Sentences with phrase «installation of his work alongside»

Curated by CCS Bard curator - in - residence Trevor Smith, Feelings includes a comprehensive survey of Creed's work in the CCS Galleries as well as an installation of his works alongside the permanent collection in the recently opened Hessel Museum of Art.
Most recently, the Philadelphia Museum of Art invited Kosuth to curate a special installation of his work alongside a selection of works by Marcel Duchamp from their permanent collection.

Not exact matches

From initial design meeting, equipment selection to best meet your menu requirements, through site visits, installation and after sales service, we pride ourselves on how we work alongside our clients every step of the way.
This autumn, her installation My Bed, with which was nominated for the Turner Prize in 1999, will be shown at Turner Contemporary, Margate, UK alongside the work of JMW Turner (12 Oct 2017 - 14 Jan 2018).
The new building will open with an installation of her paintings based on declassified and sensitive government documents, alongside two of her acclaimed LEDs, stone benches, and works from her Lustmord series.
You Only Live Once will feature the first line of Arcangel Surfware, produced in partnership with the global music merchandising company Bravado, alongside an installation of new work by the artist.
A coinciding special installation of the award - winning film at Photo London (May 18 - 21) is presented alongside large - scale works and silver gelatin prints.
This exhibition brought together Katz's extraordinarily productive output of recent years alongside works from across his career in an installation that responded and related to the unique context of the Serpentine Gallery.
In the fall of 2011, Ballroom Marfa will mount the exhibition AutoBody, which showcases a single new work and installation, North of South, West of East, by emerging film and video artist Meredith Danluck, alongside the sculptural works of Liz Cohen, Matthew Day Jackson and Jonathan Schipper, organized by curator Neville Wakefield.
Film works and drawings from performances and installations Mirror Performance (1969), Volcano Saga (1985), Reading Dante (2007), The Shape, The Scent, The Feel of Things (2004 - 6) were shown in the space alongside a publication specially produced with the artist for the occasion.
A conversation between Buren and Tim Marlow walk the reader through the Tottenham Court Road installation and discuss it alongside his other public transport works, while a text by Hans Ulrich Obrist places the work in the context of Buren's wider practice since the 1960s.
This exhibition, in her adopted home of Preston, and the title of which makes reference to a visit Charles Dickens made to the town, features key installations including A Fashionable Marriage (1986), alongside works by Himid from the Harris» collection.
Showcasing paintings and drawings spanning from 1992 to 2017 and demonstrating the singular ambition and dynamism of Saville's work, this exhibition spans five rooms of the Scottish National Gallery of Modern Art and places the artist alongside major new works, installations and photography from five other artists preoccupied with the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald, Catherine Street, and others.
She works in a variety of media — painting and photography alongside film, video and installation - and exhibits regularly in the United States, Europe and Mexico, with works held in major museum collections worldwide.
The installation Nerofumo is the result of small interventions during the course of the production process through conversations with the people who work alongside it.
Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.
Alongside those works, Serra designed a series of forged pieces including: «Two Forged Rounds for Buster Keaton», «Snake Eyes and Boxcars» and «Ali - Frazier» and «Charlie Brown» One of his biggest installation is «The Matter of Time» commissioned by the Museo Guggenheim Bilbao, it incorporates a series of seven sculptures made of spot - welded sheets of steel that form 4,3 m high curling walls positioned around the existing sculpture, «Snake», that had been commissioned for the museum's opening in 1997.
In both New York and Texas, he designed his homes to include permanent installations of his work, alongside that of peers such as Larry Bell, John Chamberlain, Dan Flavin, and others.
Displayed alongside the windows installations are a series of works on paper which are inspired by the window drawings.
That piece, an emblematic expression of his community - geared work, will be present in the Polish artist's first major American exhibition when it opens at the New Museum this month, along with a new installation featuring sculptures that the artist will make over the show's duration, to be shown alongside drawings accumulated from the exhibition's visitors.
The works on display include Dean's 16 mm films of influential figures such as her major six - screen installation with Merce Cunningham in Merce Cunningham performs STILLNESS... (six performances, six films)(2008), alongside her film of Claes Oldenburg in Manhattan Mouse Museum (2011) and her film diptych of Julie Mehretu GDGDA (2011), all previously unseen in the UK, as well as Mario Merz (2002), Michael Hamburger (2007), Cy Twombly in Edwin Parker (2011), and David Hockney in Portraits (2016).
The show's title is drawn from Cunningham's belief that movement, sound and visual art shared a «common time» and his work — in the form of photographs and installations — is presented alongside an impressive roster of artists, including John Cage, Trisha Brown, Tacita Dean, Jasper Johns, and Robert Rauschenberg.
Door Hinges includes studio works that bridge painting and sculpture alongside an installation that tethers the outside of the gallery to the inside.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
The Forward Arts Foundation Emerging Artist Award winner presents a new sculptural installation alongside the work of finalists David Armistead, Wihro Kim, Julianne Trew and Vanessa Brooke Williams.
Jim Hodges: sometimes beauty brings together photography, drawing, works on paper, and objects rendered in mirror, light bulbs, and glass alongside several major room - size installations to examine and illuminate Hodges» command of material and gesture.
Linn's staging of the installation, which incorporates her own intimate portraits of Mapplethorpe alongside publications relating to his work, encourages the visitor to reflect upon the artist's life in its larger social and historical contexts.
Over the course of the weekend, some 25 - 30 artists will set up vending stands alongside the veteran boardwalk artists, exhibiting new bodies of work, collaborating with the veterans on new projects, displaying site - specific sculptures or installations, and presenting live performances.
This exhibition brings together the work of potter Sara Flynn, who has been commissioned to make a new body of work for display on the granary, alongside a major installation by British artist Richard Smith and over twenty photographs by the Sri Lankan artist Lionel Wendt.
Furthered by contributions from colleagues Uri Aran, Leslie Hewitt and James Richards, situated alongside full - color installation photos and reproductions of work from the past decade, Matt Keegan: OR provides a solid introduction and layered overview of the artist's multifarious practice.
Alongside Eoghan Ryan's multi-faceted installation of new work, a publication was produced which further explores the conditions of the contemporary human body and features contributions from Hannah Black, Susan Conte, Sam Keogh, Laura Morrison, Joseph Noonan - Ganley, Eoghan Ryan, Linda Stupart and Nina Wakeford.
Alongside his suspended installation work is his collection of pedestal driven sculpture and jewelry that is often made out of a single piece of brass.
The exhibition (21 October 2017 — 1 January 2018) will provide visitors with the opportunity to experience six of Kusama's infinity rooms alongside large - scale installations and key paintings, sculptures and works on paper from the early 1950s to the present.
The exhibition brings together major bodies of Leckey's work, including a broad array of video works and sculptural installations alongside new pieces made specifically for the exhibition.
Over the fivemonth exhibition period, General Rehearsal will offer the public curated selections of painting, drawing, sculpture, installation, photography, mixed - media, film, video and performance, including rare, iconic and major works of art alongside pieces from lesser - known, emerging talents from all over the world; new commissions and specially written scripts to narrate the presentations.
In Lehmann Maupin's first exhibition with Mutu in Hong Kong, the artist's exploration of biological mutation and matter is presented through a cohesive installation, presenting new sculptural works alongside paintings that demonstrate her intricate aesthetic.
Bringing together three dozen works by Georgia O'Keeffe, alongside works by a select group of contemporary artists that expand on O'Keeffe's artistic legacy, The Beyond: Georgia O'Keeffe & Contemporary Art features paintings, sculptures, works on paper, photographs, site - specific installations, and more at Crystal Bridges Museum of American Art.
Goshka Macuga, born in 1967 in Warsaw, is a Polish artist based in London, who makes installations which incorporate other artists» work alongside a variety of disparate objects.
This exhibition features recent works by Shonibare MBE alongside some samples of previous creations plus a new installation expressly created for this, his first solo exhibition in Spain.
Rugg has also created hand - drawn works alongside wallpaper installations, both of which toy with authenticity and falsehood through subtle trompe l'oeil.
Alongside these, more meditative areas will feature examples of Holzer's best - known work, such as her renowned engraved stonework, as well as new installations using black mondo grass
It's Called Art Mum, Look It Up will display a full collection of Nor's digital illustrations, alongside original hand - drawings, a new immersive installation room and her previously unseen sculpture work.
The exhibition will present new work alongside a key selection of works by Gupta from recent years, including her major installation Singing Cloud, 2008 - 09, an amorphous cluster of 4000 black microphones suspended from the ceiling.
For the exhibition at Bus Projects, Noriko will present a new body of sculptural and video works, alongside Ratman's large scale video installation, «The 588 Project».
This volume documenting the artist's midcareer survey at Contemporary Arts Museum Houston includes many of her best - known works alongside new paintings and a site - specific installation.
Ideas of exchange, circulation and migration are considered through large - scale sculptural installations, painting, collage, video and textile works, alongside displays of archive material relating to John Robinson Whitley and an off - site billboard project which runs between the north and south of the city.
These themes form the cornerstone of The Scripted Life, a full assessment of Breitz's work which showcases early works alongside more recent installations, including New York, New York, a new piece co-commissioned by the Kunsthaus Bregenz with Performa 09.
Otto Freundlich — theoretician, political activist, painter, and sculptor — belonged to the first generation of abstract artists, working alongside Braque and Picasso; Len Lye, a multi-disciplinary artist from New Zealand, was a pioneer of animated film - making; Brazilian painter and installation artist Lygia Clark created innovative interactive works; and Blinky Palermo was known for his «fabric paintings.»
From 27 February until 11 May the gallery space will house a number of new installations alongside existing works from the Collection.
• The publication of the first - ever catalogue raisonné on Kjærholm's oeuvre, researched and written by the leading Kjærholm scholar, Michael Sheridan, designed by award winning graphic artist Takaaki Matsumoto and published by premier art publisher Gregory R. Miller & Co. • Simultaneous exhibitions at Sean Kelly Gallery and R Gallery of the most important collection of Kjærholm works ever assembled, alongside significant modern and contemporary art works that, together, showcase a compelling dialogue between furniture, art and installation.
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