Sentences with phrase «installation of solo exhibitions»

The inaugural, multilevel installation of solo exhibitions of the work of Alexander Calder, Fred Sandback, and Richard Tuttle serves to emphasize visual and spatial interconnection, demonstrating that a museum can actively shape the viewer's experience without overpowering the art or simply fading into the background.

Given Coolquitt's fascination with the little design solutions that organically unfold both inside and outside the home, and the connection between art and environment, it is no wonder that Coolquitt seizes on the installation of his solo exhibition as a chance to forge a relationship between his sculptures and the gallery space.

Installation of the solo exhibition at the Martha Jackson Gallery, New York.

Not exact matches

The solo exhibition, curated by Martin Germann, presents videos, performances, and installations from the last decade of the German - Kurdish artist's career.

His first installation of a temporary wall was for his 1991 solo exhibition at Galerie Max Hetzler in Cologne, where he had a new wall built directly in front of an existing one.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

For his first solo museum exhibition, Arunanondchai presents 2012 — 2555, a large - scale installation which is the first in a trilogy of video - installations.

Ibid Gallery presents a solo exhibition by Rodrigo Matheus, a Brazil - born Paris - based artist working in the realm of sculpture, installation, and assemblage.

(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibition.)

Featuring new and recent works by an intergenerational group of artists, these solo exhibitions showcase a range of media, including video, photography, sculpture, and installation.

In her solo exhibition Your heart is clean at MASS Gallery, Ogunji unveils a body of works on paper and video installation developed during return trips to her father's homeland of Nigeria and time shared between industrial metropolis Lagos and Austin, TX.

An accompanying solo exhibition at the Mönchehaus Museum presented an untitled installation made in 2015 that is comprised of seven parts: four wooden towers and three columns incorporating a range of materials including mirror foil, glass, plastic flowers, spray paint, plaster, acrylic, woven polypropylene, medication instructions, coloured tape, photographs, metal clips, magazine covers, and paper.

Hanna Schouwink and John McCracken standing on West 19th Street during the installation of John McCracken, the artist's third gallery solo show and the inaugural exhibition at David Zwirner's new space at 533 West 19th Street, New York, September 2006

An installation view of «Untitled» by sculptor Chung Hyun on the first floor of Kumho Museum of Art (Kumho Museum of Art) At his solo exhibition at Kumho Museum of Art in Seoul, Chung, who is well known for his exhibition «The Standing Man» — a group of 47

Featuring new and recent works, these solo exhibitions showcase a range of media, from video and photography to drawing and installation.

The Lehmann Maupin gallery, which launched the installation this past Friday in collaboration with the Art Production Fund and White Cube, also opened a contemporaneous exhibition, «Tracey Emin: I Followed You to the Sun,» earlier this month, and her first solo museum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in December.

This spring, the Serpentine presents the first European solo exhibition of American artist Sondra Perry (b. 1986, Perth Amboy, New Jersey), who explores the intersection of black identity, digital culture and power structures through video, media, installation and performance.

Indeed, Liu, who will open a new solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for working within a variety of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner of materials, letting the concept dictate the form a piece will ultimately take.

Featuring new and recent works by an intergenerational group of artists, these solo exhibitions showcase a range of media, including film, photography, sculpture, paintings and installation.

Her recent solo exhibitions include Plaster Busts, 2014, Recent Sculpture, 2013, and Figure Sculpture II, 2011 at Roslyn Oxley9 Gallery; and the Foyer Gallery Solo Installation, Art Gallery of New South Wales, Sydney, 2solo exhibitions include Plaster Busts, 2014, Recent Sculpture, 2013, and Figure Sculpture II, 2011 at Roslyn Oxley9 Gallery; and the Foyer Gallery Solo Installation, Art Gallery of New South Wales, Sydney, 2Solo Installation, Art Gallery of New South Wales, Sydney, 2012.

Karsten Schubert is pleased to present the first solo exhibition of Conceptual and installation artist David Ireland in the United Kingdom.

MoMA PS1 presents a series of solo project exhibitions by four international emerging artists, including the New York premiere of videos by both Edgardo Aragón and Ilja Karilampi, Caitlin Keogh's first solo museum exhibition, and the presentation of a new installation by Rey Akdogan.

Rafael Ferrer, Exterior installation Anti-Illusion: Procedures / Materials exhibition Whitney Museum of American Art, NY, 1969 June 8 — August 22, 2010 El Museo del Barrio is proud to announce that Retro / Active, The Work of Rafael Ferrer, the first solo exhibition in a museum to examine the breadth and depth of the artist's influential production over the last 55 years, will be on view June 8 — August 22, 2010.

This is the first solo museum exhibition of the Brazilian - born artist that showcases her dynamic installations, indoor and outdoor sculptures, and works on paper.

@ Blaffer Art Museum, University of Houston Houston, Texas For her first solo museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger Delta.

Featuring new and recent works by an intergenerational group of artists, these solo exhibitions showcase a range of media, including video, photography, and installation.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

Gallery X & Y: Chris Silva, «Open Source» Gallery O: LWP Curated Group Show, «Go Figure» September 9, 2017 — November 4, 2017 Opening Reception: Saturday, September 9, 2017, 4 - 8 pm Artist Remarks: Saturday, October 14, 3 - 5 pm Linda Warren Projects kicks off the 2017 fall season with «Open Source,» an exciting solo exhibition of new works and installation by Chicago - based artist Chris Silva.

Isenstein's performances, installations, drawings, and sculptures have been the subject of solo exhibitions at Reed College, Portland, OR (2013); Andrew Kreps Gallery, New York (2010 and 2007); Hammer Projects at the Hammer Museum (2007); Meyer Riegger Galerie, Karlsruhe and Berlin, Germany (2006); and Guild and Greyshkul, New York (2004).

Installation view of a day and the night a solo exhibition with works by Saira McLaren.

Featured images: White Cube Hong Kong, via mymagicattic.blogspot.com; White Cube Hong Kong, Installation view of Jeff Wall's solo exhibition, via artasiapacific.com

This past year my work has been included in exhibitions at the 2012 New York Photo Festival (Brooklyn, NY), South Hill Park Arts Centre (Bracknell, UK), Artspace New Haven (CT), Galerie Jeanroch Dard (Paris, France) and most recently a solo exhibition, The Dubious Sum of Vaguely Discernable Parts, at the Bindery Projects in St. Paul, Minnesota which included a series of text based drawings, a photo installation and ephemeral print publication of images and writings.

And we shared a lot of interest in artists like Luther Price — who also had a major solo exhibition at Thread Waxing Space, which was an installation, but also a marathon, three - day film - screening series.

Tai Shani presents her first major solo exhibition in a public gallery, presenting the culmination of her ongoing project Dark Continent, which includes an immersive installation in The Tetley's atrium, film works, posters and a selection of artworks drawn together by Shani.

In 2015, Tate Liverpool will also stage a summer exhibition bringing together the late works of influential American artist Jackson Pollock, plus solo exhibitions by Romanian artist Geta Brătescu and the video - installation artist and Turner nominee Cathy Wilkes.

She was also included in the 2014 Texas Biennial, had a solo show at Women and Their Work, and her mixed media installation, Paper City, is part of the Biennial: 600 Sculpture exhibition at the Amarillo Museum of Art.

Pakui Hardware: «Creatures of Habit», 2017, Installation view in solo exhibition, SIC, Helsinki, 2017 / / Photo by Pakui Hardware, Courtesy of the artists and EXILE, Berlin

Pakui Hardware: «On Demand», 2017, Installation view in solo exhibition, EXILE, Berlin, 2017 / / Photo by Pakui Hardware, Courtesy of the artists and EXILE, Berlin

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Her first solo exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her design approach on the aesthetics, material and form of fashion and product design, architecture and garden art.

Pakui Hardware: «Vanilla Eyes», 2016, Installation view in solo exhibition, Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, 2016 / / Photo by Pakui Hardware, Courtesy of the artists and EXILE, Berlin

Cecilia Vicuña's exhibition «About to Happen» at the Contemporary Arts Center New Orleans is billed as the first major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific installation.

Tal R. Lords of Kolbojnik is the first solo exhibition of Danish artist, Tal R. Playfully conceived as a «group show by one artist», this complex exhibition includes fifteen paintings and three large tapestries as well as an installation of thirty two drawings.

Curated by Manu Park, the solo exhibition (22 February - 30 April 2017) includes PLAYTIME (Seven Screen Installation), 2014, which explores the dramatic and nuanced subject of capital, Kapital, 2013, a two - screen documentary, which includes the artist in conversation with leading academics such as David Harvey and Stuart Hall, and The Leopard, 2007, which brings together baroque pageantry and metaphor in a work that, referring to journeys made across the Mediterranean by Asians and Africans trying to enter Europe by sea, experiments with notions of cultural entanglement and the dissent between aesthetics and politics.

Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.

This will be the artist's third solo exhibition at the gallery and features a large - scale wall installation, «Where I Leave Off and You Begin», alongside a series of new «floating line» -LSB-...]

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

Less than one year later, Skou has transformed Overgaden into an installation of collages and sculptures that articulated repressed architectural spaces to create crossing points into possible futures, in Staggering Territory, his first major solo exhibition.

So at Participant, there will be an installation of work by Jonathan Berger that is paired with a solo exhibition of work by Exuma, a musician and artist from the Bahamas.