Sentences with phrase «installation work reflect»

Not exact matches

Besides new abstract installation work, Holland's «Visual Orgasms» series, a collection of looped moving images that «reflect popular media's pressured attempt to make sex visually consumable,» according to a release, will also be included.

And yet she has never stopped producing bold, propulsive work that spans painting, sculpture, fashion, and installation, such as her mirrored infinity rooms, which surely reflect the cosmos of Kusama's own imaginings.

From installation and video to sculpture, painting and photography, the variety of work on display reflects the diverse perspective of the artists featured in the exhibition.

The first mid-career survey dedicated to Deschenes's work, this exhibition will feature 20 years of her art, including explorations of various photographic technologies, rich and nuanced work with photograms (a type of photographic image made without a camera), and sculptural installations that reflect the movements and light within a given space and respond to a site's unique features.

There are currently several small one - person and group exhibitions of women artists and installations of discrete works by women artists scattered around MoMA although perhaps secreted might more accurately reflect the stealth approach to the serious engagement with curation, presentation, and acquisition of works by women artists that the museum is currently engaged in.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.

Using a variety of processes that include painting, sculpture, digital and new media, installation and sound, the works on view in this exhibition highlight language itself as a diverse medium to be explored, dissected and reframed to reflect the nuances of communication in the 21st century.

Instead, there are tapestries made by multiplying reflected versions of paintings; close - up photographs of the surface of paintings; mirror - like reflective works; overpainted self - portraits; various grey paintings; photographic facsimiles of the iconic series of 48 Portraits presented in the German Pavilion at the Venice Biennale in 1972 — so returning them to their photographic origins in encyclopaedias; and a spectacular installation of «4900 Colours», 2007.

It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.

More: Pratt alumnus Pat Kim will present new experimental work that treads the line between sculpture and product; The Principals, which includes Pratt alumni Charles Constantine and Drew Seskunas, were commissioned by the editors of Sight Unseen to create an immersive installation that uses light to reflect users» biorhythms and create a calm, soothing oasis.

For her South London Gallery exhibition she presents the UK premiere of her recent work, Arabesque, 2011, a multi-channel video installation which reflects on the legacy of two compositions; one composed by Robert Schumann for his wife Clara, the other composed by Clara Schumann for her husband Robert.

All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.

First - time exhibitors include: Dépendance featuring drawings, sculpture, painting and film by Ed Atkins (b. 1982), Gillian Carnegie (b. 1971) and Peter Wächtler (b. 1979); David Lewis Gallery presenting works by Dawn Kasper (b. 1977) and Lucy Dodd (b. 1981); and Tyler Rollins Fine Art staging a never - before - seen installation by Manuel Ocampo (b. 1965) reflecting on current global political events.

Chihuly's art remains at the cutting edge of the technical and virtuoso possibilities of glass as a medium, and this exhibition will include many iconic works for which Chihuly is known — Ikebana, Mille Fiori, Chandeliers, Tabac Baskets, Venetians, Boats, Persian Ceiling — as well as site - specific installations, taking advantage of our soaring Atrium and reflecting pools.

Emin's work is uninhibited in the way it absorbs and reflects her personal life - whether in seminal installations such as Everyone I Have Slept With 1963 - 1995 and My Bed, her early performances and videos such as Why I Never Became a Dancer, or her writings (which include a memoir, Strangeland, and a period as a newspaper columnist.

Another work that invites the viewer to slow down, wander and reflect is the multi-skin-toned felt carpet installation in the upstairs project room.

Selected works reflect on the economic crisis, as well as Anthropocene — a new epoch in Earth's history, shaped by man (Liz Craft and her «Spinster» or Jerzy Szumczyk's outdoor installation).

They belong to a vibrant generation of Indian artists who work across a range of artistic media from painting, sculpture, and photography to installation and video art, reflecting on India's role as an important player within the global economy.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

The gallerist, who won The Armory Show's inaugural $ 10,000 «Presents» prize this year for her solo presentation of German - Ghanaian artist Zohra Opoku's work, said the installation was intended to answer an important question in today's commercially driven art market: «How do you,» she asks, «reflect the politics of who you are in what you do?»

Linn's staging of the installation, which incorporates her own intimate portraits of Mapplethorpe alongside publications relating to his work, encourages the visitor to reflect upon the artist's life in its larger social and historical contexts.

From thought - provoking sculptures to a haunting video to a photographic installation, each of the chosen works engages with contemporary culture, reflecting the artist's looking at and thinking about life today.

For his debut at Blaffer Art Museum, the artist's first solo museum exhibition, Coolquitt will recombine 60 discrete sculptures and tableaux made between 2006 and 2011 into a site - specific installation which, in its singularity and temporariness, reflects on the condition of the gallery space as a codified place of encounter for people and works of art.

Video installation in conjunction with Glenn Ligon's A Small Band Presented by Black Cinema House at the Stony Island Arts Bank Here we screen works that reflect on the capacity of Black people to speak truth to power, to address systematic abuses to and through their bodies, and the bodies of others.

The VMFA exhibition includes many iconic works for which Chihuly is know — Ikebana, Mille Fiori Chandeliers, Tabac Baskets, Venetians, Boats, Persian Ceiling — as well as site - specific installations, taking advantage of the soaring atrium and reflecting pools of VMFA's McGlothlin Wing.

The work of Polish - born artist based in London Goshka Macuga reflects her interest in confronting historical references with the contemporary context in a installation reminiscent of the Conceptual art.

The former protégé of Takashi Murakami put forth a more serious body of work entitled Metamorphosis — Give Me Your Wings that was reflected in a dense installation that literally littered the space with common pop & household objects.

The work's many, complex lines of sight are in contrast with the more formal reflective interplay of an installation by Waltercio Caldas, in which mirrored bedroom walls reflect each other endlessly, their printed words, «camouflage», «cylinder» and «boomerang», ricocheting back and forth to infinity across an ugly blue carpet.

The selection of works reflects the wide range of mediums Piper has engaged over the years, including video, sound, multimedia installation, performance, painting, works on paper, and photo / text - based graphics.

Featuring 30 evocative painting, sculpture, and installation works by four distinct women artists (Donghee Goh, Han Sol Lee, Hey Sun Lee, and Jungwon Ko), Making It New reflects on the importance of traditional culture that exists deep within Korean lives and minds today.

Works of sculpture, photography, video, and mixed - media installation reflect how political transition in each... Read More

Early and late works are displayed alongside one another, reflecting Jonas's practice of revisiting her own past, as can be seen in Juniper Tree an installation created in 1994 that evolved from performances staged in 1976 and 1978.

Located in New York City, from the beginning we have believed in working hand - in - hand with artists to facilitate their evolution, and in turn the advancement of the gallery, growing together and finding common lines of investigation built upon our curatorial decisions, reflected in our group and solo exhibitions, and in our parallel programs of conferences, lectures, book presentations, performances, and offsite site - specific installations.

When we recently saw them in Berlin for the opening of Urban Nation, they had built a spectacular outdoor installation that was one of our favorite works of the year, and one of the best works we have seen that reflects upon the world's refugee crisis.

On Proyectos Monclova's booth, the Mexican collective Tercerunquinto are painting Mexican political campaign murals directly onto the walls and there's more hard - hitting political work in a new series from Santiago Sierra on Milan's Prometeogallery di Ida Pisani, together with a never before seen installation by Manuel Ocampo on Tyler Rollins Fine Art which, in the Filipino artist's inimitable style, draws on religious iconography to reflect on current global events.

It also reflected the pluralism of contemporary artistic practice: the use of media once considered non-traditional (such as video, computers, and found objects), an interest in temporality that took the form of short - lived installations, and the exploration of performative work.

At the same time, the presentation avoids triumphalism in its narrative of American history: with the new and welcome prominence given Native American and African - American artists, the installation frankly acknowledges that the rising fortunes of a new nation — reflected or celebrated in many of the collection's finest works — were predicated on oppression.

When Isaac Julien started working with multi-screen film installations in the late 90s, he was naturally drawn to reflect upon...

Masters presents works that reflect Arcangel's prolific career from roughly 2002 to the present, including five time - based videos, one modified video game, one modified flatscreen television, a wallpaper installation, and archival materials that touch upon an artistic practice that exists as much on the web and in popular culture as it does in the museum or gallery.

Individual works are integrated into an installation context, analogous to scenes in a movie, an approach reflecting Haberny's background in acting and filmmaking.

John F. Simon, Jr.: Moment of Escape coincides with the exhibition Intersections: John F. Simon, Jr.: Points, Lines and Colors in Succession, an installation of Simon's work at the Phillips Collection, Washington, D.C., reflecting on the painting Succession by Wassily Kandinsky in the museum's permanent collection.

Sakhaeifar's work ranges from photography to installation and sculpture attempting to look past forms of ethnic, political, and cultural control in order to reflect upon new forms of expression that highlight the human struggle while establishing autonomous forms of self - expression.

Her works — sculptures, videos, and installations — often reflect her interest in African art, ethnographic research, feminism, and performance.

The main body of the exhibition features contemporary works including photographs, videos, paintings, posters and installations that employ a wide range of tactics to attack, reflect upon or at any rate expose modern - day surveillance practices.

1968 - 73 and the large sculptural installation Lingotto 1968 have an important relationship to the practice of Joseph Beuys in their use of wax as a major component to the work, and reflect Merz's position in the wider European context during the 1960s.

Using the media of paint, performance, installation and video, his work reflects the variety of skills that he experienced throughout his life: Florian first studied media design, until he eventually entered the art academy in Düsseldorf and studied with Peter Doig.

Grubin creates installations, sculptures, and small wall works from pigment, paper, reflected color, cast shadows, and negative space.

Her installations, video works, and performances bring these components together with drawings, props, objects, and language, reflecting her research into how the image is altered through the mediums of mirror, distance, video, and narrative.

Ancestry, nature and form are reflected in this two person show featuring site specific installation and works on paper.