Sentences with phrase «installation shots by»

Colour and black and white photographs Includes colour installation shots by Anthony Stokes of the Venice Biennale, Italy (1982), colour slides of installation shots of «Les Champs de la Sculpture 2000», Champs - Elysees, Paris, France (1999), colour transparencies of installation shots of the solo exhibition at the Galerie Hans Mayer, Dusseldorf, Germany (1994), colour installation shots of bronzes including Hare on Ball and Claw, 1989/90, and Drummer, 1996, installed in the gardens of Galerie Hans Mayer, black and white installation shots by John Webb of «Sculptures in Stone 1973 - 1979» at Waddington Galleries, London, UK, a black and white installation shot of «Barry Flanagan sculptures in bronze 1980 - 1981» at Waddington Galleries.

Black and white and colour photographs, polaroid's and coloured slides Images of drawings, etchings and bronze sculptures, colour slides of installation shots from the solo exhibition at the Iowa Museum of Art (1995), slides of installation shots by JC Mazur possibly from the group exhibition «Feminin - Masculin» at the Centre Georges Pompidou, Paris, France (1995), colour Polaroid photographs of small bronze pieces of women labelled «Copperfield Archive», «Zilko» and «Umbilical Cord».

Including catalogue record and copy of, the essay by Marjorie Allthorpe - Guyton and photocopies of installation shots by Sean Hudson.

, 1985 of the Pace Gallery, New York, USA, black and white installation shots of «The British Art Show: Old Allegiances and New Directions 1979 - 1984» at the Royal Scottish Academy, Edinburgh, UK (1985), black and white installation shots by Al Mozell of «Barry Flanagan.

An envelope of black and white installation shots of «Barry Flanagan - A Visual Invitation: sculpture 1967 - 1987» at the Museum of Modern Art, Belgrade, Serbia, black and white installation shots of «Art» 92» at the Business Design Centre, Islington, UK (1992), black and white photograph of Young Elephant, 1985 of the Pace Gallery, New York, USA, black and white installation shots of «The British Art Show: Old Allegiances and New Directions 1979 - 1984» at the Royal Scottish Academy, Edinburgh, UK (1985), black and white installation shots by Al Mozell of «Barry Flanagan.

Installation shots by Claudio Franzini

Recent Sculpture» at The Pace Gallery (1983), black and white installation shot by A Rzepka of «Barry Flanagan» at the Galerie Durand - Dessert, Paris, France (1982), black and white installation shot of «Pier and Ocean» at the Hayward Gallery, London (1980) and black and white Rowan Gallery, London photographs of works including

Recent Sculpture» at The Pace Gallery (1983), black and white installation shot by A Rzepka of «Barry Flanagan» at the Galerie Durand - Dessert, Paris, France (1982), black and white installation shot of «Pier and Ocean» at the Hayward Gallery, London (1980) and black and white Rowan Gallery, London photographs of works including Ducks, 1970, Grass I, 1967/68 and hole in the sea (1), 1970.

Not exact matches

When I walked by this bridge filled with a cool light art installation I knew I wanted to shoot here.

Give the mod a shot for yourself by downloading it from the PC gaming wiki, where the installation instructions are also provided.

Installation shot, from left to right, works by Peter Lowe, Rana Begum and Nathan Cohen.

This installation borrows its title from a series of drawings by Donald Moffett (born San Antonio, 1955) rendered in fudge on paper pierced with a bullet shot by his friend, Robert Beck (born Towson, Maryland, 1959).

Installation shot, from left to right works by Laurence Noga, Patrick Morrissey and Martin Church.

The postcards, apparently shot by Heinrich Hoffmann, Hitler's chief photographer, are notably simple: three of them show individual «degenerate» artworks, one the building's exterior, the last an installation view.

Installation shot of «Half Human», featuring works by (from left to right) Stephanie Hightower, Pat Lay, Laura Dodson and Artemis Alcalay; photo courtesy Nikos Seferiadis

Installation shots from the exhibition Artificial Life, curated by Meg Noe at the Chicago Artists Coalition.

Today we have a new collection of installation photos and performance shots from the first few days of «Juxtapoz x Superflat <» including works by Toilet Paper Magazine and Yuji Ueno.

Continuing an anthropomorphic sensibility begun in her dart paintings, Feu à volonté featured two works, Homage to Bob Rauschenberg and Tir de Jasper Johns (both 1961), which Saint Phalle gifted as individual «portraits» to her friends after inviting them to execute the shootings prior to installation.25 Reviewing the show for the New York Herald Tribune, John Ashbery noted the general significance of her intervention, writing, «[She] has invented a new kind of painting that must be finished by the spectator [emphasis mine] with the aid of the rifle bullets fired at the canvas.»

For a cheeky group show «With friends like you...» — a subtle dig at the Cuban art Establishment — Aquiles covered the façade of their home in a Technicolor cladding of cans while six other artists took over the inside with process - based paintings made with human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the U.S..

Installation Shot Ballroom courtyard with works by Mika Tajima / New Humans (front) and Wangechi Mutu (back)

Installation Shot South Gallery with works by (from left to right) Wayne Gonzales, Robert Grosvenor, Guyton \ Walker, and Jason Fox

Installation Shot South Gallery with works by (from left to right) Robert Grosvenor, Guyton \ Walker, and Jason Fox

Zineb Sedira Installation shot Maritime Nonsense and Other Aquatic Tales 2009 3 photographs mounted on aluminium Image by George Torode

In addition to artwork, the Pop Shop installation will feature pieces from two of the Keith Haring Foundation's recent collaborations: Keith Haring by Nicholas Kirkwood, haute couture footwear by the shooting - star British shoe designer, Nicholas Kirkwood; and Keith Haring by Patricia Field, apparel and accessories designed by the celebrated New York stylist and fashion designer, Patricia Field.

Shooting Performance includes photographs of important performances and installations by artists such as Stuart Brisley, Anya Gallaccio, David Medalla and Cornelia Parker amongst others from the 1980s and 1990s.

In the second room of the exhibition Atlas will present Joints 4tet for Ensemble (1971 - 2010), an installation of Super-8 colour films of the dancer Merce Cunningham shot by Atlas in 1971.

Photographer @ksdirectional captured an amazing detail photo of Front Design's Axor WaterDream / Axor Shower System (2014) and @saifahmed99's installation shot of Vuokko Eskolin - Nurmesniemi's Circle Dresses (ca. 1964) was chosen as the photo of the day by the #ACreativeDC feed.

Olga Balema One re-enters the garden by become a vegetable (Kunstverein Nürnberg installation shot) 2015 Pollock Krasner Image Collection

Showcasing emerging international art and artists across various locations annually, including Cologne, Miami and Hudson, the NYC program features a presentation of interactive art projects from San Juan's Beta - Local and Detroit's MOCAD, as well as a site - specific installation in a Ford Galaxie 500 by Shoot the Lobster, including work by Lena Henke and Marie Karlberg of M / L Artspace and Bradley Kronz.

Installation shot, my photo: On wall: paintings by Lisa Denyer, Louisa Chambers and Claudia Bose, On floor: paintings by Claudia Böse Lisa Denyer and Matthew Macaulay, including painted stones by Lisa Denyer

The catalog features an essay by David Kennedy Cutler, installation shots, and photo credits of all the works in the show!

«It's an exhibition of works by fantastic artists, that enrich each other in sometimes surprising ways», Morton comments when he gives me a tour a day before the opening of the exhibition whilst a photographer is taking installation shots.

When planning a show, I often begin by working out the scale of the works with digital mockups, overlaying previous paintings onto installation shots of the project space.

Lynn Hershman Leeson, Agent Ruby, 1999 - 2002 (installation shot of Lynn Hershman Leeson: The Agent Ruby Files, 2013); web project (www.agentruby.net); Collection SFMOMA, Gift of bitforms gallery, Paule Anglim Gallery, and the artist; commissioned by the San Francisco Museum of Modern Art, 2008.230 © Lynn Hershman Leeson.

Installation shots of the group exhibition «Gut gespielt — der Mensch und sein Avatar» at Alte Fabrik in Rapperswil, Switzerland, curated by Josiane Imhasly.

The book includes 11 drawings created for the occasion, as well as studio shots of the process, installation shots, a critical essay by Hila Cohen - Scheiderman, an in depth interview by Noam Segal, and all the plates from the show.

Installation shot of «Unfolding» with work by Amanda McCavour «Proposal for Work # 1» Glue, Flocking, Ink, Paint, Thread

A solo exhibition of new works by David Shrigley titled COLOURED WORKS ON PAPER is currently on show at Copenhagen's Galleri Nicolai Wallner (installation shot shown here courtesy of the gallery).

Installation shot of «Voice in the Wilderness» (2013) by Alexander Ponomarev at the Marrakesh Biennale 5, 2014

Delaine Le Bas Alphabetical Fragments of Evil (interior shot) 2009 mixed media Witch Hunt, Installation at Chapter, Cardiff, 2010 Photgraphy by Phill Babot.

Installation shot of «They Come to Us Without a Word» by Joan Jonas, at the CCA Kitakyushu, Japan in 2013.

Kahlil Joseph's installation, m.A.A.d. (2014), remixes a 2012 album by American rapper Kendrick Lamar and sets it as the soundtrack to a dual - screen film that combines newly - shot, inherited and found news footage depicting the Los Angeles neighbourhood of Compton, powerfully conveying the everyday threat of gun violence within the community.

Highlights here include a magical film by Egyptian artist Wael Shawky which presents middle Eastern fables gorgeously shot in colour negative and acted out by children; a sound and light installation by London artist Haroon Mirza that makes your entire body vibrate and Brooklyn - based Cory Arcangel's four projections based on a hacked video game show.

Installation shot of Grady Gerbracht's «#incidentalart» show at Senaspace features select groupings (photo © 2016 by Grady Gerbracht)

Done up by art director and set designer Gemma Thérèse Pearce and shot by photographer Kate Anglestein, each installation demonstrates the embodiment of the charka it's named for, both strong and delicate.

Installation shot of the work «Muhamed (2016) in» Béla Tarr - Till the End of the World «by EYE Film Museum © Studio Hans Wilschut, courtesy Béla Tarr

Installation shot Foreground right: Stanley Kubrick, Korova Milkbar, 1971/2007 Replica, designed by Liz Moore Mixed material, 210 x 80 x 80 cm Foreground left: John Miller, A Mutually Beneficial Encounter, 2003 Advertising pillar, poster, text on floor, 230 x 300 x 300 cm Courtesy of Hans Wiedauer Centre: Elmgreen & Dragset, Queer Bar, Powerless Structures, 1998 Taps, stools, footrest, wood, 300 x 300 x 120 cm Courtesy of Collection Haubrock, Berlin Background left: Marcel Duchamp, Bicycle Wheel, 1913/2007 Replica, metal and wood, 129.5 x 63.5 x 41.9 cm Background right: Rinse Dream, Café Flesh, 1982 DVD, 80 minutes Background center: Nancy & Edward Kienholz, The Bronze Pinball Machine With Woman Affixed Also, 1980 Pinball machine, bronze, 190 x 100 x 200 cm, courtesy of Berlinische Galerie, Berlin © Bob Goedewaagen and Witte de With

Kahlil Joseph gives us a gripping dual - screen installation set in Los Angeles, in the dreaded suburb of Compton, where flashes of gangland faces, parties and shootings have been clustered in evocative layers to the accompaniment of a scary hip - hop soundtrack by Kendrick Lamar.

Published in conjunction with MoMA's first major exhibition of sound art, Soundings presents an overview essay by Barbara London, Associate Curator in MoMA's Department of Media and Performance Art; a recent history of sonic art by writer Anne Hilde Neset; and a section on each of the featured artists, featuring a brief interview and illustrated with installation shots, field photographs and documentation of performances.

To see how much more abstract Miro is than Picasso, see this installation shot of their two pictures side by side.