Sentences with phrase «inspired objects depicting»

Fuelled by Milton Keynes» very own myth, the legend of Linford Wood, pupils worked with The Parks Trust to create a series of Land Art - inspired objects depicting ancient mythical creatures.

Not exact matches

This DIY Tromp L'oeil Dress was inspired by the classic art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions.

Across the space, still - life paintings depicting everyday objects and formal explorations will be installed against a backdrop of Du Pasquier's wallpaper designs, juxtaposed with the sculptures, textiles, and design objects that inspire her work in painting and illuminate her iterative process of creation.

Through portraiture, landscapes and still lifes, Calderara depicted the people, scenes and objects of his native Italy — all suffused by a delicate, misty light inspired by the atmospheric glow of Lake Orta in Vacciago, where the artist moved in 1934 with his wife Carmela, and where he would work for most of his life.

The artist Dike Blair depicts ordinary, mass - produced objects in striking compositions inspired by the Japanese tradition of ikebana, a method of arranging flowers and other objects in a way that achieves an overall sense of harmony.

The site - specific installation, Locals Only, is inspired by the Souks and winding alleyways of Old Dubai and, says Amir, weaving together objects found on his wanderings around Dubai with a series of new landscape paintings that endeavour to depict something of the melting pot of cultures that is Dubai.

At times, Taylor's shifts between the literal and the abstract are uncomfortable, particularly when they appear as a strategy for avoiding or dismissing the real - life implications of symbols and objects, as in his strictly formal rendering of the Confederate flag in the lithograph Dixie (1990); his series of prints portraying items in Hawaii with a tinge of wanderlust - inspired exoticism, «Ten Common (Hawaiian Household) Objects» (1989); and two bodies of work showing his attempt to depict various African conceptions of multidimensional, nonlinear time: «Latin Studies» (1984 — 85), which includes the aforementioned Untitled (Latin Study), and «Wheel Studies» (1981 &mdasobjects, as in his strictly formal rendering of the Confederate flag in the lithograph Dixie (1990); his series of prints portraying items in Hawaii with a tinge of wanderlust - inspired exoticism, «Ten Common (Hawaiian Household) Objects» (1989); and two bodies of work showing his attempt to depict various African conceptions of multidimensional, nonlinear time: «Latin Studies» (1984 — 85), which includes the aforementioned Untitled (Latin Study), and «Wheel Studies» (1981 &mdasObjects» (1989); and two bodies of work showing his attempt to depict various African conceptions of multidimensional, nonlinear time: «Latin Studies» (1984 — 85), which includes the aforementioned Untitled (Latin Study), and «Wheel Studies» (1981 — 85).

Martin's wicker - crafted objects feature wild lines of spirals that burst with a sense of kinetic energy, while Lawless's paintings, inspired by the Andromeda Galaxy, depict a universe swirling outside our control.

Placing objects like obelisk, mill, and even an old basis in fitting environments inspired by Cuba, he mixes nature and architecture as well as media — oil, watercolor, pencil — to create atmospheric paintings depicting a place between reality and fiction.

Through portraiture, landscapes and still lifes, Calderara depicted the people, scenes and objects of his native Italy — all suffused by a delicate, misty light inspired by the atmospheric glow of Lake Orta in Vacciago, where the artist moved in 1934 with his wife Carmela, and where he would work for most of his life.By the mid-1950s, Calderara began to move away from figurative painting to embrace a more geometric approach, radically reducing both the scale and the compositional elements of his paintings through use of simple forms and flat blocks of nebulous and subtle colour.

Later works include exuberantly satirical works of the 1960s, many featuring the vaguely autobiographical figure described by critic and artist Anne Doran as a «nattily dressed and deeply ridiculous Everyman in mad pursuit of liberty, poetry, and sex»; the pornography - inspired «X-Rated Paintings» of the early 1970s; the «Noun» paintings of the same period (each depicting a single everyday object against a bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknown Whore.