Not exact matches
The partnership
between the Museum and the Dallas - based international oil and gas exploration and production company provides $ 800,000 of support for the Museum's series of special exhibitions,
installations in its collection galleries, and a prospective touring exhibition over an initial multi-year
period.
The exhibition's chronological
installation brings to light intriguing parallels
between these three time
periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.
The exhibition's chronological
installation reveals intriguing parallels
between these three time
periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.
This
installation shows the dialectic relations
between the dualism, integration and dissolution formed during the production
period on a physical platform, thus creating a conversation within its environment.
While essentially chronological, the
installation also juxtaposes works from different cultures and time
periods to emphasize the historical connections
between works in the collection.
Opening on 14 May an extensive exhibition,
Between Metaphor and Object: Art of the 90s from the IMMA Collection, will present a range of sculptures and
installation pieces from the 1990s, emphasising the diversity of practice that is represented in the IMMA Collection from this
period, by artists such as Tony Cragg, Barry Flanagan and Antony Gormley.
Born in Buffalo, New York, and based
between Athens and Toronto, Stathacos brings together performance,
installation and video in various formats, creating participatory projects, aiming to make new connections
between cultures, historical
periods, technologies and environmental issues.
Focusing on a ten - year
period between mid «40s and forth, Paintings New York at Hauser & Wirth brings attention to possibly the least - known aspect of Kaprow's decades - long career, bringing together a body of works at the gallery's uptown outpost, a location where the former Martha Jackson Gallery housed the artist's first Yard
installation in 1961.
Carl Andre's observation from a 1968 interview reflects on the absence of image or allusion in advanced art of the
period, but it remains pithily ironic: It is one hallmark of American art
between roughly 1960 and 1975 that objects and
installations were attended by massive quantities of artists» words, texts that fall across the artmaking landscape and settle like a heavy discursive drift.
Organized by LACMA and the Museum of Fine Arts, Houston, «Your Bright Future: 12 Contemporary Artists from Korea» features
installations, sculptures, videos, computer animations, and Web - based work by artists born in South Korea
between 1957 and 1972 and raised during a
period of sustained political upheaval.
And they store all the applications you've ever had connected to your Facebook account, so they can guess I'm interested in politics and web and graphic design, that I was single
between X and Y
period with the
installation of Tinder, and I got a HTC phone in November... pic.twitter.com / bkXruVZxLP