Sentences with phrase «installation artists like»

From the beginning you had a bunch of outside - the - mainstream sculptors and installation artists like Eric Wesley, Jon Pylypchuk, Sarah Braman, and Stephen Prina, while at the same time you had these unconventional painters like David Korty, Bjorn Copeland, Katherine Bernhardt, Kim Fischer, and Sean Landers.

Featured artists include sculptors like Arman (Armand Fernandez), Cesar, Niki de Saint - Phalle, and Joseph Beuys, assemblage artists like Jean Dubuffet and Louise Bourgeois, printmakers like Andy Warhol, installation artists like Christian Boltanski, and painters such as Victor Vasarely and Robert Rauschenberg, among many others.

«The Influentials» brings together some of New York's most recognized female artists, from celebrated painters like Katherine Bernhardt and Inka Essenhigh to sought - after video and installation artists like Aida Ruilova and Pheobe Washburn.

Not exact matches

The artist likens the intended experience of her installation to that of the op - artists of the 1960s, which saw the likes of Bridget Riley manipulate traditional art techniques to create optical illusions.

The Magic Gardens is a three dimensional, immersive piece of installation art and a museum gallery space in Philly created by mosaic artist Isaiah Zagar, who were inspired by materials like used bottles, bike wheels and folk arts.

Much of this creates uncomfortable laughter, but lurking in the background in the museum is another installation featuring an ape like man, brought to life by a performance artist.

Her latest, directed in conjunction with Banksy - like street artist JR (an irrepressibly energetic and sweet presence, bounding around in his Stan Smiths), chronicles the installation of several frisky, large - scale public art projects, with tangents into Varda's own history and even a visit to Jean - Luc Godard's house.

(Travis Wilkerson, 2017) projected video with live filmmaker narration; Crossroads Festival at SFMOMA, San Francisco, CA Gone, Gone Beyond (People Like Us, 2017) 10 - projector video installation; Grey Area, San Francisco, CA I'll Be Around (Jeremy Rourke, 2017) multi-video & 16 mm with live music performance; Artists» Television Access, San Francisco, CA Lost Landscapes of San Francisco 12 (Rick Prelinger, 2017) silent video with live filmmaker and audience narration; Castro Theatre, San Francisco, CA The Maribor Uprisings (Milton Guillén & Maple Razsa, 2017) branching video with guided audience participation; Maine International FilmFestival, Waterville, ME Mosswood (Kerry Laitala & Voicehandler, 2017) dual - 16 mm projector performance with live music; Mosswood Chapel, Oakland, CA Night Country (John Davis & Joshua Churchill, 2017) triple - 16 mm projector performance with live music; Mosswood Chapel, Oakland, CA Temporal Cities (Lizzy Brooks & Radka Pulliam, 2017) projected video with 35 mm slides; Other Cinema at Artists» Television Access, SanFrancisco, CA What Is Nothing [After What is Nothing](Kristen Reeves, 2017) nonuple - 16 mm projector performance; San Diego Underground Film Festival, San Diego, CA

An illustration by Bond's teenage hand features in the installation, and then, for the performance component in the window, the artist puts down stakes for pre-scheduled periods and strikes poses inspired by Graham in an environment outfitted like a photographer's set with hand - drawn wallpaper and a red velvet rope.

The gracefully balanced flower arrangements of Camille Henrot's installation «Is it possible to be a revolutionary and like flowers» (2012 - 2014) occupy the second floor of the New Museum, contributing a soothing, zenlike presence to the exhibition of the artist's recent works.

To some people, that's a little more intimidating, but I like viewing fewer artists on the big white walls and seeing installations.

Add text updates or images, like New York - based artist Danielle Durchslag, who posted photos of herself smiling and jumping for joy whenever the funding level for her art installation, «A Wandering Sukkah,» increased by a significant amount.

This serves as a kind of prelude for the maze - like installation that dominates the main gallery, as the artist steers a viewer's attention toward a specific concept in much the same way the installation leads visitors to follow a specific path through the space.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

Why: because I want to know what this «painting installation» looks like — and hopefully see Marti's artist statement

The artist's large scale canvases and painting installations are punctuated by movements like those of film credits, the urban environ of advertising and posters, or the frenetic energy of pop - up ads.

This show was by Jacob Hashimoto, an artist whose constructed paper installation fills the front gallery like a cumulus forest and whose multilayered installation of small, kite - or parasol - like shapes hugs the walls in the large central galleries.

Global artists in Women House recast conventional ideas about the home through provocative photographs, videos, sculptures, and room - like installations.

Rauschenberg's A Quake in Paradise (Labyrinth) from 1994 invites viewers to move through — and become a part of — a maze - like installation of panels printed with the artist's signature layers of mechanically reproduced imagery.

Pattern seems integral to your postcard project, and the installation at Wassaic Artist Residency last year, but seems like less of a theme in your drawings.

Working with Rhoades to realize large - scale installation projects like The Plexiglas House (2006), Dodd began integrating performance and architectural interventions to create holistic environments that generated their own narratives and pointed back to the performative quality of the artist studio as well as the everyday.

In P.S. 1's third floor hallway, Jonathan Hartshorn presents the mixed media installation, When Skies Are Grey (2007), which includes drawings and found objects like the artist's family photographs, a map of the United States, an imitation wood clock, and a note from his father.

Except I learned within a year of doing my installation that Marcel Broodthaers, among a handful of other conceptual artists, had beat me to the punch with a series of 1970s installations very like my own, so I clearly wasn't the first to come up with the idea.

Like memorials placed on the side of a highway or artist Rafael Lozano - Hemmer's installations, anti-monuments are often created or heavily influenced by the public.

Questioning the process of art production, American artists like Jenny Holzer have built on the traditions of conceptual and installation art of the late 1960s.

In rotating the installation, he both flaunts and implicitly denies its apparent fragility, like the artists in «Cutters.»

Through this large - scale apocalyptic installation, the artist proposes what life would look like following the current trajectory of destructive environmental, political, and social policies and behaviors.

And we shared a lot of interest in artists like Luther Price — who also had a major solo exhibition at Thread Waxing Space, which was an installation, but also a marathon, three - day film - screening series.

Croatian artist Mladen Stilinovic's installation comes across like a mini-retrospective, his whip - smart, often tongue - in - cheek drama and politics taking the form of pieces like a pink banner that reads «AN ARTIST WHO CAN NOT SPEAK ENGLISH IS NO ARTIST,» dictionary pages in which the definition of every word is whited out and replaced with the handwritten word «PAIN,» and a manifesto expounding upon the importance of laziness to the artist's praartist Mladen Stilinovic's installation comes across like a mini-retrospective, his whip - smart, often tongue - in - cheek drama and politics taking the form of pieces like a pink banner that reads «AN ARTIST WHO CAN NOT SPEAK ENGLISH IS NO ARTIST,» dictionary pages in which the definition of every word is whited out and replaced with the handwritten word «PAIN,» and a manifesto expounding upon the importance of laziness to the artist's praARTIST WHO CAN NOT SPEAK ENGLISH IS NO ARTIST,» dictionary pages in which the definition of every word is whited out and replaced with the handwritten word «PAIN,» and a manifesto expounding upon the importance of laziness to the artist's praARTIST,» dictionary pages in which the definition of every word is whited out and replaced with the handwritten word «PAIN,» and a manifesto expounding upon the importance of laziness to the artist's praartist's practice.

We can recode it, if you like, through interventions by artists, like Alan Kane's installation of lights last Christmas, and various forthcoming participatory projects in the summer.

Showstoppers ranged the gamut from a chandelier hugging the floor and pieced from repurposed porcelain figurines sourced from thrift stores («to show,» said the artist, «what no one wants any more»), to Simón Vega's installation of a Miami Dollar General Store (commenting on the only things affordable for the neighbouring Haitian community), to paper busts that assistants unwound like Slinkys (speaking to the illusion of permanence).

A small kinetic installation by Jean Tinguely hangs opposite bunny ears carved from wood by Claudia Comte, in the style of Henry Moore; watercolor drawings by the visionary artist Marguerite Burnat - Provins look like gruesome fairy - tale illustrations, while Denis Savary's «Alma (After Kokoschka)» (2007) riffs on the life - size doll that the artist Oskar Kokoschka had made of Alma Mahler after she left him for the architect Walter Gropius.

Kenny Scharf gained prominence in New York City's East Village art scene in the 1980s for his ambitious, cartoon - like installations and paintings and his frequent collaborations with his friends, artists Keith Haring and Jean - Michel Basquiat.

The installation at the Armory Show featured the artist's signature black beams, unpainted shipping crates and Mondrian - like red squares and rectangles that snap the viewer out of the monochromatic trans.

A large, personal, and alluring collage - like installation of forty - six photos by Zackary Drucker and Rhys Ernst titled «Relationship» (2008 - 13) that, self - explanatorily, follows the couple through each artist's gender transition: Drucker's from male to female and Ernst's from female to male.

On 24th Street, All the Boys (2016) is a powerful response to recent police brutality and the deaths of black men and women; while on 20th Street, viewers find the ghostly video installation Lincoln, Lonnie, and Me (2012), and Scenes & Take (2016), a series of photographs picturing the artist before the sets of TV shows like Scandal and Empire — both shows feature black leads — shedding light on the current state of the entertainment industry.

The über - maximalist installations by the straight, white, politically - incorrect artist seemed painfully apposite for an outing at the dawn of Trumpian America, although Rhoades» position of cheerful political ambivalence feels like a relic from another era.

Pulse aims for the art fairs in miniature, with a separate floor in Chelsea's Metropolitan Pavilion for single - artist booths like a fine one for Peter Brock at Black & White, plus a few installations.

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

Still, the divisions by curators makes it almost impossible to identify artists, and the ragtag installations look less like art than the remains of an unforgettably awful party — pills, woolens, papier maché ice cream cones, Styrofoam peanuts, used electronics, sci - fi illustrations, softly glowing abstractions, and (my one favorite) treadmills with brightly painted rubber.

Parisians were angered because the sculpture looked like a sex toy, and the artist was apparently beaten up during installation.

The Jamaican artist is known for his compositions of neighborhood - found objects that address issues of consumer culture, poverty, and race — from his installation of disposed strollers at New Museum to his transformation of typical outdoor structures, like playgrounds, into playful objects in his newest installation Nari Ward: G.O.A.T., again.

Many of the late artist's raucous installations are like elaborate exercises in trolling: They appear orchestrated to provoke, conjuring the specter of an overactive macho id, preoccupied by cars, power tools, guns, pornography, dick jokes, cum jokes, pussy jokes, religious jokes, junk food, and celebrity.

Beneath the Surface features Sui Park and D.C. - based Nara Park, two remarkable women artists whose deceptively life - like organic and physical installations bend our perceptions of nature, reality, and human beingsâ $ ™ place in an increasingly superficial world.

While conceptual artists like Damien Hirst, Tracy Emin, Cornelia Parker, and Tacita Dean engaged the public (in one way or another) with cheeky videos and installations, painters were smitten with large - scale figurative work.

For a cheeky group show «With friends like you...» — a subtle dig at the Cuban art Establishment — Aquiles covered the façade of their home in a Technicolor cladding of cans while six other artists took over the inside with process - based paintings made with human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the U.S..

Woman I (1950 - 52) is given a wall, but the spot it occupies in the narrative marks the point in the show where the installation becomes confusing, loses concentration, and where large rooms turn into vast halls where even great works seem like orphans (the scale of the David Smith and Franz Kline room does these artists a disservice as the temperature drops and the corporate quality rises although the same works in another context would feel very different).

MI TIERRA: CONTEMPORARY ARTISTS EXPLORE PLACE Major installations by Latino artists like Ruben Ochoa, Ana Teresa Fernández, Ramiro Gomez and Gabriel Dawe consider issues of labor, memory and displacement — particularly as they relate to the AmericaARTISTS EXPLORE PLACE Major installations by Latino artists like Ruben Ochoa, Ana Teresa Fernández, Ramiro Gomez and Gabriel Dawe consider issues of labor, memory and displacement — particularly as they relate to the Americaartists like Ruben Ochoa, Ana Teresa Fernández, Ramiro Gomez and Gabriel Dawe consider issues of labor, memory and displacement — particularly as they relate to the American West.

Assistant Curator Mika Yoshitake is working on show that will potentially pair work by Giuseppe Penone, an Italian conceptualist artist and sculptor, with Kishio Suga, a like - minded installation artist from Japan.

In July 2015, when I encountered the installation by the New York — based artist Saya Woolfalk in the Disguise: Masks and Global African Art exhibition at the Seattle Art Museum, I felt like...