You can't help but be
inspired by his conviction.
For example, we have a brand new mode of vision, thanks to the Fusion Goggles, but I won't spoil it for you... and 3D texts
inspired by the Conviction art style that guide the player through his journey and important narrative moments.
Not exact matches
These
convictions made me a First Things conservative, someone
inspired by the vision of Richard John Neuhaus, Michael Novak, George Weigel, and the rest of the founding gang of this bold enterprise.
In the preface and elsewhere in (A Christian Natural Theology), I have indicated my
conviction that a cosmology
inspired by the natural sciences has played the dominant role in undermining Christian understanding of both God and man.
Viewers watching a presidential news conference may be dimly conscious of the image of a Protestant minister standing behind a central pulpit, framed
by two flags, delivering a sermon to
inspire faith and
conviction.
First
conviction:
by entering into the expressed mind of the
inspired writers I do in fact apprehend God's own mind.
Niebuhr himself came to recognize that he may have overstated the case when he had asserted that we must believe that perfect justice is possible in order to be optimally motivated.27 We can be
inspired to committed effort
by the
conviction that a situation much better than the present one is realistically obtainable.
The title song was
inspired by an ME victim's struggle to regain health through her
conviction that faith would bring healing.
On the other hand, as Whitehead went on to say, «the great instantaneous
conviction behind the dogma» is indeed the «good news or gospel» that is basic to the community's identity, and the community is enabled «to maintain its integrity
by its recurrence to the
inspired simplicity of its origin.»
While modernity and democracy sometimes met with ecclesiastical resistance, they were generally
inspired by religious
conviction.
The literalism was dictated
by their firm
conviction as Christians that every word of the biblical text was literally
inspired by God.
In the preface and elsewhere in the book, I have indicated my
conviction that a cosmology
inspired by the natural sciences has played the dominant role in undermining Christian understanding of both God and man.
Our curriculum,
inspired by Rudolf Steiner, progresses in accordance with child development, awakening students to the experience of knowledge, strengthening their sense of moral responsibility, and empowering them to act with courage and
conviction.
Many of the measures, however, were
inspired by the corruption trial and
conviction of former gubernatorial aide Joe Percoco.
Whereas, Dr. King has had a permanent and lasting impact on the world; lauded for his efforts to achieve social, political, and economic equality, Dr. King was named Time magazine's «Man of the Year,» in 1964 and was awarded the Nobel Peace prize that same year; his ideals are highlighted annually on the federal holiday established in his honor in 1986, and his message is passed on to new generations
inspired by his strength, hope, and
conviction; and
Carl Van Vechten & the Harlem Renaissance: A Portrait in Black & White
By Emily Bernard Yale University Press Hardcover, $ 30.00 372 pages, Illustrated ISBN: 978 -0-300-12199-5 Book Review by Kam Williams «This book is a portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a whol
By Emily Bernard Yale University Press Hardcover, $ 30.00 372 pages, Illustrated ISBN: 978 -0-300-12199-5 Book Review
by Kam Williams «This book is a portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a whol
by Kam Williams «This book is a portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly
inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a whol
by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his
conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a whole?
As she explains, her work is «
inspired by life and my personal
conviction of, when life give you lemons, make art.»
Thinking about Item One above, I heard the following this morning on the Writer's Almanac (http://writersalmanac.publicradio.org/), a quote
by Percy Bysshe Shelley: «Do it now — write nothing but what your
conviction of its truth
inspires you to write....
It's hope as a purposefully engaged state of being, in spite of, even
inspired by the state of things and a need to live and love with
conviction.