Sentences with phrase «installation social sculpture»
«Black Angel,» video installation social sculpture, 2016.
https://www.airgallery.org/ Not exact matches
One of the most prominent cultural figures of the 21st century, Ai Weiwei is a Beijing - based artist and activist whose work encompasses sculpture, installation, photography, film, architecture, and social criticism.
Opening: Cosima von Bonin at Petzel Cosima von Bonin's conceptual sculpture and installation work has long investigated social relationships using a touch of humor.
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
New York - based artist Patrick Meagher's installation that other modern world (2000 — 2002), which references architecture and modern social structures, is a collection of individual sculptures made from expanded bead - Styrofoam.
Encompassing some 100 works in painting, sculpture, video, and installation, «The Everywhere Studio» presents over 50 artists from the past five decades to reveal the artist's studio as a charged site that has both predicted and responded to broader social and economic changes of our time.
Artwork in the exhibition ranges in medium from drawing, photography, sculpture, installations, film, and video to performance and social practice taking place in both urban and rural landscapes.
His sculptures, photographs, installations, and public artworks often repurpose recognizable Chinese forms and materials to address today's most pressing social concerns.
His artistic practice encompasses sculpture, performance, installation and urban interventions, and is linked to his strong social commitment.
Exhibiting a wide variety of mediums including photography, video, painting, sculpture, drawing and site - specific installations, Party Out Of Bounds presents both past and present nightlife scenes from Nelson Sullivan's video documentation of late performers Ethyl Eichelberger and John Sex, to Jessica Whitbread's No Pants No Problem Party, an underwear dance party exploring social gathering as a space of advocating for HIV and sexual / gender rights and combatting stigma.
Artists working in all mediums (including — but not limited to — video and film, new media, installation, painting, social practice, sculpture and performance), as well as curators, are encouraged to submit exhibition proposals.
Dan Tague, who has worked in photography, sculpture and installation with tart renderings of political themes, is currently developing a multi-media room - scaled environmental installation based on his memory of ninth grade social studies class.
The exhibition will feature Welty's major works in drawing, sculpture, collage, installation, video, photography, and social media.
A keen eye on concepts of high and low informs a body of work that, encompassing sculpture, installation, performance, photography, collage and textiles, is concerned with the construction and manifestation of social and intimate spaces.
24/7 will include Perry's major works in drawing, sculpture, collage, installation, video, photography, and social media - some of which has been created specifically for this exhibition.
Always a beguiling social pundit, Olaf Breuning has created an immersive installation of steel sculptures and large photo collages to continue his discerning humor and astute visual language.
Goldner's installations include steel sculptures, video, photography and sound combining poetry, patterns, forms and African themes that engage in social discourse.
Sometimes dubbed India's Damien Hirst, Subodh Gupta is one of India's leading contemporary artists, who creates mainly large - scale sculptures and installations (from stainless steel Indian kitchenware and other found objects) that address the country's changing social landscape.
Working in ceramics, sculpture, video, installation, and social practice, Simone Leigh (b. 1967, Chicago) examines the construction of black female subjectivity and economies of preservation and exchange.
Their relationships to social, political and philosophical expressions of feminism are as diverse as their work in sculpture, painting, drawing, video, installation, collage, assemblage and the wearable — yet all six directly consider the literal and allegorical ways in which the female body occupies both physical and semantic space in the modern world.
Working across ceramics, sculpture, video, installation, and social practice, Simone Leigh examines the construction of black female subjectivity and economies of self - preservation and exchange.
Since the early 2000s the artist has explored the social and cultural implications of political acts through painting, sculpture, installation, and performance — both live and filmed — using himself as protagonist, proxy, and test subject.
Some recent examples include: Milwaukee Art Museum 2010 where Gates invited a gospel choir into the galleries to sing songs adapted from inscriptions on pots by the famous 19th century slave and potter «Dave Drake»; the Whitney Biennial, 2010 when the Sculpture Court was transformed with an architectural installation functioning as communal gathering space for performances, social engagement, and contemplation.
Neha Choksi's work in sculpture, photography, performance and video installation explores her own intellectual, cultural and social contexts to explore loss, transience and transformation at Project88.
Gates's practice embraces a wide range of disciplines and a variety of artistic vocabularies — sculpture, painting, installation art, music and performance — as well as urban development and social practice.
The German artist, Joseph Beuys (1921 - 1986), is perhaps best known for his «actions», installations and sculpture, but first and foremost he was an artist who was interested in ideas: ideas about how the world, both natural and social, functioned and how the latter could be improved.
Her practice encompasses a wide range of supports — including painting, video, sculpture, photography and installation — , through which she investigates certain power structures that underlie social and economic ties.
Artists selected for this program are at all stages in their careers and work in all media, including drawing, painting, sculpture, photography, film, video, new media, installation, fiction and nonfiction writing, poetry, dance, music, interdisciplinary, social practice, and architecture.
Born in Cologne in 1936 and based in New York since 1965, Haacke's strong political, cultural and social concerns are reflected in his installations, texts and sculptures.
The artist Robert Buck's drawings, sculptures and video installations reflect his sensitive investigations into how people respond to today's diverse social and cultural changes.
In addition to his performances, the artist has created wall drawings, sculptures, installations, and text - based works that often relate to his social initiatives.
Michael's work has spanned a number of areas — large - scale installations, video, sculpture, furniture, and social practice gestures.
Known to use video, installation, drawing and sculpture to explore architecture, sexuality, gender and power, Bonvicini continually circles back to social, political and economic questions.
Sharing an affinity with other conceptual minimalist installations of the 1960s, Edwards» choice of barbed wire as material imbues this sculpture with social and political meaning.
From the perspective of the so - called post-internet generation, his sculptures, films and online projects — often arranged as installations — are concerned with the relationship between real and virtual everyday worlds, that is, with life and experience in the internet age and the effects this has on social reality.
Her strategies of performance, photography, text, immersive installation and social sculpture explore relationships between psychological and social / political aspects of history, knowledge and experience.
His work, which includes sculpture, installation, performance, and photography, investigates the mediation of constructed identity in social arenas and subsequent dislocation.
Encompassing some 100 works in painting, sculpture, video, and installation, The Everywhere Studio brings together over 50 artists from the past five decades to reveal the artist's studio as a charged site that has both predicted and responded to broader social and economic changes of our time.
Originally a painter, Scanavino's work has been moving increasingly towards installation and sculpture that overlays a formal painting vocabulary onto site - specific works created from familiar materials that reference social spaces and institutional spaces.
His sculpture, drawing, installation and provocative live - action works were matched in their intensity only by his voracious social politics — which heavily influenced his work.
Intrigued by the philosophy of «the impermanence of things,» she uses video, installation and sculpture to question social systems, the meaning of civilisation and the decline of society.
Showing here in London for the first time in a public institution, Carlos Garaicoa reflects upon «the city» — its limitations, potential and possibilities — as a physical infrastructure, social network and political space in this exhibition comprised of large - scale installations, sculptures, video and photography.
Since his inclusion in the 2010 Whitney Biennial — whose Sculpture Court he transformed into an installation that served as a communal gathering space for performances, social engagement, and meditation — Gates has become a near ubiquitous presence in museum exhibitions, biennials, and lecture halls throughout North America, Europe, and beyond, showing his sculpture, channeling African - American musical traditions, and preaching a gospel of ground - up urban revitaSculpture Court he transformed into an installation that served as a communal gathering space for performances, social engagement, and meditation — Gates has become a near ubiquitous presence in museum exhibitions, biennials, and lecture halls throughout North America, Europe, and beyond, showing his sculpture, channeling African - American musical traditions, and preaching a gospel of ground - up urban revitasculpture, channeling African - American musical traditions, and preaching a gospel of ground - up urban revitalization.
Through photography, printmaking, sculpture and installation from the miniature to the monumental, this exhibition engages the social landscape, explores the real and mimetic and deconstructs architectural forms, histories and legacies.
Over a thirty year career, Kudo, who worked in France and Japan, developed an extremely complex body of sculpture, installation, and performance - based work in reaction both to World War II and Japan's subsequent transformation into an industrial society and to European Humanism which, he believed, abetted environmental degradation and social malaise.
Artist Statement: Liene Bosquê's installations, sculptures and social engaged work explores sensorial experience within architectural, urban and personal spaces; emphasizing context, memory, and history.
In detailed, large - scale drawings, installations, sculptures and objects, Avery forms a bizarre imaginary reality out of diverse philosophical ideas and concepts: Fabulous creatures, deities, tourists and adventurers are embedded in a complex social structure, merging into an entire cosmos that ranges between pure fantasy and theoretical reflection.more
A contemporary artist hailing from Los Angeles, Arceneaux often finds inspiration in history, science fiction, social movements, philosophy, and architecture, for the creation of his immersive installations that artfully synthesize diverse media like video, sculpture, and painting.
The Schoolhouse and the Bus: Mobility, Pedagogy, and Engagement, an exhibition pairing, for the first time, work by two leading artists of the social practice movement, Pablo Helguera and Suzanne Lacy, is comprised of installation, collage, sculpture, ephemera, photography, video, as well as archival documentation.
The wide variety of materials that constitute the exhibition (including collections of photographs, slide projections, periodicals, recent film and video installations, sculptures, and printed works on paper) create numerous situations within which to consider not only the materiality of images and the technologies that form their reception, but also the conflicted social history that lies under their surfaces and is inextricable from their origins.