Lavishly illustrated with
installation photographs by Fredrik Nilsen, the book will include two scholarly essays: one by art critic, novelist, and filmmaker Chris Kraus, and the other by Los Angeles art writer, educator, and curator Jan Tumlir — as well as an interview with Israel by Kevin Salatino, Hannah and Russel Kully Director of the Art Collections at The Huntington.
Installation photograph by Richard Goodbody.
Installation photograph by Peter White courtesy the artist and Matt's Gallery, London.
Installation photograph by David Regen, 2005; courtesy of Yvon Lambert gallery, New York.
Installation photograph by Maxime Dufour © Rafael Lozano - Hemmer
Installation photograph by Maxime Dufour.
Not exact matches
The two - page document, marked «Top Secret,» mentions a draft decision paper that focuses on the «relative merits of retaining [deleted in document] as a high - priority secret national security
installation versus the merits of the NASA belief that there would be domestic and foreign problems created
by withholding the
photograph.»
Recent aerial
photographs obtained
by Teslarati show that Teslaâ $ ™ s
installation of its rooftop solar array for Gigafactory 1 outside of Reno, Nevada...
From the opening section, which finds Harry fending off an attack
by Dementors in a storm sewer near his neighborhood and running afoul of wizard rules prohibiting spell - casting in the presence of Muggles, through the
installation of a chillingly polite authoritarian named Dolores Umbridge (Imelda Staunton) as Hogwarts» new Defense Against the Dark Arts teacher and future grand inquisitor, to the near - collapse of the wizard world's governing body, the increasingly ossified and timid Ministry of Magic, Phoenix is steeped in a mix of fear and futility confirmed
by the movie's visuals,
photographed by cinematographer Slawomir Idziak.
The exhibition includes paintings, drawings,
installations, sculptures, video works, and
photographs by an intergenerational group of artists who are primarily based in the United States.
The exhibition features paintings, sculptures,
installations,
photographs and video
by the likes of Kerry James Marshall, Jean - Michel Basquiat, Kara Walker, Carrie Mae Weems, Robert Colescott, Glen Ligon, Lorna Simpson and Nina Chanel Abney (shown above).
Rounding out the catalogue are numerous details and
installation views, atmospheric color
photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary written
by the artist.
In one of Mr. Baltrop's
photographs you get a glimpse of a piece of art composed of those elements: a 1975
installation called «Day's End»
by the artist Gordon Matta - Clark (1943 - 1978), who cut a giant half - moon - shaped slice out of a pier wall and brought daylight streaming in.
Ericka Beckman creates films, videos,
photographs, and
installations that are inspired
by game structures rather than linear narratives.
Organized
by the Stuttgart - based Institut für Auslandsbeziehungen (IFA) and featuring more than 200
photographs spanning 1986 to 2017, as well as
installations, video works, and publications, this is the artist's first exhibition in Africa.
Other works include
installations by Hans - Peter Feldmann and Tomoko Takahashi, which both highlight the cumulative power of
photographs; a sound piece
by Stephen Vitiello that layers barking dogs and firework explosions; and a film of drifting soap bubbles
by Rivane Neuenshwander and Cao Guimarães that realizes the abstract forms of atmospheric conditions.
In Ji's series Civilized Landscape, he explores illusory landscapes created
by mankind: using maps and books, he sculpts mountains and skyscrapers in carefully placed
installations before
photographing the compositions.
NEW YORK — Opening Thursday, March 28 at the Studio Museum in Harlem, David Hartt: Stray Light is a presentation of color
photographs, sculptures and a video
installation by Chicago - based conceptual photographer David Hartt (b. 1967) reflecting on the iconic headquarters of the Johnson Publishing Company in downtown Chicago.
Pace Gallery is pleased to announce Lucas Samaras: New York City, No - Name, Re-do, Seductions, an exhibition of new work
by the artist encompassing 185
photographs in a seven - room
installation.
Instead, there are tapestries made
by multiplying reflected versions of paintings; close - up
photographs of the surface of paintings; mirror - like reflective works; overpainted self - portraits; various grey paintings; photographic facsimiles of the iconic series of 48 Portraits presented in the German Pavilion at the Venice Biennale in 1972 — so returning them to their photographic origins in encyclopaedias; and a spectacular
installation of «4900 Colours», 2007.
The first
installation features 20
photographs by several of the artists whose work appears in the first issue, including Anthony Barboza, Roy DeCarava, Louis Draper, LeRoy Henderson, Beauford Smith, Ming Smith, and Shawn Walker.
In the basement, a sculptural
installation by Marc Andre Robinson weaves together formalism with black cultural history, while another, «Lorraine O'Grady: Art Is...» offers a fantastic exhibition of
photographs documenting Ms. Grady's performance piece during the 1983 African - American Day Parade, in which she skillfully weaves together art, activism and participation.
The origin of this exhibition comes from two
installation photographs of the nineteen works in the Constantin Brancusi exhibition at the Arts Club of Chicago overseen
by Duchamp in 1927.
«The Chicago Artists Coalition featured an allover
installation of palm trees,
photographs, and floral wallpaper
by Leonard Suryajaya, an artist from Indonesia in its residency program who brought his mother and aunt from home to wrap handmade fruit in the same floral wallpaper.»
Online, in the digital recreation of the original 1959 exhibition Paintings
by Clyfford Still, at www.clyffordstill1959.org, users can explore all of the works in the original exhibition, materials used to plan the exhibition, such as diagrams and notes, vintage
installation photographs, and other ephemera.
Girls» Club, Fort Lauerdale Site - specific
installation by Julie Davidow Dorsch Gallery, Miami Jenny Brillhart, Felecia Chizuko Carlisle, Elisabeth Condon La Galeie Particulie're, Paris
photographs by Claudine Doury Shoshana Wayne Gallery, Santa Monica Rachel Lachowicz Adah Rose Gallery, Kensington mixed media sculptures
by Jessica Drenk Scaramouche, New York video sculptures
by Katja Loher Cannonball video
installation by Jillian Mayer, titled MEGAMEGA UPLOAD (2012)
This group exhibition features
photograph and
installation which have not yet exhibited in Japan, as well as new works
by two young artists during their stay in Tokyo.
The collection encompasses works from 1945 to the present, including major holdings of abstract expressionist painting, minimalist sculpture, media and
installation works, large - scale and conceptually driven
photographs, and an impressive representation of works
by emerging artists.
The range of creative output is astounding, and, in addition to paintings, drawings and prints, the book includes
photographs, videos,
installations and performances
by such artists as Araki, Robert Mapplethorpe, Bruce Nauman and Pipilotti Rist.
Exhibiting works from both national and international contemporary artists (in parallel to the permanent collection of mainly Leipzig - based artists), G2's NEW ACQUISITIONS includes paintings, works on paper,
photographs and
installations by Judith Bernstein, Melissa Gordon, Anne Imhof, Jeanette Mundt, Raymond Pettibon, Daniel Steegmann Mangrané, Thomas Ruff and Rirkrit Tiravanija to name just a few.
Hamilton, who is nominated for this year's Turner Prize, creates
installations full of unexpected images and objects: blown - up
photographs of John Travolta's face, Perspex cut - outs of women's legs, a giant golden bum clasped
by two hands, kimonos, rice crackers, pineapples.
The exhibition features over eighty works
by the New York - based artist, created from 1987 — 2013, including a plethora of sculptural items, modified
photographs, various drawings, and two large - scale
installations.
Marking the culmination of a year - long celebration of photography at the museum, this
installation brings together an exquisite group of gifts, ranging from innovative
photographs made in the earliest years of the medium's history to key works
by important 20th - century artists and contemporary pieces that examine the ways in which photography continues to shape our experience of the modern world.
Photographs and light
installations by David Drebin on display in Miami at Art Wynwood, February 13 - 17.
Contessa Gallery showcases
photographs and light
installations by David Drebin at Art Silicon Valley Art San Francisco.
Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing
installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to
photographs of iconic paintings
by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.
Goodman Gallery is proud to present Halaal Art, an exhibition of
photographs and a video
installation by twin brothers Hasan and Husain Essop.
The show premiered at the San Francisco Museum of Modern Art in the fall, but its
installation at the Whitney is slightly larger, bringing together over 150 paintings, sculptures,
photographs, and drawings
by the artist.
Her working environment, documented for the first time in a number of new
photographs by the artist, will be recreated as
installations in the gallery, down to the paint pots, brushes, books and discarded scraps of newspaper that are similarly covered in the spatters, splashes and drips that result from her obsessive painterly method.
These artists will be represented
by paintings,
photographs, sculptures and video
installations that will entirely occupy the Foundation's 28 - gallery, 45,000 - square - foot museum.
All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the
installation by Kubo that filled gallery walls, to the
photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.
Contessa Gallery feature lightboxes,
photographs and light
installations by David Drebin at current edition of Art Wynwood.
David Hartt: Stray Light presents color
photographs, sculptures, and a video
installation by Chicago - based Canadian artist David Hartt (b. 1967) reflecting on the iconic headquarters of the Johnson Publishing Company in downtown Chicago.
Bronx Calling features sculptures, works on paper, video,
photographs and
installations by participants in the 2010 - 2011 AIM program.
Galerie de Bellefeuille feature
photographs and light
installations by David Drebin at Toronto International Art Fair from Oct 25 - Oct 28.
Works will include
photographs from the Red House series
by Adam Broomberg and Oliver Chanarin, depicting the marks left behind
by prisoners of Saddam Hussein in Iraq; wire and sculptural elements
by Walter Oltmann and William Kentridge;
installations by Jeremy Wafer, Jonah Sack and Justin Brett, as well as more traditional pencil, oil and charcoal drawings
by Sue Williamson, Lisa Brice and Sam Nhlengethwa.
Contessa Gallery features new
photographs and light
installations by David Drebin at Art Silicon Valley.
Damien Hirst, «The Startling Effects of Mesmerism on a Dying Man» (2008)
Installation view
Photographed by Gregor Titze © Belvedere, Vienna / Damien Hirst and Science Ltd..
Tate will present Oracle and other technology - based
installations alongside archival
photographs and documents from Experiments in Art and Technology (E.A.T.), an organization founded in 1966
by Rauschenberg, artist Robert Whitman, and engineers Billy Klüver and Fred Waldhauer that sought to make technology accessible to artists
by facilitating collaborations with engineers.
Zineb Sedira
Installation shot Maritime Nonsense and Other Aquatic Tales 2009 3
photographs mounted on aluminium Image
by George Torode