Sentences with phrase «installation as an artistic practice»

Not exact matches

Exhibiting the films as immersive installations celebrates Pasolini's vital contributions to postwar artistic practice, and brings the works to a larger, intergenerational audience.

Photography is a constant and ubiquitous element in Fallen Fruit's artistic practice — utilized both as documentary process and image production — as well as an informal way of establishing trust with a range of citizens, and asking them to lend specific for inclusion in their installations.

Qiu Xiaofei's artistic practice focuses on painting, as well as sculpture and installation related to painting.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

The 44 year old Romanian - born brothers, based in Cologne, Germany, work as a collaborative producing fantastical, enigmatic, otherworldly imagery, employing a diverse range of traditional and contemporary artistic practices in their woodcuts, collages, ceramic sculptures and installations.

Gilmore's current artistic practice includes the orchestration of large - scale installations and live public performances that use the female body as a site for the articulation of identity, labor, and endurance.

The exhibition brings together a great range of artistic practices and languages (photography, video, painting, sculpture, installation...), cultures, geographic origins, generations and experiences, to establish a tension between extremely different artistic approaches: melancholy of vanity, ironic play with identity, political biography and existential questioning, the body as sculpture, effigy or fragment of its symbolic substitute.

Gates's practice embraces a wide range of disciplines and a variety of artistic vocabularies — sculpture, painting, installation art, music and performance — as well as urban development and social practice.

Challenging aesthetic norms of what sculpture or painting or installation or plain photographic documentation is, Smit's artistic practice presents a series of new works that are the result of the serendipitous nature of life interpreted as an errare.

While the artist investigates the complex relationships between form and substance through different artistic practices such as photography, video, sculpture and installation, he is best known for his beguiling marble carving to which he applies his refined craftsmanship in order to create unexpected and light forms, ordinary and yet highly symbolic.

Beginning with the New York School and subsequently considering Pop, Minimalism, Conceptualism, Process Art, Graffiti, Performance, and Installation, drawing has persevered as a necessary artistic practice and has, through the variety of difference inherent in postmodern aesthetics, developed into a vital, autonomous art form in itself.

Since the Club 57 era, Scharf has vehemently pursued an artistic practice that's consistently characterized as pop, surrealist, imaginative, and a bit loopy — though it spans street art, painting on canvas, video / performance, and installation.

Imagining artistic practice as a sedimentary process of material and social transformation (akin to a trash heap or scrap yard), Alli works in installation, performance, image - making and visual research to rummage in the aesthetics of precarity, collapse, and by extension, the vast formlessness of the Earth's ocean gyres.

Along her artistic practice exploring female subjectivity through photo and video works, she is the founding director of Franklin Furnace, an artist - run space founded in 1976 supporting the exploration, promotion, and preservation of artist books, temporary installation, performance art, as well as online works.

In his artistic practice, he used such different languages as sculpture, drawing, writing, collage, assemblage, installation and video.

It also reflected the pluralism of contemporary artistic practice: the use of media once considered non-traditional (such as video, computers, and found objects), an interest in temporality that took the form of short - lived installations, and the exploration of performative work.

I understand collaboration, teaching and curating as part of my artistic practice which is centered around performance, mediated performance and installation.

Masters presents works that reflect Arcangel's prolific career from roughly 2002 to the present, including five time - based videos, one modified video game, one modified flatscreen television, a wallpaper installation, and archival materials that touch upon an artistic practice that exists as much on the web and in popular culture as it does in the museum or gallery.

Anna Virnich's artistic practice incorporates a variety of media, such as sculpture, installation, photography, video and textile - based tableaus made of found fabrics as well as new materials, stretched on wooden frames thus creating organic and almost painterly compositions that oscilate between transparency and density.

As well as an overview of Sassen's artistic practice, the exhibition will present a new version of her immersive film installation, ToteAs well as an overview of Sassen's artistic practice, the exhibition will present a new version of her immersive film installation, Toteas an overview of Sassen's artistic practice, the exhibition will present a new version of her immersive film installation, Totem.

Within her artistic practice, using sculpture, sound, site - specific installation and performance, LaFleur further unpacks ideas around trauma, which have arisen as a result of audience engagement through AFROTOPIA.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.

Emma Hart's artistic practice spans video, sculpture, and installation, and she uses her work as a means by which to both produce and document events.

In his artistic practice, Pedro Gómez - Egaña creates sculptures, 3D installations, phonographic works, and films, and also uses mediums such as performance, text and voice.

His artistic practice comprises a wide range of media, such as text, installations, and drawing.

Kincaid himself is a hiker and a camper; his travels can be read in Et al.'s installation as part of his artistic practice.

In his artistic practice, he used such diverse languages as sculpture, drawing, writing, collage, assemblage, installation, and video, integrating themes that reveal his character as a researcher and activist: the aesthetic investigation of language; the questioning of the Western world, power, and the rules that dictate the values of religion, art, justice, and the state; the reverence for women and eroticism; and the depiction of violence.

The expansion of forms through space is what triggers Crystal Wagner the most and marks her artistic practice being perceived in as an installation art.

Transcending the physical limitations of space and material, he has employed radio waves as medium, and performance, installation, and attempted telepathy as technique, challenging what would be accepted as «typical» artistic practice or experience.

Since the early 1990s, Song's artistic practice has focused on video, installation, performance, photography, and theatre, as well as curating contemporary art exhibitions.

Join artist Edmund Clark as he discusses with Jonathan Watkins, Director of Ikon Gallery, his artistic practice, which combines a range of reference and forms including photography, video, found image, text and installation.

Despite being better known as a writer, Kilomba has been exploring experimental and multidisciplinary artistic practices, using and combining different means of expression: from performance and video installation, to stage readings and lectures, enabling an interface between text and image, artistic language and academic language.

In The Cartographer's Conundrum, a large installation currently on view at the Massachusetts Museum of Contemporary Art (Mass MoCA), artist Sanford Biggers maps artistic, cultural and spiritual practices, other disciplines and fields such as Afrofuturism, music, and sacred geometry.

MOTHERSHIP is a group exhibition that presents works by artists at varying stages of their careers, celebrating their shared connection as mothers alongside their individual artistic practices in drawing, film, installation, painting, photography, print, sculpture, sound and textiles.

But like the installation, these works in asphalt, aluminum paint and other non-art materials recall past artistic practice in order to criticize its progressivism, and insist on artmaking as public works.

Moorhead is known for her obsessive artistic practice, in which humble materials are taken to poetic ends in spellbinding sculptures and installations, as seen in her 2007 solo exhibition, A Thing Called Early Blur at the Blaffer Gallery of the University of Houston.

Session I, 5 — 7 pm Discussant: Tom McDonough Associate Professor and Chair of Art History, Binghamton University Nicolas Linnert «All Access Politics: Reality and Spectatorship in Two Film Installations by Jean - Luc Godard & Hito Steyerl» Hammam Aldouri «Sortir du Champ: Toward the Readymade as Artistic Practice» Benedikt Reichenbach «Materialism of Form: Binary Images as Models of Representation» Session II, 7:30 — 9:30 pm Discussant: Soyoung Yoon Assistant Professor of Art History & Visual Studies, The New School Kim Bobier «Mine the Gaps: Subliminal Civil Rights Struggle in Lorraine O'Grady's Art Is...» Kaegan Sparks «Routine Performance: Self - Management and Affective Labor in Martha Wilson's Early Works» Harold Batista «Immediate Peers for the Generations: Intergenerational Cooperation and Mutual Dependence» Admission is free.

The project and its peripheries will be recorded / reflected through my artistic practice comprising making video / moving image works, drawing and sculpture / installation but also will end up as a DIGITAL BOOK (pdf publication) containing some sort of the following documentation: journal, report, art, artworks, texts, interviews, profiles of people involved, etc..

In addition to ongoing publishing and writing projects, since 1990 he has maintained an artistic practice employing the camera obscura as a means to develop site - specific installations, most recently at Wave Hill (Bronx, New York) and Evergreen House (Johns Hopkins University).

Besides the aforementioned abstract paintings, Bradford's practice also encompasses videos, prints and installations as he stands from nothing in order to reach the desired artistic goals.

The five genres — Still Life, Landscape, Scenes of Everyday Life, Portraiture, and History Painting — serve as a productive point of dialogue with contemporary artwork created within an expanded field of artistic practices, including not only painting but also photography, video, and installation.

Cited numerous times (by Hans Ulrich Obrist, Daniel Birnbaum, Roman Kurzmeyer, and others) as evidence of Szeemann's adventurous curatorial style or his invention of «a museum of obsessions,» the story of the Grossvater exhibition is often told as a curious anecdote evidencing an artistic - curatorial practice; the actual content of the installation has not been sufficiently analyzed despite Szeemann's own articulated commitment to the seriousness of the project.

Kentridge's artistic practice, as known, covers several areas: from drawings to animated films, from sculptures to tapestries, to etchings and shadow theater, from large installations to productions for Opera Houses.

Highlighting the nature of Energy Field as a space for interconnections to flourish, Collins invited artist friends to become Guest Artists within the installation; she asked them to explore and be in dialogue with her installation via their own artistic practice.

The artist views these separate, yet interconnected installations as «mise en scène» constructions, wishing to emphasis the relationship between the exhibition space and artistic practice — and the tensions inherent between production, construction and presentation.

Herrero's artistic practice encompasses painting on canvas, public wall painting as well as sculptural installations.