Sentences with phrase «installation at the art gallery»

True to character, she was game to try, even though she was busy setting up an installation at the Art Gallery of Calgary as part of its 25th anniversary exhibition entitled 5 ° (Five Degrees).

Not exact matches

The launch exhibition for Manchester's newly re-opened and revamped Whitworth art gallery caused a stampede of visitors, but few were to know that James Cropper's paper lies at the heart of Cornelia Parker's stunning War Room installation.

An art installation at Liverpool's FACT gallery gives visitors a chance to decide what they think of this controversial gas extraction technique.

«Finch is known for his poetic installations that recreate the ephemeral qualities of light and color in media as varied as watercolor, glass plates and ice cream cones,» said Jo - Ann Conklin, director of the Bell Gallery at Brown and a member of the Public Art Committee.

Visual artist Sophie Clements joins her longtime sound design / music collaborator Jo Wills to discuss their site - specific piece Attempting to Delay the Inevitable, an installation at the Dolby Gallery; the role of sound in her visual art pieces; why computer - graphics images would never work in her art; and how sound and image collaborate to create wonder, awe, and seduction in the audience.

Tom Sachs: Space Program documents his 2007 installation of a lunar module and control center, and a performance art staging of a complete «lunar» mission from launch to splashdown, at the Gagosian Gallery in Beverly Hills.

The museum embraces multiple public displays that include a number of spectacular public art installations around the country in addition to the multiple theatres, galleries and performance venues at the Katara Cultural Village.

The other has been as a fine artist, which has seen his installation art, sculpture, painting and photography exhibited at galleries and museums around the world.

Kaleidoscope: Colour and Sequence in 1960s British Art, installation views at Longside Gallery, Yorkshire Sculpture Park © artists and estates.

Entitled Our Colour, the immersive light installation is part of a series under the umbrella title Your Colour Perception that began in a residency at Castlefield Gallery's New Art Spaces Federation House last year in Manchester.

This past winter, Hendricks's triple - portrait masterpiece, all too rarely on view, presided over one of the most bracing permanent collection installations Washington has ever seen, one that filled two galleries behind Jackson Pollock's Mural (1943), a refugee wall - surfing through eleven museums around the world since it was left homeless in 2008 by extreme flooding at the University of Iowa Museum of Art.

Installation view: Red: Ming Dynasty / Mark Rothko at the The Arthur M. Sackler and Freer Gallery of Art at the Smithsonian Institution, Washington D.C. (photo: Norbert Marszalek)

Installation view of «A Feast of Astonishments: Charlotte Moorman and the Avant - Garde, 1960s — 1980s,» 2016, at Grey Art Gallery, New York.

Tony Feher will present a site - specific installation as part of the IN / SITU program at Art Expo Chicago, alongside D'Amelio Gallery's booth at the fair.

Installation view of In the Tower: Anne Truitt at the National Gallery of Art, Washington from November 19, 2017 to July 8, 2018.

CHICAGO — «It's a super-interesting moment to be at the National Gallery, where the question of what it means to be an American, and what kind of American are you, has a new kind of resonance,» said Theaster Gates, the sculptor, installation and performance artist and urban interventionist, whose exhibition «The Minor Arts» opened there this month in Washington.

Singling out the season's most tweet - worthy, opening night acolytes tracking our Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for love.

Sze's sculptures, installations and works on paper have also been exhibited at the Solomon R. Guggenheim Museum in New York, the Serpentine Gallery in London, the Museum of Modern Art in New York, the Museum of Contemporary Art in Tokyo, the High Museum of Art in Atlanta, the San Francisco Museum of Modern Art, and the Carnegie Museum of Art in Pittsburgh, as part of the 1999 Carnegie International.

Here, clockwise from left: Fred Sandback's «Untitled,» at David Zwirner; an installation view of Sol LeWitt's «Wall Drawing # 368» from its 1984 installation at the Walker Art Center in Minneapolis; Sean Scully's «By Night and by Day,» 1983, at Mnuchin Gallery.

Contessa Gallery features limited edition photographs and Neon Light Installations at Art Miami.

The show resonates with her 2015 exhibition Lives on Wire at the Institute of Contemporary Arts, where she created a site - specific installation, repurposing a resistor mechanism from an old cinema organ to produce rainbow strobes that transformed the gallery through shifting coloured light.

Non-Sculpture 1960 Ink on paper, rope, and wood 4 7/16 x 37 x 248 7/16 inches (11 x 94 x 631 cm) Installation view of «Postwar: art Between the Pacific and the Atlantic, 1945 - 1965» at Haus der Kunst, Munich, curated by Okwui Enwezor Courtesy of the artist; Gallery Hyundai, Seoul; and Lévy Gorvy, New York

The Lehmann Maupin gallery, which launched the installation this past Friday in collaboration with the Art Production Fund and White Cube, also opened a contemporaneous exhibition, «Tracey Emin: I Followed You to the Sun,» earlier this month, and her first solo museum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in December.

This installation was first presented by Gagosian Gallery at Printed Matter's seventh annual NY Art Book Fair, held September 27 - 30, 2012 at MoMA PS1.

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

Jonathan Schipper «s newest installation, «Cubicle,» will be presented at the Rice University Art Gallery in Houston, TX, opening October 6 and will include a luncheon and artist talk on 7 October at noon.

Aside from his recent film installation at the Boiler, he has had solo painting shows at Pierogi and Sometimes Works of Art (James Siena's project gallery in Chinatown).

Her recent solo exhibitions include Plaster Busts, 2014, Recent Sculpture, 2013, and Figure Sculpture II, 2011 at Roslyn Oxley9 Gallery; and the Foyer Gallery Solo Installation, Art Gallery of New South Wales, Sydney, 2012.

Itinerary: The Gallery, Stratford, Ontario (June 6 — August 7); College Park, Toronto (August 18 — September 17); Musée du Quebec, Quebec City (September 22 — October 26); Art Gallery of Nova Scotia, Halifax (January 5 — February 6, 1984); Art Gallery of Windsor, Ontario (February 23 — March 25, 1984); Edmonton Art Gallery, Edmonton, Alberta (April 5 — May 13, 1984); Vancouver Art Gallery (July 5 — August 26, 1984); Glenbow Museum, Calgary, Alberta (September 13 — October 30, 1984); and Musée d'Art Contemporain, Montréal (November 29, 1984 — January 30, 1985) 1983 Biennial Exhibition: Painting, Sculpture, Photography, Installations, Film, Video, Whitney Museum of American Art, New York (March 15 — May 29) American Art at Rydhave, The Art in Embassies Program, Rydhave, Denmark

Elisa has shown her photography and multimedia textile video installations of performance at the Brooklyn Museum, Bronx Museum, Whitney Museum, Momenta Art, C24 Gallery and Soho20 Gallery in New York.

Installation view of Mitchell / Riopelle: Nothing in Moderation at the Art Gallery of Ontario, photo by Alexandra Tagami.

The recreation at David Zwirner presents one of the earliest examples of installation art: encompassing all available walls of the gallery, alternating pink and «gold» produces an immersive, site - situational environment of light and color.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Located at the Fashion Industry Gallery — adjacent to the Dallas Museum of Art in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artisArt in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artisArt Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artisart dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artists.

These resulted from an attempt to mould the anti-commodity concept implied in the title — «Open Source: Art at the Eclipse of Capitalism» — to the kind of large - format, pictorial art installation familiar to a gallery founded, not on dematerialized conceptualism, but on nuturing the careers of postmodern painters and photographers who emerged in the 1980s and»9Art at the Eclipse of Capitalism» — to the kind of large - format, pictorial art installation familiar to a gallery founded, not on dematerialized conceptualism, but on nuturing the careers of postmodern painters and photographers who emerged in the 1980s and»9art installation familiar to a gallery founded, not on dematerialized conceptualism, but on nuturing the careers of postmodern painters and photographers who emerged in the 1980s and»90s.

The Contemporary Art Society has acquired an installation by Dineo Seshee Bopape at Frieze London for Towner Art Gallery in Eastbourne, inspired by her South African heritage and the artist's spiritual and physical relationship with her surroundings.

His installations have appeared at MoMA, New Museum, Whitney Museum of American Art, the Museum of Natural History, Chelsea Art Museum, Times Square, numerous galleries and clubs, and the incidental spaces in between.

I Guess You Had To Be There: An Installation Art Exhibition Exhibition opportunity for installation artists to create work in the main gallery at the Association for Visual Arts in ChatInstallation Art Exhibition Exhibition opportunity for installation artists to create work in the main gallery at the Association for Visual Arts in Chatinstallation artists to create work in the main gallery at the Association for Visual Arts in Chattanooga, TN.

His installations have been exhibited at The Drawing Center in New York, Blue Star Contemporary Art museum in San Antonio Texas, ExitArt NY, PS 122 NY, Morris Museum, New Jersey, Jersey City Museum, Poor Farm Experiment in Wisconsin, Riga Art Space in Latvia, Baltic Arts Center in Helsinki, Planthouse Gallery NY, Cynthia Broan Gallery NY, Fishtank Gallery NY, Denis Bibro Gallery NY, Gallery X in NY, Marsha Child Contemporary NJ, Chamot Gallery NJ, Mimi Ferzt Gallery NY, Alma Gallery Riga, M6 Gallery Riga Latvia, Biennale Art Gend in Kopenhagen Denmark.

Apart from its exhibition program, Vartai organizes exhibitions representing Lithuania at art events such as the Venice Biennale 2009, where the gallery presented Å 1/2 ilvinas Kempinas» installation Tube (2008) in the Scuola Grande della Misericordia.

Concurrently at Art Unlimited, Sean Kelly Gallery and Galerie Kamel Menour will present Johan Grimonprez's interactive installation BED.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

The Spring 2018 Graduate Theses Exhibition at the Fine Arts Gallery highlights the works of seven graduate students: Alexandra Cao Ying, MFA, Studio Arts, Let One Hundred Flowers Blossom, # 087, oil on panel, 6x6 inches; Bianka Miranda, MFA, Studio Arts, Aa, acrylic on panel, 18x24 inches; Gabriela Melendez, MA, Studio Arts, Beneath the Skin, wood, plaster, silicone, 34x16x72 inches; Raquel Rojas, MFA, Studio Arts, Aborto, acrylic on canvas, 9x12 inches; Saul Aguilera, MFA, Studio Arts, En Los Tiempos de Las Golondrinas: Sun Frida, mixed media; Sean Kelly, MFA, Studio Arts, Mythic Landscape, (detail pieces of two - part installations) ceramic, wood, 78x99x51 inches and 78x39x39 inches; Teresa Carrasco, MFA, Studio Arts, Shoot Em Up Bang Bang!

Part of the installation at 18th Street Arts Center's Main Gallery is a simultaneous three - channel film, which will offer insight into the complex web of relations and influences stretching between Latin America and the United States.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

In her artistic practice, recent works include the large - scale sculptural installations Raked at Spencer Brownstone Gallery in New York (2014), and Floor / Ceiling at The Aldrich Contemporary Art Museum, Connecticut (2013).

Mickalene Thomas (B.F.A.» 00), visiting assistant professor, Fine Arts Thomas's installation was on view in Kavi Gupta Gallery's booth in the Kabinett section of Art Basel at the Miami Beach Convention Center.

Photograph of the installation of the Pre-Columbian Gallery at the Dallas Museum of Fine Arts in 1981: Textile manufacturing case.

He has exhibited solo installations at Charles de Jonghe gallery, Brussels, Rice University Art Gallery, Houston, Jeff Bailey Gallery, NYC, The University of Texas, Arlington, and Black Market Gallery in Los Angeles, Caligallery, Brussels, Rice University Art Gallery, Houston, Jeff Bailey Gallery, NYC, The University of Texas, Arlington, and Black Market Gallery in Los Angeles, CaliGallery, Houston, Jeff Bailey Gallery, NYC, The University of Texas, Arlington, and Black Market Gallery in Los Angeles, CaliGallery, NYC, The University of Texas, Arlington, and Black Market Gallery in Los Angeles, CaliGallery in Los Angeles, California.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratart», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Report, Jan / Feb 2000, p. 52, illustration