Sentences with phrase «installation of new glass»

The development of Liverpool FC's new retail store at Anfield has continued with the installation of new glass panels.

One of the most eye - catching features of last year's $ 30 million investment at O - I in Alloa was the installation of new glass decoration capability...

Not exact matches

Lucky visitors to New York's Museum of Modern Art this week may chance upon a performance art installation featuring Tilda Swinton napping in a glass box.

«The car bodies will be fully reconditioned and built to 1965 «competition» specs before installation of a new Brock - designed front valance, refined rear window, quarter glass installation and finished with Ford's iconic Wimbledon White paint.

The car bodies are fully reconditioned and built to 1965 «competition» specs before installation of a new Brock designed aero front valance, refined rear window, quarter glass installation and finished with Ford's iconic Wimbledon White paint.

Andro Wekua Untitled, 2014 Synthetic hair, silicone, wax, polymer plaster, PU foam, steel, glass, synthetic rope, aluminum cast, fabric, motors, electronics, and mechanics Installation view, Kölnischer Kunstverein, 2016 Photo: Simon Vogel Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro Wekua

Installation view of Quintuplet - Effect, 2016 glass painting, 21 x 13 feet Permanent Campus Commission Julis Romo Rabinowitz Building and Louis A. Simpson International Building Princeton University, New Jersey Photography: Ricardo Barros, courtesy: Princeton University

He has designed objects for the Spiderman — Turn Off The Dark, a musical production in New York City; Sea Glass, a futuristic carousel in Lower Manhattan NY; created site specific installations for an immersive theater project «Queen Of The Night» at Paramount Hotel in New York City; designed giant inflatable scenic objects for the Sochi Olympics Opening Ceremony.

Installation view of Esctasy as Sublime, Heart as Vector, 2016 detail, glass, stone, and marble mosaic, 66 feet tall Permanent Campus Commission Julis Romo Rabinowitz Building and Louis A. Simpson International Building Princeton University, New Jersey Photography: Ricardo Barros, courtesy: Princeton University

Although Smith has worked with glass for 20 years, she has refocused on the medium though recent public commissions, including her Art Production Fund installation of 2012, Kiki Smith's Chorus, and the 16 - foot East Window for the Museum at Eldridge Street / Eldridge Street Synagogue, both in New York and from 2012.

Amalia Pica, Eavesdropping, 2011; drinking glasses and glue, dimensions variable; collection of J. K. Brown and Eric Diefenbach; installation view, New Museum, New York, 2012; © Amalia Pica; photo: Benoit Pailley, courtesy Marc Foxx Gallery, Los Angeles

In 2012, The Art Production Fund presented Kiki Smith: Chorus, a public installation comprised of the artist's multicolored stained - glass stars at The Last Lot project space on 46th Street and 8th Avenue in New York City.

The same year saw Toyama Glass Art Museum in Toyama, Japan commission permanent installations of Chihuly's artwork to feature within the new 27,000 sqm cultural complex designed by architect Kengo Kuma.

The collection's whimsical porcelain figures, enchanting miniature portraits, and a dazzling array of historical glass have ranked among NOMA's visitor favorites for decades, and the collection display is now being updated with a new installation that carries forward NOMA's curatorial initiative to integrate collections across material and culture, to provide layered interpretation, and to present the best of our Gulf region's artistic expression in context with our encyclopedic collection covering ancient to contemporary arts.

Engaging with the history and mission of The Arts Club itself, the two - part installation will bring together McElheny's film The Light Club of Vizcaya: A Women's Picture (2012) and a new site - specific installation titled The Club for Modern Fashions (2013), a constructed glass pavilion into which performers and guests are invited during the lunch hour, Tuesdays through Fridays, dressed in vintage attire from the 1920s to the 1970s — decades that signify the height of a modernist imperative across the cultures of fashion, design, and architecture.

A number of new freestanding glass and marble floor sculptures complete the installation in the main gallery.

This exhibition celebrates Larry Bell, a legendary founder of the California Light and Space movement in the 1960s, and premieres his exiting new walk - through installation entitled Pacific Red, which explores the optical and reflective qualities of red glass.

New work by the Danish - Icelandic sculptor and installation artist Olafur Eliasson gleamed brilliantly at Tanya Bonakdar, including Polychromatic Attention 2015, a series of large glass globes shown in a circle on the wall that collectively presented the colours of the light spectrum but appeared clear when seen from the side.

In other new sound installations Philipsz also makes reference to regional settings — in one of these she works with the pipes of a historical synagogue organ that survived the Night of Broken Glass and has been in the Villa Seligmann in Hannover since 2011.

The long glass wall that separates the Lobby Gallery from the New Museum Lobby is a central feature of the installation.

A Certain Slant of Light (2014), created for the glass atrium of New York's Morgan Library, reflected the colors of the four seasons, and his recent solo show at James Cohan, My business is circumference (2016), included installations inspired by fog, the light of a passing cloud, and the colors he noted during a hike through Yellowstone National Park.

Visible through a broad wall of glass at the building's entrance, the installation is one of the central components of New - York Historical's new Robert H. and Clarice Smith New York Gallery of American HistoNew - York Historical's new Robert H. and Clarice Smith New York Gallery of American Histonew Robert H. and Clarice Smith New York Gallery of American HistoNew York Gallery of American History.

The two - channel video installation depicts site - specific performances featuring members of the LA Dance Project at Philip Johnson's Glass House in New Canaan, Connecticut, and the R. M. Schindler House in Los Angeles.

Ibon Aranberri's exhibition is dominated by his work «Floating Garden», an installation (originally developed at P.S. 1, New York) consisting of concrete modules, broken glass, metal and wooden horses, resembling the furniture of a greenhouse.

Triny Prada combines light and water in her installation, comprised of Murano glass and gold sculpture, and a new series of paintings made with thread, gold powder, gauze, 22 carat gold leaf, and vinyl paint.

At Andrea Rosen's booth at Frieze New York yesterday, a small throng of visitors murmured in quiet appreciation of David Altmejd's Le désert et la semence (2015), a large - scale installation composed of, among other things, synthetic hair, glass eyes, coconuts,... Read More

At Andrea Rosen's booth at Frieze New York yesterday, a small throng of visitors murmured in quiet appreciation of David Altmejd's Le désert et la semence (2015), a large - scale installation composed of, among other things, synthetic hair, glass eyes, coconuts, and large mirror panels.

Since his last solo exhibition in Cape Town in 2008, Odita has created large murals at the US Mission to the United Nations in 2010; the New Orleans Museum of Art and the Kiasma Museum of Contemporary Art, Helsinki, in 2011; and a stained - glass installation in the 20th Avenue subway station in New York in 2012.

Roman Road is always a sure bet when you are in search of something new and different.For his first solo exhibition Cuban artist Victor Payares, who is currently finishing an MFA at the Royal College of Art, is going to present new works and a site - specific installation that narrates elements of a memory from his youth during the Cuban «Special Period»: «Payares» artistry is further inspired by elements of the everyday; he collects disregarded objects such as cables, clothing labels and trampled glasses found lying in the streets and repurposes them in his paintings.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Pace's new showroom, with a single James Turrell «Wide Glass» installation on view, is located in the upper - crust suburb of Palo Alto, known for its competitive preparatory schools where the children of tech scions are groomed for postgraduate education at nearby Stanford.

«Map of Holland», 2015 oil and gold leaf on canvas 250 x 200 x 2,5 cm & «Quodlibet LVI (Waiting Room Table)», 2015 oil on canvas 55 x 100 x 2,5 cm table: steel, glass 40 x 103 x 58,5 cm installation view Galerie Buchholz, New York 2016

Japanese bound and beautifully printed in deep, dark, black ink on several kinds of paper, this volume documents New York artist Banks Violette's recent solo exhibition at Galerie Thaddaeus Ropac in Salzburg, where he showed recent sculptures and site - specific installations made of metal, neon, varnish and glass.

Brooklyn - based artist, Rob Fischer, presents his newest glass installation, «City, 2017,» set in front of the Lever House on Park Avenue at 54th Street.

For her current exhibition High Street at the Zabludowicz Collection, Scott has produced a major new installation, centred around large sheets of glass densely encrusted on their reverse with multiple objects.

Although «Lodestar» (formerly titled «Pilgrim») appears more refined and in many ways less divergent than «Sojourn,» the Pace installation of drawings on multiple panels of translucent glass (Glasmaleri) exemplifies the artist's focus and commitment to extending her intellectual and emotional concerns, especially her concise semiotic understanding, through new and varied processes.

From ceramic techniques to glass blowing, enamelling to welding, Upritchard's installations and objects, which often feature archetypal figures, push these practices in new directions, creating a striking and original visual language of their own.

Recently, she completed an installation of monumental glass windows that feature her botanical imagery for the new San Francisco General Hospital.

Ranging from large - scale installations to intimate ceramic portraits, the multimedia exhibition showcases works in combinations of neon, video, glass, drawing, painting, and clay with innovative approaches to both new and traditional media.At the opening reception one artist will receive the $ 10,000 Arlene Schnitzer prize selected by the Museum's curatorial staff.

She recently oversaw its renovation and curated a new installation to celebrate its 10th anniversary, with lectures, tours and exhibitionsthat are part of the Lowe's «2018: Year of Glass.»

The exhibition features new works created specifically for the Wellin, including a site - specific, 70 - foot wall painting installation; a 4 x 10 foot, glass and metal mobile; and a series of large - scale paintings and drawings.

Highlights last year included curator Marshall Price's new installation from the photography collection and, in our Medieval gallery, two recently conserved works of Medieval stained glass.

Lorna Simpson, best known for her photographic installations, debuted her first new sculptures in 25 years at the Frieze art fair in New York last spring: One of them, «They Cheated Death,» consisted of short stacks of vintage Ebony magazines, held down by pieces of glass that looked like blocks of inew sculptures in 25 years at the Frieze art fair in New York last spring: One of them, «They Cheated Death,» consisted of short stacks of vintage Ebony magazines, held down by pieces of glass that looked like blocks of iNew York last spring: One of them, «They Cheated Death,» consisted of short stacks of vintage Ebony magazines, held down by pieces of glass that looked like blocks of ice.

Among the studio's recent art installations and exhibition designs are «Exit» at the Palais de Tokyo, Paris and other international locations; «Pierre Chareau: Modern Architecture and Design» at the Jewish Museum, New York; «Musings on a Glass Box» at the Fondation Cartier pour l'Art Contemporain, Paris; «Charles James: Beyond Fashion» at the Metropolitan Museum of Art, New York; and «The Look,» a book and eponymous exhibition for the Deste Foundation for Contemporary Art in Athens, Greece.

She has produced a major new installation, utilising large sheets of glass to make «tapestries» that form horizontal surfaces throughout the space, and a large wall mural of magazine images and toothpaste.

Among them, White Cube is showing a selection of work by Cerith Wyn Evans, including the debut of a new installation titled Mantra (2016), which sees the light from two Murano glass chandeliers choreographed to a score by the artist; Kayne Griffin Corcoran is putting minimalists Mary Corse and James Turrell in conversation; and Pace will present a monumental levitating block of concrete by Studio Drift in its otherwise bare booth.

Similarly, an untitled work that began as crockery (bowls, cups and glasses) floating in a paddling pool (1999 - 2001) has evolved into an extremely sophisticated environmental museum project, where each installation re-embodies the work in the context of a new venue and reading.

NEW CANAAN, Conn. (April 29, 2016)-- The Glass House is pleased to present Yayoi Kusama: Narcissus Garden, a landscape installation that will be on view throughout the 2016 tour season to celebrate the 110th anniversary of Philip Johnson's birth and the 10th anniversary of the opening of the Glass House site to the public.

2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Hatch

JEFFREY GIBSON: Installation view, center, «Homma,» 2013 (Found canvas punching bag, recycled wool blanket, artistʼs own repurposed painting, glass beads, steel and brass studs, tin jingles, nylon fringe, artificial sinew) and at right, «Both Hands,» 2014 (found canvas punching bag, recycled wool blanket, artistʼs own repurposed painting, glass beads, artificial sinew, tin jingles, nylon fringe), all three by Jeffrey Gibson at Marc Straus of New York.