SeaWomen
installation video documentation from Mikhail Karikis's solo exhibition at Arnolfini Gallery, Bristol (UK) in 2013, where the work was presented as a 12 - speaker...
SeaWomen
installation video documentation from Mikhail Karikis's solo exhibition at Arnolfini Gallery, Bristol (UK) in 2013, where the work was presented as a 12 - speaker sound installation with 5 cube monitors displaying the video.
Not exact matches
Arranged in a dynamic layout, the publication features photo
documentation of the animatronic sculpture Female figure (2014) and the
installation of the exhibition, which also included a series of untitled sculptures from 2014 and the
video Raspberry Poser (2012).
Exhibiting a wide variety of mediums including photography,
video, painting, sculpture, drawing and site - specific
installations, Party Out Of Bounds presents both past and present nightlife scenes from Nelson Sullivan's
video documentation of late performers Ethyl Eichelberger and John Sex, to Jessica Whitbread's No Pants No Problem Party, an underwear dance party exploring social gathering as a space of advocating for HIV and sexual / gender rights and combatting stigma.
Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live
installation, new technologies, film and
video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive
documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.
By the late 1970s, the term «sculpture» had come to include all manner of events (actions and performances), materials (plastics, resins, rubbers, etc.), media (photography, film,
video and electronics) and modes of presentation (site - specific
installations, street works,
documentation, etc.).
Radical Presence will feature
video and photo
documentation of performances, performance
installations, ephemera and objects created through actions.
Video documentation of SeaWomen at Wapping Project, London (UK), 2012, presented as a 12 - speaker sound installation with a single single screen video projec
Video documentation of SeaWomen at Wapping Project, London (UK), 2012, presented as a 12 - speaker sound
installation with a single single screen
video projec
video projection.
The exhibition features sculpture,
installations, and
video documentation focusing on movement.
Curated by Jean Crutchfield and Robert Hobbs, Tavares Strachan conceived an immersive
installation that includes different media such as neon signs,
video, sculpture, and painting, and surrounds the viewer by
documentation of a reenactment of a historic narrative: the 1909 polar expedition of Robert Peary and Matthew Alexander Henson.
The exhibition, performances, performance scores and
installations, including
video and photo
documentation of interactive works, and artworks created as a result of performance actions.
The Sun Never Sets comprises works of a variety of media, including
video installation and sculpture, through which the artist positions the natural world as a «witness» to colonial rule and, thus, an important means of archival
documentation in and of itself.
The Schoolhouse and the Bus: Mobility, Pedagogy, and Engagement, an exhibition pairing, for the first time, work by two leading artists of the social practice movement, Pablo Helguera and Suzanne Lacy, is comprised of
installation, collage, sculpture, ephemera, photography,
video, as well as archival
documentation.
Organized thematically, the exhibition showcases more than 150 works of art —
installations, photographs,
videos and films, artists» books, and extensive performance
documentation — that demonstrate the critical role of California artists in the development of conceptual art and other new genres.
The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition
installations and artwork; and posthumous project files which include
documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries,
video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.
Designed by Jeff Khonsary and Courtenay Webber of The Future, the catalogue features
video documentation of the courtroom drama, over one hundred
installation images, and provocative essays by Scott Watson, Costas Douzinas, Anselm Franke, curator and writer based in Brussels and Berlin, Sharon Kahanoff, Vancouver - based filmmaker, artist and writer, and artist Judy Radul.
More than forty national and international artists participate with works that include paintings,
installations, photographs,
videos and
documentation.
With photographic and
video documentation in the majority, the toughness and scope of the material, aided by a thoughtful
installation, create their own fascination.
State of Mind features
video, film, photography,
installation, artist's books, drawings, sculpture, and extensive performance
documentation and ephemera, and includes Chris Burden, Lynn Hershman, Linda Mary Montano, Martha Rosler, Allen Ruppersberg, Ed Ruscha and many more.
documentation of a site specific
installation, at the Lemmer - Delfzijl waterway, implemented with Kees» t Hart and commissioned by the provinces of Friesland and Groningen; Karel Martens, Not For Resale, 1997 - 2000, animated
video, colour, sound, 4 minutes; Karel Martens, Lost and Found, 2004,
video, colour, sound, 4:45 minutes.
paintings,
installations, photographs,
videos, performance and
documentations.
As the culmination of Mobile Arts Platform (Chris Treggiari and Peter Foucault) and Victoria Mara Heilweil's Studio Lab Residency, Pro Arts is proud to present Community Sourced, a multimedia
installation of compiled visual artifacts and
documentation from their ongoing
video project of two Oakland neighborhoods: Santa Fe and Uptown.
Through eyewitness testimony, reenactments, and
video documentation, the artists will create an
installation that explores individuals and their evidence suggesting mankind is not alone on Earth.
The New Museum's most recent exhibit fills its vast rooms with Chris Burden
installations,
videos, and
documentation of his works, past and present.
A web component of the work accessible on iPads in the
installation allows visitors to explore the complete list of names on the books,
video documentation about immigration and has space to record their own stories.
Documentation of performances through photography and
video, which shows the artist experimenting within his own body in a series of simple actions — tossing, falling, hugging, smacking, tripping, and whirling — and his performative objects and
installations uncover the darker absurdities of the body, space, and movement.
Visitors are guided through every technical aspect of the conservation process thanks to a multimedia
installation that features
video, 3D reproductions, touch - screens, interactive devices, and
documentation and original items loaned from Pollock's studio at the Pollock - Krasner House and Study Center in Long Island.
The included works in Performing the Grid access, address, reject and evoke the grid using
video, performance,
documentation, sound, sculpture, painting and
installation.
This thematic selection of projects from 1995 to the present includes rainbow - colored wall drawings, woven paper
installations, black spiral paintings, spider web «drawings,» collaborative
videos and
documentation of the exhibitions at her Oak Park gallery, The Suburban.
Curator Sabine Breitwieser of the Generali Foundation includes early Conceptualist photographs and drawings,
documentation of»70s feminist performances, and recent
video installations, in which Piper explores issues of race and African - American experience.
The exhibition also features an
installation of paintings around the entrance to the palazzo and a
video documentation of her at work in her studio, as well as live talks open to the public.
Andrea Fraser created a sound
installation about Sing Sing prison; Lucy Dodd peppered the gallery with free - standing abstract paintings and organized a festive music series in the space; Michael Heizer showed a monumental projection documenting — at full - scale — one of his earthworks; jazz icon Cecil Taylor exhibited archival
documentation and ephemera from his long career, showed
video of his piano playing and participated in a star - studded performance program; and filmmaker Steve McQueen screened a
video about Paul Robeson's McCarthy - era FBI file.
Soldier Shepherd Prophet Martyr:
Videos from 1998 - 2013, the first survey of videos by Terry Adkins (1953 - 2014), will feature twelve videos — some created to be standalone works and others developed for inclusion in his performances and multimedia «recital» installations — as well as documentation of the artist's 2013 performances at The Studio Museum in H
Videos from 1998 - 2013, the first survey of
videos by Terry Adkins (1953 - 2014), will feature twelve videos — some created to be standalone works and others developed for inclusion in his performances and multimedia «recital» installations — as well as documentation of the artist's 2013 performances at The Studio Museum in H
videos by Terry Adkins (1953 - 2014), will feature twelve
videos — some created to be standalone works and others developed for inclusion in his performances and multimedia «recital» installations — as well as documentation of the artist's 2013 performances at The Studio Museum in H
videos — some created to be standalone works and others developed for inclusion in his performances and multimedia «recital»
installations — as well as
documentation of the artist's 2013 performances at The Studio Museum in Harlem.
Additionally, in conjunction with Quicksand, Mary Lucier's
video installation The Trial, which uses
documentation footage of Robert Ashley's The Trial of Anne Opie Wehrer and Unknown Accomplices for Crimes Against Humanity will be on view in The Kitchen lobby.
It offers a retrospective view of the artist's work through her slide projections, photographs,
video installations and
documentation of works in public space.
Visitors can explore the whole list of names and additional
video documentation online, as well as record their own stories on iPads within the
installation.
This exhibition features
video documentations, projections and
installations by Seoul and Hong Kong - based artists: Lee Kit, Minouk Lim, João Vasco Paiva, Parttime Suite (Miyeon Lee, Byungjae Lee and Jaeyoung Park) and Yuk King Tan.
The project and its peripheries will be recorded / reflected through my artistic practice comprising making
video / moving image works, drawing and sculpture /
installation but also will end up as a DIGITAL BOOK (pdf publication) containing some sort of the following
documentation: journal, report, art, artworks, texts, interviews, profiles of people involved, etc..
A web component of the work accessible on iPads in the
installation allows visitors to explore the complete list of names on the books,
video documentation about immigration and has space to record their own stories on iPads set up in the
installation.
Found objects,
video documentation, photography, texts, publicity materials, multimedia displays, and
installations spanning the years 1978 — 95 serve to represent Thomas's creative and collaborative projects, in all their self - effacing complexity.
The exhibition comprises more than 100 works by some 36 artists, including
video and photo
documentation of performances, performance scores and
installations, interactive works, and artworks created as a result of performance actions.
Yangjiang Group, Das Kapital Football (still), 2009, ink on Xuan paper calligraphy, action,
documentation,
installation (two - channel
video: DV widescreen anamorphic, color, with sound, ink on Xuan paper carpet).
Duties include, but are not limited to: • Designs and implements LAN, WAN, WLAN, voice, Internet, security and
video solutions that follow architecture standards and best practices • Works with the infrastructure team to establish support capability, capacity and redundancy • Maintains complete inventory, configuration, and
documentation of new and existing deployed infrastructure • Provides support for existing infrastructure services and project - based work leading to the development and deployment of new infrastructure services • Serves as one of the primary points of contact for telecommunication carriers and services providers, coordinating circuit design, provisioning,
installation, and troubleshooting • Works cross-functionally with technology, administrative, and legal groups to understand and align technical requirements and technology choices