City of Disappearances involves three distinct but integrated elements: a solo display devoted to one artist from each collection, a new
installation of works drawn from both collections, and a room in which artworks of different mediums are shown together.
Curated by Elizabeth Neilson, director of the Zabludowicz Collection and Joseph del Pesco, director of the Kadist Art Foundation, the showcase is constructed of three distinct but integrated elements: a solo display devoted to one artist from each collection, a new
installation of works drawn from both collections, and a room in which artworks of different mediums are shown together.
Not exact matches
As we began to
work, the
installation immediately began
drawing the attention
of people passing by.
Since the
installation went up several months ago, students continue to repair deteriorating areas and to relate stories
of curious passersby
drawn in by our
work.
His instinctive and scattergun approach to collecting makes for a show that's wildly energetic and enthralling: an eerie cowhide and resin
installation (Nandipha Mntambo's Enchantment) stands erect and proud like a regal spectre in the middle
of the space; it mingles with arresting monochrome portraits
of children with cement dust faces by Mário Maculau; a comedic and surreal ink
drawing of a goat at an office desk by Ato Malinda; a sweet and naively rendered mixed media
work by Richard Kimathi depicting a couple, the man delineated through a pistol on his crotch.
Artwork ranges from
drawing, photography, sculpture,
installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include
works that are narrative, political, performative, and conceptual examples
of contemporary art.
The participating artists
work in painting, sculpture,
drawing,
installation, and video, and they each combine elements
of the real and the represented.
In Tramas, more than 70
works from the 1980s, including
drawings and
installations, focus on his exploration
of geometric abstraction and spatial interplay.
The exhibition includes paintings,
drawings,
installations, sculptures, video
works, and photographs by an intergenerational group
of artists who are primarily based in the United States.
You'll experience
work created in a wide variety
of mediums, including painting,
drawing, sculpture, photography, and multimedia
installations.
Known for
working in a range
of mediums — painting, photography, sculpture, video,
installation, and performance — with this exhibition, Johnson adds
drawing to his repertoire.
Working across different media, including performance,
installation, collage and mail art, she continues to explore the lure
of celebrity in popular culture and the nature
of being a «fan», often
drawing from her own childhood and teenage obsessions while she was growing up in 70's America.
As in all her
work, the
installation draws from many references, ranging from pop culture ideas
of nature and femininity to arcane literary traditions.
The
work of Egyptian artist Basim Magdy (b. 1977, Egypt) spans from
drawing to film, painting to slide
installations that touch upon issues
of science, war, and progress, hovering between a nostalgic look to the past and a disenchanted imagery
of the future.
Bourgeois's diverse practice included
drawings, paintings, textiles, embroidered
works, sculpture, and
installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece
of her exhibition at MASS MoCA.
McCall regards these
works as occupying a place somewhere between sculpture, cinema, and
drawing: sculpture because the projected volumes must be occupied and explored by a moving spectator; cinema because these large - scale objects are not static, but structured to progressively shift and change over time; and
drawing, because the genesis
of each
installation is a two - dimensional line -
drawing.
Loris Cecchini (b. 1969)
works in a variety
of media including photography, sculpture,
drawing, and
installation.
Through his expressive depictions
of children and animals ranging from paintings and
drawings, to three - dimensional
works employing FRP, ceramic, bronze, and large - scale
installations, Nara continues to attract audiences internationally and is one
of Japan's most iconic artists
of our time.
Huge tapestries, performances,
drawings and
installations trace all kinds
of different botanical and geological histories in Otobong Nkanga's
work.
Featuring new and recent
works, these solo exhibitions showcase a range
of media, from video and photography to
drawing and
installation.
Trained in art history and sculpture, her body
of work is distinctive in its layering
of sound, images and ideas in sophisticated and ethereal multimedia collages, encompassing video,
drawing,
installation, sound, performance and text.
Working in sculpture,
drawing, photography, and site - specific
installation, Roni Horn explores the very nature
of art, especially as it relates to site, environment, and identity.
The diverse meanings placed on the horizon — which includes a symbol
of longing, containment or desire — radiate across the additional
works in the exhibition that include painting, sculpture,
drawing, video, and
installation.
The gallery deals in a distinctive combination
of painting,
drawing, sculpture, photography, video and
installation - based
work.
Sam Durant
works in a variety
of media — including painting, sculpture,
drawing, and
installations — to address the varying relationships between culture and politics.
The exhibition is the culmination
of a multiyear collaboration between Smith and Los Angeles — based conceptual artist Glenn Kaino and will feature sculptural
installations and other
works by Kaino, objects from the Tommie Smith archives and an animation
of Smith's winning race created from contributed
drawings.
The exhibition includes early geometric light projections, prints and
drawings,
installations exploring sensory deprivation and seemingly unmodulated fields
of colored light, and recent two - dimensional
work with holograms.
Film
works and
drawings from performances and
installations Mirror Performance (1969), Volcano Saga (1985), Reading Dante (2007), The Shape, The Scent, The Feel
of Things (2004 - 6) were shown in the space alongside a publication specially produced with the artist for the occasion.
Violette's
work ranges from haunting yet exquisitely rendered graphite
drawings to sculptural
installations composed
of cast salt, light, and sound.
There are lots
of different modes
of working, from the big
installation put together outside
of the studio to the intimacy
of a
drawing.
Negative Pyramid (1997) and three
works from his Incomplete Open Cube series (1974) illustrate in three dimensions the generative potential
of LeWitt's serial approach, exemplified by the museum's sweeping
installation of the artist's wall
drawings — which span LeWitt's entire career, covering over an acre
of wall space on three floors
of a building at the very heart
of MASS MoCA's campus.
The majority
of the
works he is presenting, including paintings, sculpture,
installation and
drawings, were created during the residency and will be in view in all five
of the gallery spaces.
Since the early «90s, Tracey Emin has produced a body
of work that encompasses all forms
of artistic expression, including painting, print - making,
drawing, film, photography,
installations, appliqué, sculpture and neon text.
Among the
works by Jian - Jun Zhang will be Sumi - Ink Garden
of Re-Creation
Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in De
Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in Decembe
Drawing # 2 (2002), a sumi - ink
drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in Decembe
drawing — a preparatory sketch
of his major
installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in De
installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation
of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum
of Art in New York opening in December 2013.
This past year my
work has been included in exhibitions at the 2012 New York Photo Festival (Brooklyn, NY), South Hill Park Arts Centre (Bracknell, UK), Artspace New Haven (CT), Galerie Jeanroch Dard (Paris, France) and most recently a solo exhibition, The Dubious Sum
of Vaguely Discernable Parts, at the Bindery Projects in St. Paul, Minnesota which included a series
of text based
drawings, a photo
installation and ephemeral print publication
of images and writings.
Previous rounds have been broad in scope and concept, ranging from topics
of activism to architecture, and including disciplines such as design, media arts,
drawing, film,
installation, intervention, literature, painting, performance, photography, print making, sculpture, and others, such as scientific field
work.
bau bau is the first exhibition devoted to Céline Condorelli that includes the many - facets
of her
work, such as sculpture,
installation, display devices, research, writing and teaching; her comprehensive approach
draws from Italian traditions
of art and design, such as that
of Bruno Munari, as well as conceptual art and the relational art
of the 1990s.
Francie Bishop Good and David Horvitz have a collection
of over 500
works including photography,
installation, painting,
drawing, video, sculpture,
works on paper and mixed media.
Joan Jonas is a pioneer
of video and performance art, and an acclaimed multimedia artist whose
work encompasses video, performance,
installation, sound, text, and
drawing.
Tai Shani presents her first major solo exhibition in a public gallery, presenting the culmination
of her ongoing project Dark Continent, which includes an immersive
installation in The Tetley's atrium, film
works, posters and a selection
of artworks
drawn together by Shani.
Gunstheimer's multimedia
works, composed
of pencil
drawings and
installations, tell stories that appear to be true but are not.
A processional
work created for urban centers, the New York debut at Frieze features a new quilted banner and textile
installation, as well as the launch
of a «whisper network,» which will
draw the audience into the performance.
Taking the form
of drawings, photographic series and video
installations, his
work consistently invokes the use
of systems as generative part
of the artist's practice, investigating the relationships between aesthetic experience, political beliefs and the formation
of meaning.
Rachel Feinstein's idiosyncratic oeuvre is diverse in mediums and influences; while she
works primarily in sculpture, the artist's paintings,
drawings, and
installations are equally important vehicles through which themes
of femininity, beauty, and literature are explored.
Young artists such as Donald Judd, Robert Morris and Dan Flavin were
drawn to these Modernist movements, eventually abandoning painting in favor
of unconventional
installation - based
works that utilized clean lines and modular forms.
Showcasing paintings and
drawings spanning from 1992 to 2017 and demonstrating the singular ambition and dynamism
of Saville's
work, this exhibition spans five rooms
of the Scottish National Gallery
of Modern Art and places the artist alongside major new
works,
installations and photography from five other artists preoccupied with the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald, Catherine Street, and others.
Blurring the lines between
drawing, painting, animation and
installation, his
work incorporates a wide array
of materials.
A large LED
installation dominates this varied exhibition
of Parreno's
work: compiled from hundreds
of the artist's firefly
drawings, it flashes powerfully in the opening room.
Both artists use the abstraction process through
drawing and painting, their
works complement each other, creating a vibrant
installation full
of unexpected concepts.
This travelling show from Anchorage Museum in Alaska, highlights
work by eleven, contemporary Indigenous artists
of various tribal affiliations whose
works include ink
drawings, video, digital photography, multi-media
installation and textiles.