Sentences with phrase «instance of creativity»

Fully aware that language shapes reality, the very way in which process thinkers use the word «shape» instead of «determine» is deliberate, attempting to show that while partially molded by the totality of the environment, any entity is also an instance of creativity.
If God is the supreme instance of creativity and relatedness, then God's perfect power is supremely and eminently relational.
Perhaps the accent is not so much on creativity being a sufficient condition for novelty, such that every instance of creativity must be novel, as that it is a necessary condition for novelty: There can not be any novelty without the actualization of initial aim in free responsiveness which requires subjectivity as the present instantiation of creativity.
Creativity does not explain why they occur or what form they take, but if they occur at all and regardless of what form they take, each will be an instance of creativity, a fresh unity formed as a new togetherness of the antecedent many and offering itself as a member of the multiplicity of which any subsequent occasion must take account.
We may think of all the forms embodied in each instance of creativity as abstractable from it, since creativity might equally have taken any other form so far as its being creativity is concerned.
Fundamentally they mean that God also is an instance of creativity.
Unlike much of the inherited Western tradition, which has equated creativity with mentality and attributed it only to human beings, process thought considers anything actual at all an instance of creativity, from the tiniest energy event to the most complex creatures we are aware of, human beings; some degree of mentality is present in no matter how rudimentary, even negligible, a form.
We might summarize the process understanding of God's perfection as the supreme instance of creativity and relatedness.
In process thought, anything actual at all is an instance of creativity, from the tiniest energy event to the most complex creatures we are aware of, human beings.
As an actual entity, God is an instance of creativity — the universal substance and material cause.
I take it that the «self - creative unity of the universe» refers to the actual entity insofar as it is a particular instance of creativity.
Both thinkers begin with a dynamic, radically indeterminate source of being, called creativity or being - itself, but proceed according to different models of creation: Tillich adopts the traditional dichotomy between an uncreated creator and created creatures, and identifies creativity with this creator, while Whitehead envisages a multiplicity of self - created creatures, all instances of creativity, among whom God is chief.
It is not unimportant to note that Whitehead never says that creativity is reducible to actual entities (although it is nothing in itself): he always talks about the occasions being instances of creativity and conditioning the transcendent creativity (Process 43).

Not exact matches

Metaphysical statements are, however, highly abstract, and they do not tell us what ideal for creativity God proposes to any particular instance of becoming.
They are all instances of participation, process, or creativity, «the universal of universals characterizing ultimate matter of fact» (PR 31).
which is his «particular providence for particular occasions» (PR 532); the» «superjective» nature of God is the character of the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances» (PR 135).
Creativity, then, makes an adjustment to its immediate past in the sense that the nature and character of each new instance of self - creativity undergo modification in conformity with the nature and character of the past.
He may be said to include the totality of creativity only in the sense of everlastingly remaining an instance of it
There is still, however, the same threefold character: (i) The «primordial nature» of God is the concrescence of a unity of conceptual feelings... (ii) The «consequent nature» of God is the physical prehension by God of the actualities of the evolving universe... (iii) The «superjective» nature10 of God is the character of the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances.
Another way of arriving at the same conclusion is to note that Whitehead explicitly identifies the superjective nature as «the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances» (PR 135).
«The «superjective» nature of God is the character of the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances» (PR 135).
Naturally, the question about creativity is a special instance of the more general account which can be given of Bergson's influence on Whitehead.
Instead of being definite eternal objects, however, which can be modified only by being replaced by other definite eternal objects (or selected from an infinitely dense array of eternal objects), it could be an indefinite, partially vague form by which creativity was instanced.
However, in proposing that agape is the principle of creativity, Peirce attempted to show that specific instances of spontaneity can be the responsibility of an operative principle, agape, which specifically functions creatively.
Consequently, a civilized society is but one further instantiation, among a myriad of such instances, of the ultimate creativity which underlies the very process of the world — it is the realization in human social experience of the inherent principle of «creativity - one - many» at work in all things.
In this stage, education consists of tapping the creativity of which any living organism, anything actual at all, is an instance; it is the stimulation of the restless, ceaseless striving that characterizes life itself.
For the perfected actuality passes back into the temporal world, and qualifies this world so that each temporal actuality includes it as an immediate fact of relevant experience» (351) 3 Some interpreters refer also to Whitehead's reference to the «superjective nature» of God in Process and Reality: «The «superjective» nature of God is the character of the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances» (88).4 In this case, however, the actual warrant lies again on page 351, as it is under the light of that particular passage that the «superjective character» on page 88 is interpreted as a reference to the objectification of the consequent nature.
For instance, within its conceptual framework, it is unable to account for the appearance of contingency, creativity or unexpected novelty in the physical and biological universe.
Last season, for instance, Ozil was widely praised for his brilliant skills and creativity, with the stats showing him to be the most creative player in Europe with his tally of stats and chances created.
For instance, I'd always wanted to have a close - knit group of friends, more creativity in my work, and a lifestyle that would give me the leeway to write longer articles and books.
According to Albonetti, the Regional Council has provided resources such as financial and educational support, with the goal of «supporting growth by appealing to our strengths, but also by turning weaknesses into opportunities, for instance by capitalizing on the different forms of creativity, knowledge, and skills within the territory and supporting new, globally competitive value chains for new market opportunities.»
However, this is something easily done at home (the sky's the limit in terms of creativity and patterns), and WAY cheaper than buying them from Proenza Schouler for instance!
And while sometimes that material was radically different from one to the other, I was overwhelmed to find commonality, for instance, the same book in both places, «The Poetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of language, how the same words can to be constantly reconstructed to describe anew... While language is essential to both practices, they share an incredible ability to transform language or imagery with equal grace into the poetics of a purely visual yet rigorously embedded experience... The work is saturated with content.
For instance, «BOOMI» mixes boom boxes, iPad apps, audio interfaces and dance performances with fair visitors in a «celebration of technology, creativity, physicality and art,» according to a release.
Each of these seemingly insignificant instances reminded me that free time spurs creativity.
For instance, if you are writing a cover letter for the position of a special events manager, you will need to put in a lot of creativity — because creativity is part of your work.
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