Sentences with phrase «installations by individual artists»

Since it originated in the»70s, Dia has made a mission of sponsoring, acquiring and maintaining major works and installations by individual artists such as Flavin, Walter De Maria, Donald Judd (1928 - 1994), Sol LeWitt, Bernd and Hilla Becher, Robert Smithson (1938 - 1973) and Michael Heizer.

Not exact matches

There is a lot of very good work by women artists on view at MoMA right now, although aside from Marina Abramovic: The Artist is Present, you would hardly know about many of these shows from the signage in the lobby, and certainly would not know to look for or understand the import of some individual installations.

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

Highlights include a focus on «experimental» drawing with individual displays by artists such as Eduardo Basualdo, from Argentina; Mateo López and Nicolás Paris from Colombia; deconstructed painting and sculpture with largescale displays by Brazilian artists Leda Catunda, Adriano Costa, Maria Nepomuceno, Erika Verzutti and Cuban artists Los Carpinteros, among others; and a strong emphasis on street art and urban culture, with largescale participative installations by Os Gêmeos and Paulo Nazareth from Brazil, and individual displays by Mexican artists Pedro Reyes, Moris, and Edgardo Aragón.

Brooklyn - based artist Jean Shin uses the cast off materials of everyday life — including broken umbrellas, empty bottles, used lottery tickets, and dryer lint — to create complex and laborious sculptures and site - specific installations that speak to the collective notion of memory as lived by countless anonymous individuals.

The installation comprises 74 individual titles of the artist's video and film works, amongst others «24 Hour Psycho» (1993), «Between Darkness and Light (After William Blake)» (1997), «Play Dead; Real Time» (2003), «k. 364 — A Journey by Train» (2010), «Henry Rebel» (2011) and «Phantom» (2011).

Opens March 3, 2011 Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.

Curated by artist Frank Connet and HPAC's Director of Exhibitions Allison Peters Quinn, the exhibition featured insightfully sensitive wall hangings, installations, video / performance and sculptures by Chicago artists Aviva Alter, Danny Mansmith, Dutes Miller & Stan Shellabarger, and Rebecca Ringquist that utilize the stitch to tangibly represent the passionate, chaotic and sometimes painful connection love generates between individuals.

For this show the gallery has been divided into six individual rooms, each space transformed by the artist using installation, performance, sculpture, or drawing.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

As part of a notion of doing everything with a bare minimum of resources, Clemente Jacqs presented eleven individual projects, largely showcasing video, installation and performance, by artists Augusto Marbán, Cristian Franco, Arturo Gómez Guerra, Julián Jaime Contreras, Edgar Cobián, José Alfredo Elías Dabdoub, Omar Aguayo, Lisa Gutiérrez and Cristián Silva.

The Center for Book Arts» Featured Artist Project program showcases the work of individual artists by offering an exhibition or installation of a cohesive or recent body of work.

This paper explores lost installations by both artists, where the effigy's connotations of volatility challenged biopolitical systems of control as well as the reduction of individuals to stereotypes.

Organized as a group of autonomous installations, Shift presents work in thematic groupings, series of works by individual artists and focused looks at single works of art.

A multimedia installation of film projections and audio explores notions of family and love by queer - identified individuals, while a related film, made in collaboration with artist Jennifer Moon, employs footage from home movies to tell a story about memory and the meaning of home.

But in 30 Americans at the Detroit Institute of Arts, three decades of painting, sculpture, installation, photography, and video, making up over 50 works by these artists, explore the full range of events and inspirations that have shaped both their individual practices and art history itself since the 1980s.

Students considered the expanded notions of what constituted sculpture through their encounters of earth works, minimalist objects, installation art, and documents of performance based works while traveling and interacting with their professor and their peers.Students enrolled in ART 4100 - 02 conducted individual research on works by artists Carl Andre, Richard Serra, Alyson Shotz, Maya Lin, Andy Goldsworthy, and group Zero artist, Gunther Uecker.

Gaia November 18, 2012 — May 5, 2013 Site - specific installation Baltimore - based street artist Gaia has created two mural - sized artworks inspired by the museum's iconic Vahine no te Vi (Woman of the Mango) painting by Paul Gauguin and individuals living in the Museum's neighboring Remington community.

MOTHERSHIP is a group exhibition that presents works by artists at varying stages of their careers, celebrating their shared connection as mothers alongside their individual artistic practices in drawing, film, installation, painting, photography, print, sculpture, sound and textiles.

Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

The works range from Joan Snyder's My Pain Is No More Than Being's Pain, which dates from 1983 and is in the Bruce Museum's collection, to individual installations by paired artists Alois Kronschlaeger and Lin Yan that were created specifically to explore this exhibition space.

Her brand new works, commissioned and created especially for this exhibition, include a large - scale sculptural installation, with large plaster works meticulously coloured by hand, and another work suspended from the ceiling which has been hand - crocheted by the artist using thread that has been coloured using dyes created from individual flowers.

Presented as videos and installations, these semi-staged situations are a means by which to examine and test what constitutes a functioning society, and what the role of an individual is within its systems.She is also the co-author of the publication WHO IS AN ARTIST.

Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.