Selected artists need to provide
installation ready work complete with hardware.
Not exact matches
His
work spans a range of media including photography, painting, sculpture,
installation and use of the
ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia, which Liu Wei transforms into sculptural objects and
installations of eloquent complexity.
On January 10th, visitors to TRANSFER will see ephemera from sketches that became documentation,
installations that became
works on paper, and rehearsals that became sculpture that became performances; all in the course of Getting
Ready.
Often emerging from a pictorial dialogue, the content — or the question — dictates the shape and medium of the
work, which ranges from unapologetically humble
ready - made images to site specific
installations.
All
work selected must be
ready for exhibit: 2D
work must be framed with secure hanging devices; 3D
work must be suitably prepared with instructions for
installation.
Her
work invokes the ideas of obsession and preservation with
installations of collected
ready - mades.
Giani Motti, born in 1958 in Sondrio, Italy, is a conceptual artist who contextualizes
ready - made objects in unexpected ways in
works of sculpture, video, and site - specific
installations, inflected with what has been called «disarming simplicity.»
While the Museum is closed and secure, our collections team and
installation crew
work into the night to get everything de-installed, cleared out, and
ready for the new group of paintings to be brought up and installed in the galleries.
Work must be hang -
ready and prepared for
installation.
PARTICIPATION: All selected
work must be received
ready to hang, including any hardware and equipment needed for
installation.
Instead of the monumental
installations and paintings he's accustomed to, this
work of 30» x 24» of the softest crayon on mylar paper, shows a clear spiral that all together delimits the space for a form
ready to be created by the spectator.
In this exhibition, more than 20
works will be on view that cover various forms, such as
ready - mades, videos, paintings, and interactive new - media
installations.
Getting
Ready In creating the new outdoor spaces, the Getty
worked with Richard Meier and Partners, the original architects of the Getty Center, and with the Olin Partnership, the site's original landscape designers, to develop and prepare areas throughout the Getty Center for the
installation of the modern
works.
Numerous pictorial
works clarify how central the arbitrary is to Armleder's ouevre,
works made with neon lights revive the minimalist tradition of employing
ready - made industrial materials, the multimedia
installation in the Fridge will incorporate a variety of soundtracks and videos in an accumulation of audio - visual information without any hierarchical distinctions.
Through the saturated hues of site specific
installation, wall reliefs, and undulating, folded sculpture, Pasquali's
work redesigns the contours of organic forms through
ready - made inorganic material, rendering elegant, playful designs.
As well as collage and painting, Lutfi also uses the «found and
ready made objects» in her
installation work, usually sourced from rummaging through old artefacts and discarded items in Cairo's markets, factories and antique shops.
Among these
works: «Veloce galoppa verde cipolla», 1960/70, neon and tobacco leave by Pier Paolo Calzolari; a
work from the «Disegni» series by Giulio Paolini and the admirable «Rosa dei venti», an
installation from 1992, lyric homage to metaphysics and the enigmatic mannequins of Giorgio De Chirico; «Venere con la Pipa», silkscreen on stainless steel media, a Michelangelo Pistoletto's icon; «Mimetico», a shred of camouflage canvas (as a
ready - made) dated 1968 by Alighiero Boetti; the
work «Particolare», projector and slide from 1972/2016 by Giovanni Anselmo; «Baco da Setola» from 1968 by Pino Pascali; a big diptych made of steel sheet by Jannis Kounellis, rhythmed with shelfs with different elements of different materials from 1994; and lastly a spiral snail from 1982 by Mario Merz.
We had the challenge of producing a meaningful catalogue knowing that the twelve new paintings, multimedia
installation, and site - specific
work for Mark Bradford: Scorched Earth would not be
ready until
installation time, a full two months after our print date.
All
works must be
ready for
installation upon submission.
With this subscription, it shows that the company is
working fast to see that the update is
ready for
installation.
Google's Android O beta is
ready for
installation on Pixel, Nexus smartphones, and here's how it
works