Sentences with phrase «installations by gallery artists»

Featuring paintings, photography and sculptural installations by gallery artists, the exhibition will include work by Hiroshi Senju, Zheng Lu and Sohan Qadri.

The gallery is almost unique in London for having its own garden, a beautiful landscaped area overlooking a restored stretch of the Regent's Canal at Wenlock Basin which has been used to great effect for installations by gallery artists such as Yayoi Kusama and Alex Hartley (A Gentle Collapsing II, 2016, pictured).

Karin Weber Gallery announces a special site installation by gallery artist Zhu Jingyi as part of Hong Kong Art Gallery Week.

Not exact matches

Group explorations of Sculpture Park installations, Museum galleries, and inspiration by the themes and artists of the day.

The Magic Gardens is a three dimensional, immersive piece of installation art and a museum gallery space in Philly created by mosaic artist Isaiah Zagar, who were inspired by materials like used bottles, bike wheels and folk arts.

EXPO Projects IN / SITU provides exhibiting galleries the opportunity to showcase large - scale installations and site - specific works by leading artists during EXPO CHICAGO.

Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of Bruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.

Geroge Billis Gallery is pleased to announce the installation of artwork by gallery artists at the A. Rudin shGallery is pleased to announce the installation of artwork by gallery artists at the A. Rudin shgallery artists at the A. Rudin showroom.

CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.

An auction led by Alex Branczik of Sotheby's and introduced by Alex Sainsbury, Chair of the Board of Trustees, Whitechapel Gallery, featured work donated by leading artists including an abstract watercolour by American sculptor Lynda Benglis; a print from Amalia Ulman's Instagram project titled Excellences & Perfections (Instagram Update, 6th June 2014), (2016) and a multi-coloured print by American and British installation artist Susan Hiller.

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend, WI

Ibid Gallery presents a solo exhibition by Rodrigo Matheus, a Brazil - born Paris - based artist working in the realm of sculpture, installation, and assemblage.

In the fair's Frame section, which includes galleries in existence for eight years or less, São Paulo's Jaqueline Martins gallery presents a selection of recent floor and wall installations by Brazilian artist Ana Mazzei.

For Freedoms, the artist - run super PAC co-founded by Hank Willis Thomas and Eric Gottesman debuted in New York and has migrated to Chicago where works from the initiative by Rashid Johnson, Nari Ward, and Carrie Mae Weems, among others, will be displayed in Monique Meloche Gallery's «off the wall» exhibition, a series of installations on public bus benches throughout Wicker Park Bucktown (Sept. 1 - Nov.

A case in point is the current exhibition of painting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about the space.

This show was by Jacob Hashimoto, an artist whose constructed paper installation fills the front gallery like a cumulus forest and whose multilayered installation of small, kite - or parasol - like shapes hugs the walls in the large central galleries.

Leading the pack of institutionally - recognised artists enjoying solo attention at the fair are figures including Pierre Huyghe, whose mesmeric L'Expédition Scintillante Act II (Light Box)(2002) is presented by Marian Goodman Gallery (C21) following Huyghe's acclaimed installation at Skulptur Projekte Munster 8 and ahead of a new installation at London's Serpentine Galleries this October.

Non-Sculpture 1960 Ink on paper, rope, and wood 4 7/16 x 37 x 248 7/16 inches (11 x 94 x 631 cm) Installation view of «Postwar: art Between the Pacific and the Atlantic, 1945 - 1965» at Haus der Kunst, Munich, curated by Okwui Enwezor Courtesy of the artist; Gallery Hyundai, Seoul; and Lévy Gorvy, New York

Several special projects will be presented at the fair, including installations by Andy Colqui (presented by Blaffer Museum and represented by Fredric Snitzer Gallery); Edgar Orlaineta (represented by Steve Turner Contemporary); and Morgan Lehman's Paul Villinski (who presented his project, Emergency Response Studio — a solar - powered, mobile artist's studio repurposed from a salvaged FEMA - style trailer — at Ballroom Marfa in March 2009).

The installation was created by Baltimore - based artist Phaan Howng in partnership with Blue Water Baltimore and will be on view November 3 through August 2018 in the Commons gallery adjacent to the Imagining Home exhibition in the BMA's Patricia and Mark Joseph Education Center.

Pace Gallery is pleased to announce Lucas Samaras: New York City, No - Name, Re-do, Seductions, an exhibition of new work by the artist encompassing 185 photographs in a seven - room installation.

The Chicago Park District in collaboration with Luhring Augustine, New York and the Stephen Friedman Gallery, London will further accentuate the beauty of Chicago's lakefront with the installation of Looking Up, 2015, a 33.3 - foot - tall stainless steel sculpture by the American artist Tom Friedman.

Gallery X & Y: Chris Silva, «Open Source» Gallery O: LWP Curated Group Show, «Go Figure» September 9, 2017 — November 4, 2017 Opening Reception: Saturday, September 9, 2017, 4 - 8 pm Artist Remarks: Saturday, October 14, 3 - 5 pm Linda Warren Projects kicks off the 2017 fall season with «Open Source,» an exciting solo exhibition of new works and installation by Chicago - based artist Chris Artist Remarks: Saturday, October 14, 3 - 5 pm Linda Warren Projects kicks off the 2017 fall season with «Open Source,» an exciting solo exhibition of new works and installation by Chicago - based artist Chris artist Chris Silva.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Philodendron Xanad is a repeating site - specific installation by Belgium - based artist Ruben Bellinkx that physically imbeds a common houseplant into the walls of galleries and homes.

Located at the Fashion Industry Gallery — adjacent to the Dallas Museum of Art in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artists.

Taking place in P.S. 1's second floor Main Gallery, the show will include film, video, sculpture, and installation by ten artists.

The Contemporary Art Society has acquired an installation by Dineo Seshee Bopape at Frieze London for Towner Art Gallery in Eastbourne, inspired by her South African heritage and the artist's spiritual and physical relationship with her surroundings.

We are excited to announce that gallery artists Lynne Harlow and Russell Maltz are profiled in the new publication Unexpected Art: Serendipitous Installations, Site - Specific Works, and Surprising Interventions edited by Jenny Moussa Spring (Chronicle Books, 2015).

Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of BBruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.

Roberta Smith, The New York Times, July 2003 Victoria Miro Gallery is delighted to present two film installations, Baltimore and Paradise Omeros, and related photographic works by internationally renowned artist, Isaac Julien.

The two exhibitions span our North and South galleries, showcasing installations that play with perception and are inspired by the East - West journey each artist has embarked on.

Photo: Thierry Bal OMER FAST — 3 film installation — prize winning african artist South London Gallery «Nostalgia» is a new three - part film installation by Omer Fast including one film depicting a migrant from a dystopian Britain seeking asylum in Africa.

Serge Alain Nitegeka, an artist represented in New York by Marianne Bosky Gallery bases his paintings on the installations that precede them.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kenartist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

An installation culled from the collection of objects assembled by artist Martin Wong (1946 - 1999) was presented in a side gallery at the Guggenheim by artist Danh Vo.

The installation on view in the Roberts Gallery will be designed by the artist and will involve the participation of riders from the Fletcher Street Urban Riding Club.

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

Gavin Brown even creates an installation from Rob Pruitt's silvered desk chairs and wheelchairs facing paintings and wallpaper by other gallery artists, with no seating allowed.

Antunes's approach to questions of space, measurement, and compositional structure in her new installation, made specifically for the Lobby Gallery, is informed by the work of experimental filmmaker Maya Deren and textile artist Anni Albers.

The Discoveries sector provides a platform for younger galleries and Encounters shows large - scale sculptural installations by leading artists from around the world.

Installation view ofStrange Attractor, 2017 Photo by Alex Marks Courtesy the artist and Ballroom Marfa, hrm199, Lisson Gallery

David Castillo Gallery is proud to present The Eye, The Vessel, and The Spell, new works by Pepe Mar in sculpture, collage, painting, and installation for the artist's fourth solo show with the gGallery is proud to present The Eye, The Vessel, and The Spell, new works by Pepe Mar in sculpture, collage, painting, and installation for the artist's fourth solo show with the gallerygallery.

An additional 10 works on paper included in the installation (shown in two rotations of five works each) provide a broader perspective on Pollock's career and highlight the Gallery's collection of works on paper by the artist.

Following that is the very popular and much anticipated annual group exhibition «The Summer Show,» which opens June 17 and features more than 40 works in various media — including painting, sculpture, works on paper, photography, video and installation — by gallery and guest artists.

Pedestrians stay on the sidewalk, Claustrophobia, Stay in Lines Overflowing into the streets...» Quint Gallery is pleased to announce a solo exhibition and installation by San Francisco - based artist Lee Materazzi.

Medium Median is the mesmeric new installation by Berlin - based artist Alicja Kwade, commissioned by the Whitechapel Gallery in 2016/17.

In this conversation, Curatorial Assistant Ali Demorotski will discuss the new installations in our North Exhibition Gallery, including works on view for the first time by twentieth - century artist Elsie Driggs.

Another large installation opened at Mass MoCA in 2013: The museum renovated an old concrete water tank and turned it into a 10,000 - square - foot gallery of installations by German artist Anselm Kiefer, in a partnership with the Hall Art Foundation.

Quint Gallery is pleased to announce a solo exhibition and installation by San Francisco - based artist Lee Materazzi.