Find out in this exhibition, which features both new commissions and unpublished photography and
installations by different artists.
Not exact matches
Indeed, press received one during a screening of the new film
by German
installation artist Julian Rosefeldt, which stars Cate Blanchett in 13
different roles.
The film is directed
by Julian Rosefeldt, a Berlin - based video
installation artist, and, according to reviews, is quite
different from the form it took at the Park Avenue Armory.
Produced in the same collaborative spirit as Chicago's The Dinner Party — which was created under her supervision with the participation of more than 400 men and women — each sculpture in Shaw's
installation was created
by a
different artist, yet all including an abundance of «Oist» references.
Inspired
by the Norwegian, Swedish and Danish coastal geography and cultural history the internationally renowned
artist Susan Philipsz develops a land border sound
installation to be implemented in nine
different places from May to September 2014.
Throughout the exhibition, pieces from decidedly
different periods of Du Pasquier's artistic production are experienced in a singular
installation created
by the
artist.
The
installation is designed to look like a group of separate art fair booths — each space presents artworks
by the
different artists amidst the former museum walls.
Each chosen
by a
different CAMH curator, the
artists worked with them to conceptualize and develop their respective
installations.
Simon Callery & Torgny Wilcke @ Fold gallery It's a great idea to take a simple theme of a single colour and take it in two
different directions
by two
artists who complement one another so well in this sculptural
installation.
SCAD presents «The End Has
Different Stories,» four sculptural
installations by Montreal - based
artist Simon Bilodeau, created specifically for the «jewel box» exhibition spaces on the façade of the SCAD Museum of Art.
He created the multi-room
installation — which includes a sensory deprivation chamber —
by reaching out to other
artists and practitioners from
different disciplines, and incorporating other works from the Zabludowicz Collection.
«I have a
different view,» said Ms. Stockebrand, director of the Chinati Foundation, the Marfa - based institution founded
by Mr. Judd with help from the Dia Art Foundation in 1979 to house large - scale
installations by him and a few other
artists.
LIKENESS: PORTRAITS OF VERMONTERS was a group show featuring portraits in mixed mediums, including sculpture, photography, oil paint, pen and ink, and video
installation by eleven
different Vermont based
artists, April 4th
Curated
by German
artist Carsten Nicolai, who has collaborated on various occasions with Murkudis in the past, and Peter Gorschlüter, deputy director of the MMK, «At Close Range: Kostas Murkudis and the MMK Collection» features a series of impressive sound and film
installations that offer a
different perspective on the designer's work.
«Mirrored», presents the work of six
artists from
different generations and includes the spectacular Onda Volante (Flying Wave, 2017), a dove - grey fibreglass
installation by the septuagenarian Norwegian sculptor Siri Aurdal that seems to float away from Sverre Fehn's rectilinear architecture.
The
installation — which the
artist has interpreted as a metaphor for time, where the trail of all memories is condensed on a single point in space — synthetizes the core points of the
artist's research, that is, the presentation of suggestive situations whose narrative must be completed
by the viewer; the simultaneity of
different temporalities; and the game between reality and representation.
These exhibitions have augmented the gallery's program
by introducing
different groups of
artists, fresh ideas / concepts, and alternative modes of
installation.
Conceived
by the
artist as a coherent
installation, the constellation of videos, sculptures, collages, paintings and
installations showcases his research and experimentation within
different media.
Below, see the exhibitors» list for Expo Chicago's main exposition plus
different sections including Exposure, reserved for solo and two -
artist presentations
by galleries that have been in business for eight years or less; Editions + Books, which features
artists books, editions, and prints; and, for the first time, Profile, which «highlights single
artist installations and focused thematic exhibitions
by established international galleries.»
More than 90 of there are decorated with sculptures, mosaics, paintings,
installations, engravings and reliefs
by over 150
different artists.
For
Artist - Run Tiger Strikes Asteroid will bring together an international representation of nearly 40 of these initiatives in a repurposed hotel with each room will feature a
different installation / environment
by one of these groups.
It was included in Space Invaders, a show of eighteen
different artists» site - specific
installations curated
by Karin Bravin.
His massive
installation in Joshua Tree explores desert phenomenology in a related way to
artists of the Land art movement such as Michael Heizer and Walter de Maria, whose work has long been championed
by LACMA Director Michael Govan, although its aesthetics and economies are substantially
different.
Another contemporary work is an interactive
installation by D - Fuse, a London - based collective of
artists and musicians, which layers
different music soundtracks onto dynamic video clips, creating a distinctive audiovisual experience.
The two - part
artist book includes views of the
installation, the fifteen lyrics
by different poets, and essays
by Diedrich Diedrichsen, Juan A. Gaitán, and Rein Wolfs on the French conceptual
artist's way of working.
For his first extensive presentation in Istanbul, Dirimart opens both galleries, in Dolapdere and Nişantaşı, to the films and photographs of Berlin - based
artist Julian Rosefeldt, who has been celebrated worldwide for his film
installation Manifesto (2015), a reenactment of historical avant - garde manifestos
by artist groups such as the Dadaists, the Situationists, and Futurists, featuring Australian actress Cate Blanchett in thirteen
different roles.
Often hailed as the leading Korean
artist of her generation, Bul's work has always defied boundaries
by exploring a multitude of
different mediums to experiment with form and process: from sculptures to performances and
installations.
This is a one - night exhibition of emerging ceramic
artists currently enrolled in MFA programs at the School of the Art Institute of Chicago and Cranbrook Academy of Art, hosted
by Mana Contemporary: a diverse exchange of
different artists pushing and exploring the boundaries of contemporary ceramics in sculpture and
installation.
Curated
by Elizabeth Neilson, director of the Zabludowicz Collection and Joseph del Pesco, director of the Kadist Art Foundation, the showcase is constructed of three distinct but integrated elements: a solo display devoted to one
artist from each collection, a new
installation of works drawn from both collections, and a room in which artworks of
different mediums are shown together.
Crossroads (Choreographies) is a multidisciplinary project that explores the idea of movement through an exhibition supported on
different media (
installation, sculpture, video, etc.) Curated
by Raquel Peula and Fran Ramallo, this is the first solo exhibition of
artist Rosana Antolí in the United States.
Lowlands is a sound
installation by Susan Philipsz based on three
different versions of a sixteenth century Scottish lament sung
by the
artist herself.
The video uses
different recordings of the same matter, one taken in a recognizably DIY format on the
artist's laptop from inside of the
installation, the other more professionally
by a third party, from the perspective of the audience, thus presenting both an interior and exterior view.
The painting, sculpture, drawing, collage, photography, video,
installation and mixed media of more than 30
artists is employed
by the exhibition to present several
different narratives in the history of art from the 1960s to the present.
All the major American
artists and works from the seventeenth century to today are included, such as epic history paintings
by Benjamin West and John Singleton Copley; sublime landscapes
by Thomas Cole, Albert Bierstadt, and Frederick Church; society portraits
by John Singer Sargent; groundbreaking abstract expressionist and pop art
by Jackson Pollock, Barnett Newman, and Andy Warhol; and challenging sculptural,
installation, and video works from more recent years
by Robert Gober, Fred Wilson, and Matthew Barney In architecture, dozens of
different building types are illustrated and discussed, from the earliest colonial houses and churches to the most spectacular modernist and postmodernist houses, stations, museums, and iconic skyscrapers.
A commissioned
installation by Iraqi
artist Wafaa Bilal features neon signage which playfully exposes the simplistic ways in which societies make assumptions about cultures
different from their own.
Nearby stands a daunting black structure that sprawls across two
different rooms — an untitled site - specific
installation by the Polish
artist Monika Sosnowska made of wood coated with piano lacquer.
A dynamic
installation aligns works
by under - recognized
artists with those of well - known figures, as well as objects created for
different purposes, in scales ranging from the minuscule to the monumental.
American
artist Spencer Finch (b. 1962) has created a large - scale, site - specific
installation at the Morgan inspired
by its great collection of medieval Books of Hours — beautiful, hand - painted works that served as personal prayer books for
different times of the day and
different periods of the year.
Trees deserve a special place in the annals of this planet, and a new immersive
installation by artist Katie Paterson and architects Zeller & Moye attempts to chart this immense chronology
by featuring slivers of over 10,000 species of trees from all over the world, and from
different junctures of history.
The «art
installation» Christmas tree, designed
by Gary Card, was made using 400 bars of
different coloured plasticine — taking three
artists 36 hours to make all the characters and a further 10 hours to construct it on a supportive steel structure.