Sentences with phrase «installation images of the painting»

Not exact matches

Al Held, The Yellow X, 1965, acrylic on canvas, 90 x 144 inches: Installation View, Al Held: Alphabet Paintings at Cheim & Read, New York (image courtesy of Cheim & Read)

[PHOTOS] Excellent installation images of Varda Caivano's paintings at Victoria Miro, London.»

Amanda Ross - Ho's work across sculpture, painting, installation, and photography explores the appropriation and dissemination of images and objects.

Upon entering the exhibition, the viewer passes through a threshold of a floor to ceiling installation of paint, images and process and into a gallery of walls painted bands of the color spectrum that dissolves to white.

These images are drawn from his imagination as well as a range of other sources and also manifest themselves across large paintings on paper, used domestic objects such as batteries, mops and Underground Travelcard receipts, and expansive wall painting installations involving the surrounding architectural elements.

Highlights of the exhibition include Stark's pre-YouTube Cat Videos (1999 — 2002); the playful, provocative and psychedelic «chorus girl» collages from the series A Torment of Follies (2008); My Best Thing (2011), a video that debuted at the 2011 Venice Biennale edited from Stark's cyber exchanges with two online paramours; the celebrated video installation Bobby Jesus's Alma Mater b / w Reading the Book of David and / or Paying Attention Is Free (2013), set to a West Coast gangsta rap soundtrack and featuring images that range from Renaissance paintings, to family snapshots, to portraits of hip hop legends.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

* The categories include: — Painting — Photography — Sculpture and Installation Art — Performance — Video & New Media Art * Timeline: May 17, 2017: Close submissions Between June and December 2017: Young Korean Artists Show Series 2017 March 1, 2018: Expected publication date of «CICA Young Korean Artists # 1» * How to submit your work: — Please send us up to 10 JPG portfolio images and / or up to 3 direct links to video / web / interactive art, your artist statement, and bio.

I was relieved to find a gorgeous selection and wonderful installation of painterly treasures, including a top - tier Hans Hofmann titled Image in Green (1950), a densely packed painting from his greatest period.

Hartung's dark room installation includes two elements — a lighted fish tank sitting on top of a metal cabinet with a paper image of two classical portrait paintings, and a fifteen - minute video projection titled The Ascent of Man.

At a time when we are immersed in a cacophony of media images and sounds, and live in a climate of anxiety often provoked by invisible and abstract adversaries, the four fundamental expressive art forms — painting, sculpture, installation and performance — are amalgamated over the course of the exhibition, with contributions from Philippe Parreno, Adel Abdessemed, Roni Horn, David Hammons, Mark Grotjahn, Marlene Dumas and many more.

Installation shot of Denise Green's paintings at the Whitney Museum of American Art, New York's 1979 exhibition, «New Image Painting» discussed in this interview.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

Encompassing a wide range of mediums, Ritchie's immersive installation - including painting, wall drawing, sculpture, sound and moving image - demonstrates the complexity and transient nature of information.

2003 Annual Student Exhibition Chuck Close Prints: Process and Collaboration Robert Knox: Non-Fiction Paintings Fred Wilson: Objects & Installations, 1979 - 2000 Single Channel: Collaborationg with the Moving Image 25th Master of Fine Arts Thesis Exhibition Angela Grauerholz: Reading Room for the Working Artist and Privation Mads Gamdrup: Renunciation

The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does.

1995 Images, Masks, and Models, 11, rue Larrey at Sidney Janis Gallery, New York (booklet) Mario Diacono Gallery, Boston, MA (booklet) Galerie Bruno Bischofberger, Zurich Wall Installation, TZ Art, New York (installation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installatiInstallation, TZ Art, New York (installation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installatiinstallation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installatiinstallation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installationinstallation, booklet)

The first time I saw Grant's work, a multi-panel installation, I was drawn to an image of a little girl painted exactly the way William H. Johnson would have painted her.

Sigal's installation also included a large wall painting and several smaller canvases, combining images of stained surfaces and observational landscapes.

It's telling that «Ocean of Images» begins with DIS but ends with Katharina Gaenssler's Bauhaus Staircase, a photo - wallpaper installation that dutifully revisits the history of that famous school of art and design while referencing Oskar Schlemmer's beloved 1932 painting Bauhaus Stairway at MoMA.

His gallery installations are cabinets of curiosities featuring intricate wall paintings of beautiful women, indigenous statues and deities, collages crafted from vintage magazines penned and inked by the artist, human - like insect heads encased in vitrines, dolls that have been transformed into gang members, and images of pin - up girls with full tattoo sleeves.

The Annunciation is an installation of three projected images in which one of the central motifs of Christian iconography and Renaissance painting is constructed and re-enacted through moving image.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

A web of interwoven art historical references and ideologies connects the sculptures, paintings, and images on view in an installation that aspires to incite multi-disciplinary discussions with varied readings relating to themes such as: the displacement of the figure and the subject, the phenomenology of the viewer, and the deconstruction of systems.

Through painting, print and installation she uses text and images coincide to formulate visual short stories that evoke psychological and sensorial interpretations of geography.

With a diversity of media such as installation, drawing, photography and painting, the Argentinean artist decodes the machinery behind representation, focusing on the idea of light, darkness and color as the grounding substance giving shape to the world of images.

Introduced by vividly colored paintings of tarred - over pavement cracks, the centerpiece of Ingrid Calame's inventive and absorbing show «Tracks» at James Cohan Gallery is a four - wall multicolored wrap - around drawing of tire tracks from the Indianapolis Motor Speedway — the legendary «Brickyard» where the Indy 500 is run every Memorial Day (installation image above).

In this film installation, images of well - known paintings are projected, actual size, onto the gallery walls.

In Sabia Patrona del Kuágulo (Wise Patron Saint of Coagulation), an installation resembling a shrine, the artist uses these fluids to paint a vaginal image, evocative of La Virgen de Guadalupe, and the words «free your blood» in two gilded frames.

He was a student in Joseph Beuys» master class when he began to seriously question the role of the image in painting, and by 1968 he had formulated the foundation of his practice in the seminal installation «Raum 19,» which has continued to influence his work.

Based on images of part of the large site - specific painting created directly on our walls and floor, she has created a completely new installation of printed fabric that hangs where the original used to be, now hidden under many years of layers of wall paint.

The works in the first group share a signature horizon drip - line image that the artist has mainly produced in mural - installation works of the last 10 years, rooted in the iconography of Ostendarp's first stand - alone paintings of the mid 90's.

His paintings, prints, sculpture and installations incorporate the graphic elements of public signage and corporate logos, as well as images from art history.

She has recently begun to approach painting as an expanded field, placing her canvases in the context of multimedia installations that include moving images, sculpture, and performances.

His paintings, sculptures, prints, and installations subvert the graphic language of public signage and corporate logos while often referencing images from art history.

Featured image: Louise Bourgeois — Articulated Lair, 1986 (Installation View at MoMA); Painted steel, rubber, and metal; Dimensions variable, overall approximately 9 ′ 3 ″ x 21 ′ 6 ″ x 16 ′ 1 ″ (281.7 x 655.7 x 490.2 cm); Gift of Lily Auchincloss; and of the artist in honor of Deborah Wye (by exchange).

Levine also reinvents Man Ray's painting La Fortune (1938), multiplying the central image and bringing it to life as a three - dimensional installation whose synced repetition echoes that of minimalist sculpture.

Anthea Hamilton is a UK - based artist who creates multi-media installations that resemble theatrical stages or film sets and incorporate arrangements of prop - like objects, references to modernist paintings, and appropriated images of pop culture icons such as blow - ups of John Travolta in John Travolta, Bust - like, 2012.

Fantastic images of warriors and staged historical battles are invaded by irrepressible color and pop - images from electronic media in the former Core Fellow's paintings, sculpture, digital collage, video, and installations, which express his «concern with romanticized and sterilized representations that occur with the westernization, commercialization, and imposition of entertainment value upon history.»

Whether working with photography, painting, sculpture, moving image for installation, Khan employs a continual process of creation and erasure, adding layers upon layers, concealing and revealing to explore ideas around time, memory, creativity and spirituality.

The installation also includes several images of Annunciation paintings, showing Eija - Liisa's direct engagement of significant art historical works in a contemporary fashion.

Painting on sheets of plastic, on the floor, and on clear plastic tubes, to create installations where one is engaged in a continually changing relationship to the image / painting / object, as she put it one experiences «movement and durationPainting on sheets of plastic, on the floor, and on clear plastic tubes, to create installations where one is engaged in a continually changing relationship to the image / painting / object, as she put it one experiences «movement and durationpainting / object, as she put it one experiences «movement and duration».

The first volume focuses on Kusama's Infinity - Net paintings and includes installation views and images of all the sculptures and installations in the 2007/2008 exhibition.

Surreal Dialogue: Works by Ji Yoon Hwang and Soyoung Kim, a new exhibition of painting and fabric installation works by two young Korean artists whose diverse, complimentary works explore the language of emotional discomfort in modern society through subtly unsettling images and tactile sensations.

Matthew Ritchieʼs (b. 1964) installations integrating painting, wall drawings, light boxes, performance, sculpture and moving image are investigations into the complex and transient nature of information.

Jiang uses video, painting, photography, installation, writing and other mediums, blurring the boundaries between fictional documentary, mediated images and private narratives to reveal the intersections and segmentations between the body, desire and emotion of different individual and its representation or imagination in contemporary society.

Since first showcasing her video work at her Whitney Museum of American Art retrospective in 2002, Rovner has pioneered the use of the moving image as a non-narrative, non-cinematic medium for the creation of painterly images and installations which, like painting and sculpture, conjure the timeless realities in a way the narrative arts can not.

White Space featured Wang Haiyang's abstract paintings — created to cope with his sexual energies during a recent hospitalization — along with videos and installations depicting human communications through images of gums and saliva.

All camera formats utilized, and include digital images, 35 mm slides, 4x5 transparencies and portfolio prints of collections including: paintings, works on paper, artist's books, sculpture, installation and performance pieces, furniture, ceramics, jewelry and crafts, architecture, period interiors, decorative fine art, objects, rare books, manuscripts etc. as well as period gardens and landscapes.

The presentation features the U.S. debut of an 80 - foot long painting by Rodney McMillian — created for the 12th Sharjah Biennial and which visitors experience as a tunnel — as well as an installation of tempera paintings and related photographic images by Doug Ashford, previously presented at Documenta 13.