The Boston native represented the United States in the 2013 Venice Biennale, where she created
the installation Triple Point that alluded to various scientific and natural processes, transforming the American Pavilion into a playful laboratory of sorts.
In this excerpt from Phaidon's new book Do It Yourself, the American artist shows us how to create paper rocks in the style of her 2013 Venice Biennale
installation Triple Point.
Not exact matches
Sarah Sze
Triple Point (Gleaner) 2013 Photograph of rock printed on Tyvek, trees, moss, rocks, aluminum, wood, steel, bricks, stone, sandbags, outdoor pump, outdoor lights, mixed media Dimensions variable
Installation view Sarah Sze:
Triple Point, US Pavilion, Venice Biennale, Italy, 2013
The three participants will consider, as
points of departure, forms of reproduction enacted in
Triple Canopy's 2014 Biennial
installation,
Pointing Machines.
Representing the United States at the 2013 Venice Biennale, Sze created an
installation,
Triple Point, that alludes to various scientific and natural processes, transforming the American Pavilion into a form of playful laboratory.
Works include a new sculpture by Oscar Tuazon; Tatiana Trouvé's large - scale pendulum
installation, 350
Points Towards Infinity; a star painting by Ugo Rondinone; Hannah Rickards's auditory work, Birdsong; a modular construction by Charlotte Posenenske; François Morellet's light
installation,
Triple X neonly; a recent sculpture by John McCracken; and The Foamy Saliva of a Horse, by Carol Bove, which was most recently exhibited at the Venice Biennale.
Her exhibition
Triple Point features
installations inside and outside the Pavilion building.
Pope.L will join scholar Lisa Gitelman and poet Caroline Bergvall in considering the various forms of reproduction enacted in
Triple Canopy's 2014 Biennial
installation,
Pointing Machines.
Just off the heels of the ambitious «
Triple Point» exhibition at the 2013 Venice Biennale, Sarah Sze's
installation at The Philadelphia Fabric Workshop and Museum presents a quieter, less frenetic side of the artist than one would expect.
Called «
Triple Point (Planetarium),» a constellation of materials — photographs, drawings, tripods and other objects — will be in an
installation similar to the one that occupied the first room of the pavilion.
Media Replication Services and the
installation at the Museum are components of
Triple Canopy's contribution to the Whitney Biennial, an issue of its magazine also titled
Pointing Machines, which continues the reproduction and circulation of the displayed objects beyond the museum's walls, and includes essays, artist projects, discussions, and performances to be published and presented online and IRL in the next year.