art from the Thoma Foundation, Knoxville Museum of Art, Knoxville, TN (2017, forthcoming); Nature Morte: contemporary artists reinvigorate the still - life tradition, Bohusläns Museum, Uddevalla, Sweden (2016); Momentum: An Experiment in the Unexpected, San Jose Museum of Art, San Jose, CA (2014); Turning Inside Out: Video Art by Nam June Paik, Joan Jonas, and Jennifer Steinkamp, Sheldon Museum of Art, Lincoln, NE (2012); Blink!
Recent institutional exhibitions and in situ paintings include Atoms Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!
«It is fitting that this immersive exhibition takes place in a museum architecturally designed to blur the distinction between inside and out, where carefully placed windows allow for views of Biscayne Bay and Miami's urban core to filter into the galleries.
The Chelsea Art Museum is pleased to announce the opening of its upcoming exhibition Iran Inside Out.
Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).
In this episode, we visit The Modern Art Museum of Fort Worth and speak with curator Andrea Karnes about the exhibition México Inside Out: Themes in Art Since 1990.
Ahmadi's work was also included in The Chelsea Art Museum's exhibition Iran Inside Out.
Group exhibitions include: Greater New York, P.S. 1, Long Island City, New York (2000); Post-POP, Post-PUNK, Museum of Contemporary Art, Washington, D.C. (2000); Protest and Survive, Whitechapel Art Gallery, London (2000); The Americans New Art, Barbican Gallery, London (2001); Shanghai Biennale, Shanghai Art Museum (2002); Trade, White Columns, New York (2005); Seeing Double, Andy Warhol Museum, Pittsburgh (2005); The Inside Game, Portland Art Center (2006); and The Station, Art Basel Miami (2008).
Clayton Brothers: Inside Out is the first major museum exhibition of the work of Rob and Christian Clayton.
2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)
Recent public and group exhibition projects include Art Basel Miami Public Sector, Miami; L'Avenir / Looking Forward, La Biennale de Montréal, Montréal; Inside, Palais de Tokyo, Paris; Imagineering, Okayama Castle, Okayama; Art Park Odrupgaard, Ordrupgaard Museum, Copenhagen; Incredibly shiny stuff that doesn't mean anything, Okayama Kyokuto Hospital, Japan; The artists have the keys, 2 Willow Road, London; The Human Factor, Hayward Gallery, London; Unlimited, Art Basel; Esperluette, Palais de Tokyo, Paris; dOCUMENTA (13), Kassel; Locked Room Scenario, commissioned by Artangel, London; ILLUMInations, 54th Venice Biennale; Intervals, Solomon R. Guggenheim Museum, New York; and The Happy Prince, Public Art Fund, New York.
Inside, the Museum features a robust slate of rotating exhibitions and innovative interpretive programming.
Art in Review Chelsea Art Museum Excerpt — In a group exhibition with 56 participants of different ages working in all kinds of mediums, coherence isn't the first thing to look for, and you don't find it in «Iran Inside Out.»
His recent projects include Art Basel Miami Public Sector, Miami, US; L'Avenir / Looking Forward, La Biennale de Montréal, Montréal, CA; Inside, Palais de Tokyo, Paris, FR; Imagineering, Okayama Castle, Okayama, JP; Art Park Odrupgaard, Ordrupgaard Museum, Copenhagen, DK; Incredibly shiny stuff that doesn't mean anything, Okayama Kyokuto Hospital, Okayama, JP; The artists have the keys, 2 Willow Road, London, UK; The Human Factor, Hayward Gallery, London, UK; Unlimited, Art Basel, Basel, CH; Parcours, Art Basel, Basel, CH; Esperluette, Palais de Tokyo, Paris, FR; dOCUMENTA (13), Kassel, G; Locked Room Scenario, commissioned by Artangel, London, UK; ILLUMInations at the 54th International Art Exhibition of the Venice Biennale; Intervals at Solomon R. Guggenheim Museum, NYC, US and The Happy Prince, Public Art Fund, Doris C. Freedman Plaza, Central Park, NYC, US.
Museum goers get a taste of the exhibition inside with a «decked out «Airstream trailer transformed by artist Randy Palumbo that's «parked» at the museum's entMuseum goers get a taste of the exhibition inside with a «decked out «Airstream trailer transformed by artist Randy Palumbo that's «parked» at the museum's entmuseum's entrance.
by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!
Recent solo exhibitions include Super Impose at Baruch College New Media Artspace (New York, NY), Crevice Bouquet at Inside Out Museum (Beijing, China) and Field Notes, a mile - long installation, in Groton, Vermont commissioned by Burlington City Arts.
Later in the year, the Barbican takes a peek inside the laboratory of iconic designers Ray and Charles Eames, while the V&A investigates the photography of Julia Margaret Cameron — particularly her relationship with the museum's founding director, Sir Henry Cole, who presented the first exhibition of her work (October and November).
Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»
Join artists and MADA staff, Tamsin Green and Leslie Eastman, for an informal conversation around their own use of film and video, together with ideas of memory, perception and the framing of museum collections, in response to the current MUMA exhibition Life inside an Image.
She has been included in four exhibitions at the Studio Museum in Harlem, exhibitions at Skidmore College (2015), Inside - Out Art Museum in Beijing (2014), Postmasters Gallery (2010), Contemporary Arts Museum Houston (2009), Zacheta National Gallery of Art in Warsaw (2007), Sikkema Jenkins & Co. (2006), just to name a few.
Signal debuts, ambitious installations, live performances, site - specific works inside the museum and throughout the city make this exhibition an immersive experience of art today.
Discover details about the museum and get the inside scoop on various aspects of the exhibition program, the building, and the project itself — even if you're a frequent visitor.
Aragón's work has also been included in group exhibitions including The Act of Seeing with One's Own Eyes at the Contemporary Art Gallery in Vancouver, Mexico: Inside Out at the Modern Art Museum of Forth Worth in Texas, Ourselves at the Australian Centre for Contemporary Art in Melbourne, Resisting the Present at the Musée d'art Moderne de Paris, In Transit at the Musée d'art Moderne de la Ville de Paris, Disponible: A Kind of Mexican Show at the San Francisco Art Institute and El horizonte del topo at the Palais des Beaux - Arts in Brussels.
Inside - Outside, exhibition catalogue, Smith College Museum of Art, Northampton, MA, 1966.
Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.
A poignant testimony to the artist's creative longevity, a friendship grew with the Olitski family, which led to a second exhibition in 2009, Jules Olitski: An Inside View, A Survey of Prints 1954 - 2007 organized by the Brattleboro Museum.
«DRAW: Mapping Madness,» group exhibition, Inside — Out Art Museum, Beijing, China, December 13, 2014 — March 28, 2015.
Select museum exhibitions: Long, Winding Journeys, Katonah Museum of Art, NY, 2018; New Blue and White, Museum of Fine Arts Boston, 2013; Phantoms of Asia, Asian Art Museum, San Francisco, 2012; Light of the Sufis, Museum of Fine Arts, Houston, 2010, and Brooklyn Museum, New York, 2009; Tarjama / Translation, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 2010, and Queens Museum of Art, New York, 2009; Iran Inside Out, Chelsea Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York,museum exhibitions: Long, Winding Journeys, Katonah Museum of Art, NY, 2018; New Blue and White, Museum of Fine Arts Boston, 2013; Phantoms of Asia, Asian Art Museum, San Francisco, 2012; Light of the Sufis, Museum of Fine Arts, Houston, 2010, and Brooklyn Museum, New York, 2009; Tarjama / Translation, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 2010, and Queens Museum of Art, New York, 2009; Iran Inside Out, Chelsea Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York,Museum of Art, NY, 2018; New Blue and White, Museum of Fine Arts Boston, 2013; Phantoms of Asia, Asian Art Museum, San Francisco, 2012; Light of the Sufis, Museum of Fine Arts, Houston, 2010, and Brooklyn Museum, New York, 2009; Tarjama / Translation, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 2010, and Queens Museum of Art, New York, 2009; Iran Inside Out, Chelsea Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York,Museum of Fine Arts Boston, 2013; Phantoms of Asia, Asian Art Museum, San Francisco, 2012; Light of the Sufis, Museum of Fine Arts, Houston, 2010, and Brooklyn Museum, New York, 2009; Tarjama / Translation, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 2010, and Queens Museum of Art, New York, 2009; Iran Inside Out, Chelsea Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York,Museum, San Francisco, 2012; Light of the Sufis, Museum of Fine Arts, Houston, 2010, and Brooklyn Museum, New York, 2009; Tarjama / Translation, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 2010, and Queens Museum of Art, New York, 2009; Iran Inside Out, Chelsea Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York,Museum of Fine Arts, Houston, 2010, and Brooklyn Museum, New York, 2009; Tarjama / Translation, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 2010, and Queens Museum of Art, New York, 2009; Iran Inside Out, Chelsea Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York,Museum, New York, 2009; Tarjama / Translation, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 2010, and Queens Museum of Art, New York, 2009; Iran Inside Out, Chelsea Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York,Museum of Art, Cornell University, Ithaca, NY, 2010, and Queens Museum of Art, New York, 2009; Iran Inside Out, Chelsea Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York,Museum of Art, New York, 2009; Iran Inside Out, Chelsea Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York,Museum, New York, 2009; Pouran Jinchi, Vilcek Foundation, New York, 2008.
Inside on a Labor Day weekend, the small museum crammed in at least five separate exhibitions for its second summer.
His works have been shown in exhibitions at the Museum of Contemporary Art Los Angeles, The Getty Museum Los Angeles, at the International Centre for Photography, recently at the Whitney Museum of American Art as part of the exhibition «Inside Out», as well as in «Mapping The City» in 2007, at Stedelijk Museum in Amsterdam, an exhibition which focuses on the artists» view on the city between 1960 and 2007.
Group exhibitions include Imagine Brazil, Astrup Fearnley Museet, Oslo, Norway, Meanwhile... Suddenly And Then; 12th Biennale de Lyon, Lyon, France 2013 - 2014; Unstable Territory: Borders and Identity in Contemporary Art, Centre for Contemporary Culture at Palazzo Strozzi; CCC Strozzina, Florence, Italy; The Insides are on the Outside — O interior está no exterior, Casa de Vidro, São Paulo, Brazil; The Encyclopedic Palace, 55th Venice Biennale, Venice, Italy, Museum as Hub: Walking Drifting Dragging, New Museum, New York, USA, 2013.
An exhibition of smaller works by Pepper will be on display inside the museum during the reopening.
His work has also featured in numerous group exhibitions and biennials including «Roberto Burle Marx: Brazilian Modernist», Jewish Museum, New York, USA; «United States of Latin America», Museum of Contemporary Art, Detroit, Michigan, USA (2015); «The insides are on the outside», curated by Hans - Ulrich Obrist, Casa de Vidrio, Sao Paulo, Brazil (2013); the Aichi Triennial, Nagoya, Japan (2010), Museu de Arte Moderna de São Paulo, São Paulo (2009); the Sharjah Biennial, United Arab Emirates (2009); the Mercosul Biennial, Porto Alegre, Brazil (2007); the São Paulo Biennial (2006); the San Diego Museum of Art (2005) and the American National Society, New York (2005).
This event, which drew a crowd that overflowed into the museum's courtyard, served both as a prelude to the exhibition inside and as a trailer for the screening of Barney's latest film, Cremaster 1, 1995.
As an intern at the Whitney, she was charged with sitting on the gallery floor inside a 1975 exhibition of the work of Richard Tuttle, art so minimal and humble it infuriated many viewers and was a factor in the firing of the curator, Ms. Tucker, who promptly went out and started the New Museum in two small temporary rooms in TriBeCa.
Group museum exhibitions include Artists» Film International, MAAT, PT (2017 - 2018); Staging Film, Busan Museum of Art, KR (2016); Art in the Age of Energy and Raw Material, Witte de With, NL (2015); Music for Musuems, Whitechapel Gallery, UK (2015); Listening: Hayward Touring (Baltic 39 & The Bluecoat), UK (2014 - 2015); Inside, Palais de Tokyo, Paris, FR (2014 - 2015); Assembly, TATE Britain, London, UK (2014); Aquatopia, TATE St Ives & Nottingham Contemporary, UK (2013 - 2014); Art Sheffield 2013, Site Gallermuseum exhibitions include Artists» Film International, MAAT, PT (2017 - 2018); Staging Film, Busan Museum of Art, KR (2016); Art in the Age of Energy and Raw Material, Witte de With, NL (2015); Music for Musuems, Whitechapel Gallery, UK (2015); Listening: Hayward Touring (Baltic 39 & The Bluecoat), UK (2014 - 2015); Inside, Palais de Tokyo, Paris, FR (2014 - 2015); Assembly, TATE Britain, London, UK (2014); Aquatopia, TATE St Ives & Nottingham Contemporary, UK (2013 - 2014); Art Sheffield 2013, Site GallerMuseum of Art, KR (2016); Art in the Age of Energy and Raw Material, Witte de With, NL (2015); Music for Musuems, Whitechapel Gallery, UK (2015); Listening: Hayward Touring (Baltic 39 & The Bluecoat), UK (2014 - 2015); Inside, Palais de Tokyo, Paris, FR (2014 - 2015); Assembly, TATE Britain, London, UK (2014); Aquatopia, TATE St Ives & Nottingham Contemporary, UK (2013 - 2014); Art Sheffield 2013, Site Gallery, UK.
After venturing inside the museum, Ross's art is installed in two exhibition spaces separated by a long hall that forms the spine of the museum.
Curated by Charpenel (who also organised the Superflex display) and arrayed inside the museum's top floor, the exhibition features a who's who of important art - market names (Damien Hirst, Carol Bove, Thomas Ruff), alongside a mere handful of bona fide auction - house jewels (Robert Gober's Flying Sink, 1985, Jeff Koons's Three Ball Total Equilibrium Tank, 1985, and Andy Warhol's blue Jackie Smiling, 1964).
Proof that a disconnect exists between the foundation's actual strengths and its in - crowd anxieties is visible immediately in several of the museum's five inaugural exhibitions (a sixth show, a terrific survey of the Danish collective Superflex, is on view at Fundación Jumex's original space, located inside the company's juice factory in suburban Ecatepec de Morelos).
2007 PURE, Sean Kelly Gallery, New York, USA I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum, St. Louis, Missouri, USA Like Colour in Pictures, Aspen Art Museum, Aspen, Colorado, USA Ensemble, ICA, University of Pennsylvania, Philidelphia, USA; curated by Christian Marclay Sparkle Then Fade, Tacoma Art Museum, Tacoma, Washington D.C., USA New Prints 2007, IPCNY, New York, USA 2006 Shiny, Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, USA Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA The Last Time They Met, Stephen Friedman Gallery, London, England The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA Gay Art Now, Paul Kasmin Gallery, New York, USA; curated by Jack Pierson Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, Massachusetts, USA The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, California, USA 2005 Art inside the Park, Memorial Park, Jefferson City, Missouri, USA Suspended Narratives, Lora Reynolds Gallery, Austin, Texas, USA Landscape Confection, Wexner Center for the Arts, Columbus, Ohio, USA Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago, USA; toured to Hayward Gallery, London, England Visual Music: 1905 - 2005, Museum of Contemporary Art, Los Angeles, California, USA Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England