Sentences with phrase «installations challenge viewers»

Sampling images from pornographic films and fashion photography, Liz Neal's paintings and installations challenge viewers with frank and livid depictions of carnality.

The resulting sculptures, videos and installations challenge the viewer's preconceptions of humor, insanity, rationality, schizophrenia, and culturally constructed notions of good and evil.

Not exact matches

A central figure in the California Light and Space movement, Robert Irwin (b. 1928) has been creating installations and works of art for over six decades that challenge viewers» perceptions of the world around them.

While attempting to incorporate text into his sculptures of the period, he was challenged to find a cohesive way of incorporating his voice into his commanding structures, and although he created numerous neon light works and installations, his sculpture evolved in a more conceptual direction, withholding information and requiring a complex response from the viewer by creating «uncomfortable spaces and shapes».

Lydia Okumura (b. 1948, Brazil) actively challenges viewers to question their perception of space through sculptures, installations and works on paper that blur the line Read More»

Lydia Okumura (b. 1948, Brazil) actively challenges viewers to question their perception of space through sculptures, installations and works on paper that blur the line between two and three - dimensions.

He produced these architectural transformations, installations, objects and drawings that challenged viewers» everyday distinctions between art and non-art.

With strong examples of sculpture and installation, these artists invade London and push material boundaries and art fair - goers» attention spans, while challenging viewers to elevate their cognition.

In the installation, Maasai and Zulu war shields rest on either side of the chair, triggering memories of the duality of the Panthers» narrative while challenging the viewer's perspective of the Party.

His sculptural installations challenge perceptions of figurative art by removing the human figure from the viewer's day - to - day experience and re-positioning it within a controlled context.

At the Art Institute of Chicago, whose contemporary - art collection recently expanded into a spacious new wing, curators have begun using the security staff, museum educators, and visitor - services employees to provide interpretive help to viewers encountering such challenging works as Robert Gober's 800 - square - foot installation Untitled (1989 — 96).

Rather than solely addressing the figure in painting, Mothernism challenges Greenbergian ideals of «flatness» by inviting the viewer into her painting - as - installation, a figure / ground relationship so upended as to become participatory, or relational.

According to Benno Tempel, chairman of the international jury, «Sala succeeded the best in creating an installation where the viewer is constantly challenged by image, sound and movement.

For the past 35 years, Presman has created conceptually based installations which move the viewer to re-examine contemporary notions of history and pre-history, as well as to challenge contemporary speculation of what our future holds.

Through her installations, she dramatically alters physical environments, using color and light to challenge how viewers interact...

I am asking» challenges the function of the viewer and their relationship to the work; incorporating drawings, prints and objects to create a three - dimensional installation which is complemented and completed by the addition of the viewer.

As a contemporary artist in China working with diverse traditions and new and ancient media, Huang has built an artistic universe comprised of provocative installations that challenge the viewer to reconsider everything from the idea of art to national identity to recent history.

Chiharu's installations alter and energise the physical and architectural space, challenging our perceptions of the immediate environment and embracing the viewer as an integral part of the experience.

Inquiry's End features one of the artist's most challenging works to date: a ninety - one part wall installation titled A Pattern or Practice (2015) that uses inkless embossing to punch portions of the US Department of Justice report on the Ferguson Police Department into blank white sheets of paper, making the findings all but inscrutable to the viewer.

Isabelle Cornaro employs painting, sculpture, installation, and film in her quest to challenge the way viewers perceive reality, dictated historically and culturally.

Peris has made a name for himself by creating site - specific installations that challenge the viewer's senses as well as the conventional physicality of the gallery space.

Using tactics borrowed from advertising and graphic design, the installation called on viewers to challenge commonly held perceptions regarding sexuality, sex work and the spread of HIV.

Her sculptures, photos, videos, and installations vary greatly in form but consistently challenge the viewer to contemplate what we experience as the human condition.