Sentences with phrase «installation view detail»

David Rickard, Test Flights, installation view detail, The Economist Plaza, London (27 November — 26 March 2010).

Martin Sexton, Blow - Up (Sex with Karl Marx), installation view detail, The Economist Plaza, 2009.

On The Devolution Of Culture, 2014, installation view detail.

Installation view detail, overall h. 1293⁄4 in.

Installation view detail, overall h. 129 3/4 inches.

Not exact matches

Madison Square Park Conservancy and acclaimed artist Teresita Fernández today announced details regarding Fata Morgana, a major public art installation in Madison Square Park to be on view April 30, 2015 — January 10, 2016.

Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary written by the artist.

Detail, installation view of «Untitled (Afromuse),» 1995 (watercolor and pencil on paper, 64 parts).

Jonathan Berger, Ellen Lesperance, JTT & Adams and Ollman detail of installation view Independent NY 2017 courtesy the galleries

cat., Fondazione la Triennale di Milano, Milan, 2006, p. 6 (1985 The New York Times Magazine photo shoot illustrated) Graham Lock and David Murray, eds., The Hearing Eye: Jazz & Blues Influences in African American Visual Art, New York, 2009, p. 259 Richard D. Marshall and Jean - Louis Prat, Jean - Michel Basquiat: Appendix, Paris, 2010, 3rd ed., p. 49 (2010 installation view illustrated) Fred Hoffman, The Art of Jean - Michel Basquiat, New York, 2017 (detail illustrated, p. 46; 2005 installation view illustrated, p. 26; 1985 The New York Times Magazine photo shoot illustrated, p. 27)

Crystal Z Campbell, Go - Rilla Means War, 2017, detail of installation view, In Practice: Material Deviance, SculptureCenter, New York, 2017.

Main image: Haim Steinbach, «zerubbabel» (detail), 2018, installation view, Magasin III Jaffa.

Negative Space (STScI - PRC2003 - 24), 2008 (Detail) Photographic mural 250 x 585 and 250 x 255 inches / 635 x 1486 and 635 x 648 CM Installation view, Hammer Projects: Mungo Thomson Hammer Museum, Los Angeles, USA Photo: Josh White

b / w, 2008 (Detail) 12» vinyl LP Side b 18:22 minutes, side w 17:11 minutes Installation view, Olympic Sculpture Park, Seattle, 2010 Photo: Robert Wade

Installation view of Esctasy as Sublime, Heart as Vector, 2016 detail, glass, stone, and marble mosaic, 66 feet tall Permanent Campus Commission Julis Romo Rabinowitz Building and Louis A. Simpson International Building Princeton University, New Jersey Photography: Ricardo Barros, courtesy: Princeton University

Composition for Marimba, 2016 (Detail) iOS app, iPhone 6 Plus, custom music stand, environmental speakers Installation view, Mungo Thomson: Why Does the World Exist?

Untitled # 1 - 7, 2016 7 parts, pencil and coloured pencil on paper each 84.1 x 59.4 cm (framed each 89.3 x 64.7 x 2.8 cm) detail installation view Galerie Buchholz, Berlin 2017

(detail), 2015 — installation view at The Reading Room in Dallas, courtesy of the artist

A Controlled Wild (installation view and details), 2013, paper, acrylic paint, wire, plaster, and living plants, dimensions variable.

Left to right: Installation view of Hung Liu's tapestry Rainmaker (2011) and a detail showing interwoven threads; Photos: Kali Steinberg, NMWA

Catharine Czudej, Ballpolisher (detail), 2017, installation view, Jeffrey Stark, New York.

«Silver installation (detail)», 2005 unframed inkjet print on paper, clips 138 x 206 cm installation view Galerie Buchholz, New York 2018

Installation view of ChimaTEK: Virtual Chimeric Space (detail), at Seattle Art Museum, 2015.

Image: Installation view, Genre - Nonconforming: The DIS Edutainment Network (detail), de Young, San Francisco, 2017

Mev Luna, «This Skin Is a House,» 2017, Video, 12:17 continuous loop; installation view (left) detail (right), Sullivan Galleries, Chicago.

Detail view of installation at Galerie Lelong, New York, 2015 Installation with LED lights, aluminum, video projection and six lightboxes with black and white transparencies Variable dimensions Original photograph by Koen Wessing (1942 - 2011): Estelí, Nicaragua, September 1978 The collection and copyright of Koen Wessing is administered by the Nederlands Fotomuseuinstallation at Galerie Lelong, New York, 2015 Installation with LED lights, aluminum, video projection and six lightboxes with black and white transparencies Variable dimensions Original photograph by Koen Wessing (1942 - 2011): Estelí, Nicaragua, September 1978 The collection and copyright of Koen Wessing is administered by the Nederlands FotomuseuInstallation with LED lights, aluminum, video projection and six lightboxes with black and white transparencies Variable dimensions Original photograph by Koen Wessing (1942 - 2011): Estelí, Nicaragua, September 1978 The collection and copyright of Koen Wessing is administered by the Nederlands Fotomuseum, Rotterdam

Waltercio Caldas, Installation view of Dinamo (detail) and Shade March 6 — April 24, 2010 The Christopher Grimes Gallery presents new work by Brazilian artist, Waltercio Caldas.

Installation view of The Whale Died (detail), Hagia Sophia, 8th International Istanbul Biennial, Istanbul, Turkey, 2003, blue painter's tape on glass windows.

Nicholas Mangan: «Limits to Growth», 2016/2017, detail, Installation view KW Institute for Contemporary Art, 2017 / / Photo: Frank Sperling, Courtesy of the artist and Sutton Gallery, Melbourne; Hopkinson Mossman, Auckland; and LABOR, Mexico City, D.F.

Installation view, «Brett Weston: Significant Details,» April 17 — September 11, 2016, Pasadena Museum of California Art, photo © 2016 Don Milici.

Anna Boghiguian A Play to Play (detail), installation view 2013 Mixed media installation Photo: Thierry Bal

Gelah Penn, The Narrow Margin, 2007 Installation, studio view (detail), mixed mediums, dimensions variable January 15 — February 22, 2008 The Rowan University Gallery presents The Narrow Margin, a site - specific installation by Installation, studio view (detail), mixed mediums, dimensions variable January 15 — February 22, 2008 The Rowan University Gallery presents The Narrow Margin, a site - specific installation by installation by Gelah Penn..

(detail) Installation view at Rivington Place 2013 Mixed media installation Photo:Installation view at Rivington Place 2013 Mixed media installation Photo:installation Photo: Thierry Bal

Black souls under white skies, detail, 2016 - 17, installation view © State of Concept, 2017.

Susan Philipsz, Night and Fog, 2016 (detail); sound installation, 48 speakers, 47 min., dimensions variable; installation view, Kunsthaus Bregenz, Austria, 2016; © Susan Philipsz; photo: Markus Tretter, courtesy the artist and Tanya Bonakdar Gallery, New York

Installation view of TIMUR SI - QIN's Campaign for a New Protocol, Part III (detail), 2018, mixed - media installation, dimensions variable, at «Campaign for a New Protocol, Part III: New Peace,» Spazio Maiocchi, Installation view of TIMUR SI - QIN's Campaign for a New Protocol, Part III (detail), 2018, mixed - media installation, dimensions variable, at «Campaign for a New Protocol, Part III: New Peace,» Spazio Maiocchi, installation, dimensions variable, at «Campaign for a New Protocol, Part III: New Peace,» Spazio Maiocchi, Milan, 2018.

AA Bronson in collaboration with Mark Jan Krayenhoff van de Leur and Adrian Hermanides, with an audio component titled FIELD by Ebe Oke, Folly (Detail / detail), 2015/16, mixed media installation, installation view KW Institute for Contemporary Art, photo: Frank Sperling, Courtesy the artist and Esther Schipper, Detail / detail), 2015/16, mixed media installation, installation view KW Institute for Contemporary Art, photo: Frank Sperling, Courtesy the artist and Esther Schipper, detail), 2015/16, mixed media installation, installation view KW Institute for Contemporary Art, photo: Frank Sperling, Courtesy the artist and Esther Schipper, Berlin

Christina Kubisch, Cloud, 2011/2017 (detail); installation view, SFMOMA, 2017; © Christina Kubisch; photo: courtesy the artist

MONA SAUDI, «Homage to Mahmoud Darwish» (detail), 1976 — 80, installation view in «Poetry in Stone» at Lawrie Shabibi, Dubai.

The Ease of Fiction, 2016; installation view (detail: Rushemeza).

Amor Muñoz, Rhythmic Manufacture, 2015/2017 (detail); watercolor on paper, metronome, table, coverall, clock, and HD video with sound, dimensions variable; courtesy the artist; installation view, SFMOMA, 2017; © Amor Muñoz; photo: Charles Villyard

(detail), 2015, installation view © State of Concept, 2015.

do ho suh finalizes fabric new york apartment series in color «apartment A, unit 2, corridor and staircase, 348 west 22nd street, new york, NY 10011, USA» (detail), 2011 — 2014 polyester fabric and stainless steel tubes apartment A — 271 2/3 x 169 3/10 x 96 7/16 inches; unit 2 — 422 7/16 x 228 1/3 x 96 1/16 inches; corridor and staircase — 488 3/16 x 66 1/8 x 96 7/16 inches installation view, the contemporary austin — jones center, austin, 2014 all images courtesy the artist and lehmann maupin, new york and hong kong / all photographs by brian fitzsimmons

Electrum, Installation view (detail), The Sub-Mission at The Mission Projects (Chicago), 2015 Found objects, copper, polycarbonate, black light bulbs, plywood, lacquer, dimensions variable

O Grivo, Cantilena, 2017 (detail); kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors), overall dimensions variable; collection SFMOMA, Accessions Committee Fund purchase; installation view, SFMOMA, 2017; © O Grivo; photo: Katherine Du Tiel

All That Has Ever Happened Is Present, Installation view (detail), Chicago Artists» Coalition, 2014 Digital C - print, acrylic, plywood, dimensions variable

Proposed Vortex (Iteration # 1), Installation view (detail), The Elizabeth Foundation for the Arts (New York City), 2014 Digital C - prints, black light bulbs, floodlights, wall plate, power outlet, chalk, dimensions variable

, British Rubbish, New York 2011, pp. 34 — 37 (installation view illustrated in colour, pp. 34 and 35; detail illustrated in colour pp. 36 and 37).

O Grivo, Cantilena, 2017 (detail, sound pulleys); kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors), overall dimensions variable; collection SFMOMA, Accessions Committee Fund purchase; installation view, SFMOMA, 2017; © O Grivo; photo: Charles Villyard

Carlos Amorales, Life in the Folds (detail), 2017, installation view, Mexico Pavilion at the 57th International Art Exhibition of the Venice Biennale, 2017.